IMDb RATING
5.4/10
175
YOUR RATING
A man watching a musical show at the Windmill theatre is shot apparently from the stage. The cast continues the performance so that the detective can solve the murder.A man watching a musical show at the Windmill theatre is shot apparently from the stage. The cast continues the performance so that the detective can solve the murder.A man watching a musical show at the Windmill theatre is shot apparently from the stage. The cast continues the performance so that the detective can solve the murder.
Margo Johns
- Box Office Girl
- (as Margot Johns)
Genine Graham
- 1st Usherette
- (as Genine Grahame)
Ivan Craig
- 2nd Policeman
- (as Ivan Graig)
Barry O'Neill
- Police Surgeon
- (as Barry O'Neil)
Featured reviews
In order to find out who fired the fatal shot during a performance the windmill theatre cast each have to go through their entire routine - in front of a police inspector.
This film is actually just an excuse for us to sit back and watch an entire Windmill theatre performance. The cast in the film are the actual girls who worked there and the routines are what they really did - week in week out.
The Windmill (now sadly long closed,) was in Soho, London - just off Piccadilly circus and a whole generation of actors and comedians got their first break there. The formulae was simple, strippers and erotic dancers would perform on the stage and a comedian would come on in between each act. So, to get the attention of a crowd of sleazy men who had snuck in for a glimpse of flesh you had to be good. And a glimpse was all they ever got - the British censorship laws prohibited anything else. There used to be a plaque of names outside the door with a list of who had played there with names like David Niven, Harry Seacom and a host of others (Norman Wisdom failed the audition). The plaque also boasted that during WW2 `We never closed'.
A lot of countries would think that a slice of history like this would be worth preserving but not us British. As with the Liverpool Cavern club (now replaced with a silly replica,) The Bronte museum (full of phoney replaced artefacts,) and other places where the short term profit from a slice of land or property was more important than any heritage.
So, if you can get a copy this film it is a (slightly sanitised) snapshot of a world long gone. When Piccadilly circus had a real round about with the Eros statue in its centre and every building in the circus had a huge fantastic neon advert. A very enjoyable old film with the subject matter not quite as sleazy as it really was.
This film is actually just an excuse for us to sit back and watch an entire Windmill theatre performance. The cast in the film are the actual girls who worked there and the routines are what they really did - week in week out.
The Windmill (now sadly long closed,) was in Soho, London - just off Piccadilly circus and a whole generation of actors and comedians got their first break there. The formulae was simple, strippers and erotic dancers would perform on the stage and a comedian would come on in between each act. So, to get the attention of a crowd of sleazy men who had snuck in for a glimpse of flesh you had to be good. And a glimpse was all they ever got - the British censorship laws prohibited anything else. There used to be a plaque of names outside the door with a list of who had played there with names like David Niven, Harry Seacom and a host of others (Norman Wisdom failed the audition). The plaque also boasted that during WW2 `We never closed'.
A lot of countries would think that a slice of history like this would be worth preserving but not us British. As with the Liverpool Cavern club (now replaced with a silly replica,) The Bronte museum (full of phoney replaced artefacts,) and other places where the short term profit from a slice of land or property was more important than any heritage.
So, if you can get a copy this film it is a (slightly sanitised) snapshot of a world long gone. When Piccadilly circus had a real round about with the Eros statue in its centre and every building in the circus had a huge fantastic neon advert. A very enjoyable old film with the subject matter not quite as sleazy as it really was.
An early indication that despite having served his apprenticeship at Gainsborough on the comedies of Will Hay Val Guest's crime films tended to be better than his comedies.
'Murder at the Windmill' rather unsatisfactorily combines elements of both by detailing a police investigation against the backdrop of the variety acts; one of which even manages to feature (SLIGHT SPOILER COMING:) a fleeting appearance by Jon Pertwee doing his impression of Danny Kaye.
'Murder at the Windmill' rather unsatisfactorily combines elements of both by detailing a police investigation against the backdrop of the variety acts; one of which even manages to feature (SLIGHT SPOILER COMING:) a fleeting appearance by Jon Pertwee doing his impression of Danny Kaye.
I believe this is the single worst movie I have ever seen. I kept hoping something would improve. Cant believe I sat through the whole thing. The acting was astonishingly horrible. The script ridiculous. The conclusion was improbable and not worth having suffered through all the previous minutes.
This is like no other murder case. More interesting than who done it in this case is how it was done. It could only have been done from stage, so the helpless inspectors have no choice but to endure the whole show over again from the beginning to investigate at which point the shot could have been fired and how. They reach the end of the show until before the finale in a hilarious Mexican number all the girls on stage fire their own pistol.
This is a criminal comedy at its very best. It couldn't be more hilarious. At the same time, it's almost documentary, since this theatre actually never closed during the war but kept on giving shows day and night and was extremely popular in its charming location off the Piccadilly.
The poor inspectors have to suffer through one silly number after another, plagued by a bassoon pedant, silly dances with dogs, satirical ballets making fun of Hollywood, and in between lots of gags in the canteen, police officers getting lost in the theatre falling over chairs, one trying to escape and so on, while the girls keep playing cards when they are not on stage.
It's a wonderful rendering of how life at the Windmill actually went on almost non stop throughout the war with all its idyllic professional but endearing silliness. Applause, and applause again with cries for joy. It's simply adorable.
This is a criminal comedy at its very best. It couldn't be more hilarious. At the same time, it's almost documentary, since this theatre actually never closed during the war but kept on giving shows day and night and was extremely popular in its charming location off the Piccadilly.
The poor inspectors have to suffer through one silly number after another, plagued by a bassoon pedant, silly dances with dogs, satirical ballets making fun of Hollywood, and in between lots of gags in the canteen, police officers getting lost in the theatre falling over chairs, one trying to escape and so on, while the girls keep playing cards when they are not on stage.
It's a wonderful rendering of how life at the Windmill actually went on almost non stop throughout the war with all its idyllic professional but endearing silliness. Applause, and applause again with cries for joy. It's simply adorable.
A Detective and his Sergeant investigate a murder at The Windmill Theatre, how in Earth was a man killed in the front row during a performance, surely one of the cast must have committed the act? The cast perform the show for The Police to determine when, where and whodunnit.
It's a charming film, a comedy, musical whodunnit. It's sentimental, funny and really sweet. Expect laughs, entertainment and a raft of famous faces. The identity of the killer almost becomes insignificant as you're lost in a raft of musical numbers and dances.
The best scene is surely the alluring tableaux, in 1949 that would have been incredibly risqué, it's somehow sexy, but classy and captivating, she had some real talent.
Some very fine performances, as a massive Jon Pertwee fan, I loved seeing him in an early role, it's crazy how much he and his son look alike.
Cameos for Peter Butterworth, who appears in some very funny scenes.
Charming.
6/10.
It's a charming film, a comedy, musical whodunnit. It's sentimental, funny and really sweet. Expect laughs, entertainment and a raft of famous faces. The identity of the killer almost becomes insignificant as you're lost in a raft of musical numbers and dances.
The best scene is surely the alluring tableaux, in 1949 that would have been incredibly risqué, it's somehow sexy, but classy and captivating, she had some real talent.
Some very fine performances, as a massive Jon Pertwee fan, I loved seeing him in an early role, it's crazy how much he and his son look alike.
Cameos for Peter Butterworth, who appears in some very funny scenes.
Charming.
6/10.
Did you know
- TriviaDescribed by Jon Pertwee as "My earliest film of any merit."
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Murder at the Windmill (1968)
- SoundtracksTwo Little Dogs
Written by Val Guest
- How long is Mystery at the Burlesque?Powered by Alexa
Details
- Runtime
- 58m
- Color
- Aspect ratio
- 1.37 : 1
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