Sin of Esther Waters

Esther Waters is a turgid costume melodrama that is only brightened by the presence of Dirk Bogarde and Cyril Cusack.

Set in in 1875, it is fallen woman story. Esther (Kathleen Ryan) is employed as a maid in a country house and falls for the smoothie footman William Latch (Dirk Bogarde).

Latch is interested in his employer's horses and gambling. Not knowing that Esther is pregnant he abandons her and runs off with the daughter of their employer.

Esther a strong willed religious woman is now alone. She decides to raise her baby son and moves from a workhouse to other jobs as a maid. At times walking out because of her employer's attitudes.

Esther is a forthright woman that will not stand for any nonsense. She gets an offer of marriage from a preacher Fred (Cyril Cusack) but some years later William returns to her life.

Now William wants to be with her and her son. He has money from being a bookmaker and also has a pub which Esther decides to run.

Adapted from a novel, it comes across as a tawdry soap opera. Bogarde is a cad but he is also genuinely fond of her. Esther decides to be flexible about her religious beliefs as she decides to run a pub but will not allow gambling to take place.

Esther rises above her circumstances but it is a heavy handed film and Ryan is not suited in the title role. It should had been more lurid but probably held back by the censorship laws of the time.

Kathleen Ryan is the poor and innocent young maid who gets the normal treatment of a lady and ends up down to her neck in trouble, and she is illiterate at that, but you can't really dislike him since he plays it so well, and he honestly makes an effort. It all ends up in the great Derby, the festivity crowd scenes are the treat of the film, and they are several, including the great rural party in the beginning. It's a Dickensian story convincing enough in its realism of the 1870s to 80s including a long dying scene, of which Dirk Bogarde was such an expert and made so many of, usually coughing to death, while Kathleen Ryan in spite of her hardships actually gets along quite well, not actually needing the sympathetic support of Cyril Cusack as the would be catcher in the rye. It's a lovely film of a serving maiden's tale and particularly a film for horse lovers - the final race is a killer.

If you like the British costume dramas of this era, then Esther Waters is for you. Set in the 1880s it follows a servant girl as she meets and falls in love with a young man whose mother she works for - then is shattered when he goes off with another woman, leaving her pregnant and broke. She endeavours to raise the child on her own, finding it difficult because the general public is extremely biased against young unwed mothers. The movie drags a bit, but it is worth a watch!

This is quite a decent Victorian melodrama that sees naive housemaid "Esther" (Kathleen Ryan) fall for the mischievous charms of "Latch" (Dirk Bogarde). Left high and dry - with their baby - after he absconds with another woman, she must struggle to hold down a job and make ends meet at a time when there was no such thing as maternity leave. It is just when she seems to be making some progress that her nemesis turns up again - by now a quite successful pub owner and gambler with underlying health problems - and when he realises that they had a child together, he wants to try to help - and their drama intensifies. There are some lovey scenes set around the famous Epsom Derby horse race and when both actors are on screen at the same time, there is a distinct and quite engaging chemistry between Ryan and Bogarde. Sadly, though, the screenplay isn't up to much and though the support from the likes of Cyril Cusack and the rather matter-of-fact Nuna Davey as the matron tries it's best, the drama itself is actually quite weak and predictable. Keep an eye out for the zip on her frock - a woman well ahead of her times!

I waited up until 2:00 am to see this film back in 1964. Very well done and I was surprised with all the attention paid to "Upstairs;Downstairs" that this film has not made it to video.

The period detail is outstanding and Dirk Borgarde gives a very good performance as does Kathleen Ryan. I have read that Dirk's younger brother played his "son" in this film. By all means, if you have a chance to view this, do so.