Father Was a Fullback

Maltin's movie guide gives this TCF production two-and-half stars which means some staff member didn't wake up in time to turn on the TV. Because this is a sparkling little comedy with inventive lines, lively performances, and first-rate direction. (For example, note director John M. Stahl's clever touch with the love-seat cushion.) Of course, the family-- right out of Wholesome Living, 1940's Style-- is both dated and idealized.

Nonetheless,, the plot hasn't dated at all. Mac Murray's a harried football coach about to lose his job because of a losing season, at the same time his oldest daughter is trying to survive adolescence. The comedy grows out of his sputtering attempts to cope. Four outstanding screenwriters are credited with the chuckle-a-minute script which surprises me. I would think such a concentration as this would cancel out, but happily, it doesn't

Of course, Natalie Wood steals the show as the wise-cracking little sister. Was there ever a child actor more gifted and without annoying affect than she. (Her wrenching performance in The Green Promise {1949} remains an unsurpassed classic.) Wide-eyed Betty Lynn too is outstanding as the angst-ridden, dateless teenager. And, of course, there's the incomparable Thelma Ritter perfecting her stock-in-trade as a mordant housekeeper never stuck for a fractured comment. As good as Mac Murray, Sullivan, and the old pro's are, it's really this supporting cast that makes the movie scintillate.

I expect a programmer like this passed quickly onto the shelves, without appreciation of the minor gem that it is. I'm glad there's an internet opportunity for circulating the recognition these entertainment efforts deserve-- even though the Coopers' are now a long way from the typical American family. And shame on you, Leonard Maltin. Next time, set your alarm.

Fred MacMurray is George Cooper--the coach of State's football team. They are having a horrible season and everyone seems to be second- guessing him...and he's worried that he'll soon be out of a job. In the midst of this, his teenage daughter, Connie (Betty Lynn*) is driving him crazy. The girl is unbelievably emotional and walks about in a Goth-like funk feeling sorry for herself. When George tries to help, he only makes things worse. The maid says he should just 'belt her one'! And, when you see how annoying (too annoying) she is, you kind of wish he'd take the maid's advice! Among the kooky antics involving the daughter are an attempt to create a fake boyfriend to pick up her spirits as well as Connie writing an article about teenage pregnancy...and her parents think she is pregnant. The antics, at times, seem straight from a second-rate sitcom--which is a shame as the rest of the film is much more enjoyable. The 'bubble dancer' portion involving Connie is kind of funny as is the aftermath.

Overall, the film is slight and enjoyable but occasionally the writing lets down the actors--with ridiculous situations and a character (Connie) who is much more of a caricature than a realistic person. Worth watching but don't rush to do so. Fred MacMurray, Natalie Wood and Maureen O'Hara have simply done better films.

*Betty Lynn is best known as Barney Fife's girlfriend, Thelma Lou, from "The Andy Griffith Show". Here, she is considerably younger and her part is incredibly poorly written. Poor Ms. Lynn!

I am so due to watch this film since I really enjoyed it the last time I saw it, which was almost 10 tears ago. I wouldn't think a cornball movie like this, one a lot of people today would think is stupid, would be enjoyable....but it was.

Here's another classic movie in which I enjoyed the corny expressions of the day. Usually I hear those most notably in the early 1930s films but there is lot of it here, too, many of them coming from little Natalie Wood.

Betty Lynn, playing older sister "Connie" to young "Ellen" (Wood), also is good in her kooky role. Fred MacMurray and Maureen O'Hara play the parents, "George and Elizabeth Cooper." This really isn't a football story, despite the title. It's a screwball family-type comedy, many of which I never cared for me, but this has good charm and humor. MacMurray is his normal likable self, as when he played in the early Disney films such as "The Absent Minded Professor."

Since MacMurray plays a football coach, there is some gridiron storyline in here, and it's unique because of the different-kind of ending regarding his team.

This movie has a neat twist at the end of it, too. Not well-known, I suspect, this is a true "sleeper," a fun family movie another era long gone.

Fred MacMurray's having some trouble, both at work and at home. He's a football coach to a perpetually losing team, his teenaged daughter Betty Lynn is depressed because she can't get a date, his wife Maureen O'Hara is spread pretty thin by continually doing damage control, his boss Rudy Vallee keeps pressures him, and his maid Thelma Ritter actually bets against him on game day! His youngest daughter Natalie Wood tries to help her sister by making up a fake suitor, but the lie quickly gets out of hand when Betty wants to meet him. That part of the movie is by far the cutest and funniest, as everyone pitches in to try and help Betty and her imaginary boyfriend-but you'll have to watch the movie to find out the hilarity!

Father Was a Fullback reminded me of a cross between Kiss and Tell, in which a teenaged Shirley Temple makes mischief when her hormones start kicking in, and The Impossible Years, in which Professor David Niven has trouble with his two teenaged daughters when they start dating. If you liked either of those classic comedies, you'll probably like Fred MacMurray's take on it. It's not my favorite old comedy-I adore The Impossible Years- but it was entertaining, and it was very cute to see Maureen O'Hara as Natalie Wood's mom once again.

It took a total four screenwriters (Aleen Leslie, Mary Loos, Casey Robinson and Richard Sale) to adapt one exceptionally thin play by Clifford Goldsmith, a comedy about a losing college football coach and his nutty family in small town America. It's nice to see Maureen O'Hara again playing mom to precocious Natalie Wood (following 1947's "Miracle on 34th Street"), but O'Hara has distressingly little to do here except dote on exasperated hubby Fred MacMurray, the coach who sidelines himself mostly on the couch. The writing and staging are so mechanical you can almost sense the pauses for preconceived laughs, but nobody except Wood and Thelma Ritter (in another of her maid roles) gets anything amusing to say. MacMurray, as usual, looks like a Bassett Hound in a top coat, and older sis Betty Lynn takes an awfully long to bloom (she writes a short story about a teenage bubble dancer, which is funny until O'Hara gives her a solemn talking-to, spoiling the laughs). Jim Backus (billed as James G. Backus) is nice to have around as a neighbor, and Richard Tyler is a handsome kid who works at the gas station (his best line: "Mustaches--do you know how hard they are to grow?!"). The laugh lines aren't deft, though they are occasionally underplayed by the cast, and this creates a droll rhythm which makes up for the lack of any big scenes. **1/2 from ****