A harried, overworked advertising executive is being pursued romantically by one of his clients, a successful perfume magnate ... and his former fiancée. The latest client of the agency is a... Read allA harried, overworked advertising executive is being pursued romantically by one of his clients, a successful perfume magnate ... and his former fiancée. The latest client of the agency is a psychiatrist and author of a new book. When the executive goes over to discuss the ad cam... Read allA harried, overworked advertising executive is being pursued romantically by one of his clients, a successful perfume magnate ... and his former fiancée. The latest client of the agency is a psychiatrist and author of a new book. When the executive goes over to discuss the ad campaign, the psychiatrist turns out to be a woman. But what does he really need? Romance? Or... Read all
- Cab Driver
- (uncredited)
- Morton
- (uncredited)
- Elevator Operator
- (uncredited)
- Herbie
- (uncredited)
- Banker
- (uncredited)
- Elevator Operator
- (uncredited)
- Radio Show M.C.
- (uncredited)
- Nightclub Patron
- (uncredited)
- Dempster
- (uncredited)
- Lewis
- (uncredited)
Featured reviews
I too found nothing to laugh at in this contrived one dimensional film.I presume that by 1948 in this "B" feature, Hedy was getting rather desperate for good scripts or needed the money.The same goes for Robert Cummings.(How mush better he was in Hitchcock's "Saboteur" (1945) with Priscilla Lane or even his "Dial M For Murder (1953)with Grace Kelly.The subject film never touched on psychiatry presumably because the screen writer and producer knew nothing about it and patronisingly considered it an unfunny subject for American audiences in 1948.That just exposes their ignorance when films like Hitchcock's "Spellbound" (1945) had been filmed.Silly irritating sequences of both leads imagining each other's faces superimposed on other peoples bodies really annoyed me.How could two rational people who had reached an elevated position in their respective careers appear so foolish?Pulling silly faces or reacting in a crass way in these sequences is certainly not funny to an intelligent audience.
Why then did I purchase this DVD?Well I had hopes of seeing another good performance by HL like she played in "Come Live With Me"(1941) a witty and literate film opposite Jimmy Stewart.I rate the latter as her best film ever as her own character has verisimilitude as an Austrian refugee - albeit a very beautiful one.At least it is another rare HL film in my collection of her.Verdict - 3/10 could do better.
Wouldn't you know it he gets involved with another women. Psychiatrist Hedy Lamarr has written one of those Dr. Phil type books and Cummings is assigned to publicize the book and her. Before long he's both in love and in need of Lamarr's professional services.
That is one thing I don't get. How could that woman practice that profession with drooling men lying on the coach confessing all their issues. She would be a distraction no doubt.
And here's Cummings caught between the two of them. Got to Love That Bob.
Robert Shayne is on hand as a surgeon in the same medical group as Lamarr. I guess they had those back in the day as well. His part is similar to one he did the before in Welcome Stranger.
Let's Live A Little is kind of cute more than funny. The players have to work hard and get very little in return due to a deficient script.
The story focuses on the ways that romantic attentions, both wanted and unwanted, can get tangled up with workplace and professional responsibilities. It sets up a lot of possibilities, though much of the time the script settles for light humor rather than trying to get more out of a given scene. It does work well enough as a light romantic comedy, and indeed many other movies over the years have had the same options and have made the same choices.
Hedy Lamarr gives the best performance, as a psychiatrist/author whose professional and personal feelings become intertwined. Her character is interesting, and it's a little unfortunate that her dialogue was not written more carefully. But she does quite well with what she has to work with. Anna Sten works well as an amorous cosmetics tycoon. Robert Cummings is believable and likable as an advertising executive, although he sometimes portrays his character as a bit too much of a bungler. Robert Shayne is adequate, though often rather dull, as the fourth of the major characters.
Overall, "Let's Live a Little" is a decent movie to watch as light entertainment when you don't want to think too much. Its low-budget look and its general avoidance of the more interesting possibilities keep it from being much more, but a movie like this can be worth watching if your expectations aren't too high.
When Cummings meets the lovely Ms. Lamarr, he decides women might be worth the emotional difficulties, after all. Lamarr, on the other hand, believes Cummings is a nervous mental patient, rather than a book promoter. They are attracted to each other, but romantic rivals Sten and Robert Shayne (as Richard Field) aren't going to give up easily. Cummings, who co-produced with his new company, handles surreal comedy very well. His dueling leading ladies are good, vaguely recalling Greta Garbo's last two comic roles. The intermittently clever - "Shave as You Go!" - script benefits from director Richard Wallace's work with his stars.
****** Let's Live a Little (12/9/48) Richard Wallace ~ Robert Cummings, Hedy Lamarr, Anna Sten, Robert Shayne
Did you know
- Trivia"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on January 16, 1949 with Robert Cummings reprising his film role.
Details
- Release date
- Country of origin
- Language
- Also known as
- Hell Breaks Loose
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1