IMDb RATING
7.1/10
5.1K
YOUR RATING
Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.
- Awards
- 1 win total
Dick Wessel
- Desk Sergeant
- (as Dick Wassel)
Eddie Borden
- Prison Visitor
- (uncredited)
Helen Dickson
- Fashion Show Attendee
- (uncredited)
Don Haggerty
- District Attorney's Man
- (uncredited)
Sam Harris
- Man in Diner
- (uncredited)
Thomas Martin
- Bartender
- (uncredited)
David McMahon
- Police Lieutenant
- (uncredited)
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Featured reviews
Decent little noir about bad men and unfortunate women
There are a number of ways you can look at this movie, but for me it's a film about a nice girl who can't catch a break with guys. The underrated Lizabeth Scott is effective as a nice girl who's too sexy for her own good; she made me think of the famous Jessica Rabbit line, "I'm not bad, I'm just drawn that way."
Unfortunately, the men in Lizabeth's life are a psycho stalker, beautifully played with understated menace by Raymond Burr, a cheater having a mid-life crisis, and a jailbird. And my impression is every one of them would blame Lizabeth for their own failings.
Taken with the film's other major female character, who has man problems of her own, this movie thinks little of men (unless they are very young or very old), and pretty highly of women.
For me the standout performances were Burr and Scott, but the funny thing about this movie is that, outside of Burr, no one here at IMDb seems to agree much about who's good and who isn't.
While noir films are associated with the detective genre, what makes something noir is its exploration of the darkness within its characters souls and the awful things people are capable of, and this movie takes that on very effectively. It's not a great movie, but it keeps you interested.
Unfortunately, the men in Lizabeth's life are a psycho stalker, beautifully played with understated menace by Raymond Burr, a cheater having a mid-life crisis, and a jailbird. And my impression is every one of them would blame Lizabeth for their own failings.
Taken with the film's other major female character, who has man problems of her own, this movie thinks little of men (unless they are very young or very old), and pretty highly of women.
For me the standout performances were Burr and Scott, but the funny thing about this movie is that, outside of Burr, no one here at IMDb seems to agree much about who's good and who isn't.
While noir films are associated with the detective genre, what makes something noir is its exploration of the darkness within its characters souls and the awful things people are capable of, and this movie takes that on very effectively. It's not a great movie, but it keeps you interested.
Dick Powell's mid-life crisis
Pitfall is about precisely that. Forty something insurance man Dick Powell is getting restless. He's seemingly achieved the American dream, wife, kid, nice home and car. And the nice wife is played by Jane Wyatt who was using this film to warm up for the queen of nice wives in the Fifties as Betty Anderson in Father Knows Best.
Powell is brought a report on a claim that one of the hired investigators Raymond Burr has. Byron Barr has embezzled money that Powell's insurance company is covering. Barr has spent the money lavishly on presents for Lizabeth Scott. Powell has to check this one out for himself. Of course he meets Lizabeth Scott and nature takes its course. Barr mean time is serving time in jail and Raymond Burr has decided to stake out Ms. Scott for himself. Or maybe the right word is stalk.
So we've got Barr serving, Burr stalking, Powell cheating, what's this Lizabeth Scott got to get all these guys hormones working in overdrive?
My description of Pitfall may have been flip up to now, but it really is a fine drama with no real heroes in it, except maybe Jane Wyatt. The best performance in Pitfall goes to Raymond Burr who is really a malevolent figure with his obsession about Scott.
Powell is brought a report on a claim that one of the hired investigators Raymond Burr has. Byron Barr has embezzled money that Powell's insurance company is covering. Barr has spent the money lavishly on presents for Lizabeth Scott. Powell has to check this one out for himself. Of course he meets Lizabeth Scott and nature takes its course. Barr mean time is serving time in jail and Raymond Burr has decided to stake out Ms. Scott for himself. Or maybe the right word is stalk.
So we've got Barr serving, Burr stalking, Powell cheating, what's this Lizabeth Scott got to get all these guys hormones working in overdrive?
My description of Pitfall may have been flip up to now, but it really is a fine drama with no real heroes in it, except maybe Jane Wyatt. The best performance in Pitfall goes to Raymond Burr who is really a malevolent figure with his obsession about Scott.
The best thing about this film is Raymond Burr's creepy performance.
a bit like cape fear problem with the film--the answer to the problem ISN'T that difficult
Dick Powell plays an insurance investigator named John Forbes. His life is very routine and he makes a point (perhaps too much of a point) of beginning the film complaining about how routine his life is. Soon, he meets a woman on a case, Mona Stevens (Lizabeth Scott) and they begin seeing each other--which is a problem since Forbes is married. However, before it goes very far, she breaks it off with him when she learns he's married.
This is not the end to it, though. An insane private investigator (Raymond Burr) is infatuated with Mona and MUST have her. And, when he follows her and sees her with Forbes, this maniac decides to threaten to expose Forbes unless she agrees to be his girl. When this doesn't work, he beats Forbes senseless. And, when that doesn't seem to work, he goes to Mona's old boyfriend and gets the man worked up--so worked up that the old boyfriend comes gunning for Forbes. What's next? See this dark little film to see.
So is this film worth seeing? Yes, though it's far from perfect. As far as the good goes, Raymond Burr is wonderful and is really in his element playing this creepy and sociopathic jerk. He was great in this sort of role and played it in several other films, such as "The Blue Gardenia". Also, the basic story idea is good. However, the film is flawed--seriously flawed. This is because the entire film is based on characters who repeatedly make stupid choices. Any semi-sane man would have told their wife about what had happened or at least they would have gone to the police after they were assaulted and threatened. Many times he COULD have stopped the threats, attacks and eventual catastrophe that occurs at the end--a weakness in an otherwise enjoyable little noir movie. On balance, the good does outweigh the bad.
Dick Powell plays an insurance investigator named John Forbes. His life is very routine and he makes a point (perhaps too much of a point) of beginning the film complaining about how routine his life is. Soon, he meets a woman on a case, Mona Stevens (Lizabeth Scott) and they begin seeing each other--which is a problem since Forbes is married. However, before it goes very far, she breaks it off with him when she learns he's married.
This is not the end to it, though. An insane private investigator (Raymond Burr) is infatuated with Mona and MUST have her. And, when he follows her and sees her with Forbes, this maniac decides to threaten to expose Forbes unless she agrees to be his girl. When this doesn't work, he beats Forbes senseless. And, when that doesn't seem to work, he goes to Mona's old boyfriend and gets the man worked up--so worked up that the old boyfriend comes gunning for Forbes. What's next? See this dark little film to see.
So is this film worth seeing? Yes, though it's far from perfect. As far as the good goes, Raymond Burr is wonderful and is really in his element playing this creepy and sociopathic jerk. He was great in this sort of role and played it in several other films, such as "The Blue Gardenia". Also, the basic story idea is good. However, the film is flawed--seriously flawed. This is because the entire film is based on characters who repeatedly make stupid choices. Any semi-sane man would have told their wife about what had happened or at least they would have gone to the police after they were assaulted and threatened. Many times he COULD have stopped the threats, attacks and eventual catastrophe that occurs at the end--a weakness in an otherwise enjoyable little noir movie. On balance, the good does outweigh the bad.
Enjoyable noir
It's still funny to think that Powell was originally a song and dance man. He does the hard boiled noir character fairly well. Straight laced, stiff but a sucker for a femme fatale. Burr is sufficiently creepy - not perhaps to the extreme of Anthony Hopkins as Hannibal but sufficient nonetheless. It's often interesting to see what kind of careers many actors played before they became famous or landed their most well known roles. This is one of those roles for him. I don't find Lizabeth Scott very believable as a model. She has a funny speech pattern and looks like a heavy smoker. Of course, smoking was considered glamorous in those days. Don't get me wrong, I enjoy her acting in the right roles. But a seductress she is not.
The story works as a basic noir plot. When I read that Jay Dratler was the author I understood why I liked it. He is the author of the original story of Call Northside 777 and Laura which are both well written.
It feels Jane Wyatt is still trying to play Margaret Anderson. Maybe that's what the director wanted but her acting seems out of place. She does well as the faithful, sweet wife. But it just doesn't fit.
Unfortunately the film quality of the version I watched was not too good. It was either washed out or overexposed. That\s not the fault of the film makers but it did effect my further enjoyment of the film. It would be worth restoring.
All film reviews are opinions and you know what they say about opinions...
Overall I liked the film and I'm glad I discovered it. Thank you again TCM!
The story works as a basic noir plot. When I read that Jay Dratler was the author I understood why I liked it. He is the author of the original story of Call Northside 777 and Laura which are both well written.
It feels Jane Wyatt is still trying to play Margaret Anderson. Maybe that's what the director wanted but her acting seems out of place. She does well as the faithful, sweet wife. But it just doesn't fit.
Unfortunately the film quality of the version I watched was not too good. It was either washed out or overexposed. That\s not the fault of the film makers but it did effect my further enjoyment of the film. It would be worth restoring.
All film reviews are opinions and you know what they say about opinions...
Overall I liked the film and I'm glad I discovered it. Thank you again TCM!
Magnificent Film-Noir
In Los Angeles, the insurance executive John Forbes (Dick Powell) is a family man bored with his routine suburban life with his wife Sue (Jane Wyatt) and their son Tommy (Jimmy Hunt). When a man called Bill Smiley (Byron Barr) is arrested for embezzlement, Forbes hires the private investigator J.B. MacDonald (Raymond Burr) to find where the money is. MacDonald discovers that Smiley spent part of the money giving gifts to his girlfriend Mona Stevens (Lizabeth Scott) and becomes obsessed with her. Forbes goes to Mona's apartment to collect the gifts and he does not tell that he is married. Soon they have a brief love affair until Mona learns that his married with child. Meanwhile MacDonald unsuccessfully tries to seduce Mona that becomes friend of Forbes. When Smiley is near to be released, MacDonald poisons him against Forbes and on the day that Smiley is discharge, he gives a gun to him. What will happen to Forbes and Smiley?
"Pitfall" is a magnificent film-noir with a realistic story and well- developed characters. The direction and performances are top-notch and the cast gives credibility to the plot with excellent lines. Dick Powell and Jane Wyatt perform a mature couple that expects to supersede their problem. The gorgeous and sexy Lizabeth Scott is perfect in the role of a seductive femme-fatale. But Raymond Burr steals the show in the role of a despicable and Machiavellian villain. The open end is another plus in this great film. My vote is eight.
Title (Brazil): "Caminho da Tentação" ("Way to Temptation")
"Pitfall" is a magnificent film-noir with a realistic story and well- developed characters. The direction and performances are top-notch and the cast gives credibility to the plot with excellent lines. Dick Powell and Jane Wyatt perform a mature couple that expects to supersede their problem. The gorgeous and sexy Lizabeth Scott is perfect in the role of a seductive femme-fatale. But Raymond Burr steals the show in the role of a despicable and Machiavellian villain. The open end is another plus in this great film. My vote is eight.
Title (Brazil): "Caminho da Tentação" ("Way to Temptation")
Did you know
- TriviaThis was independently produced by Regal Films and released through United Artists. For decades, the film was rarely seen. It can be seen today through the preservation efforts of the UCLA Film and Television Archives.
- GoofsThe public elevator indicator in the Los Angeles Hall of Justice building shows floors 1 to 19. However, in reality, the building is only 14 stories tall.
- Quotes
Tommy Forbes: Dad was a boxer in college!
Doctor: I think he was wise to go into insurance.
Doctor: [handing a prescription to Sue Forbes] Take this up to the drug store.
Sue Forbes: What is it?
Doctor: A course in boxing.
- ConnectionsFeatured in Noir Alley: Pitfall (2018)
Details
- Release date
- Country of origin
- Languages
- Also known as
- La senda tentadora
- Filming locations
- 5424 Bradna Drive, Los Angeles, California, USA(Forbes Family Home)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Runtime
- 1h 26m(86 min)
- Color
- Aspect ratio
- 1.37 : 1
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