Last Holiday

This film happen to be at the top of my all time favourites.

I always thought that Alec and Kay had a sparkle when acting together..."Oliver Twist";"Last Holiday";"The Horses Mouth";"Tunes of Glory"...I did not mention "Scrooge" because they did not appear together in any scene.

It is interesting to note that if two actors have a close rapport then their performance reflects this very well.

In "Tunes of Glory" a number of scenes were cut that had both actors in it. I remember one scene Still had Jock and Mary in bed together. Maybe it was deemed unnecessary and the censor would have made it an "A" movie instead of a "U".

I would greatly appreciate any comments you may have concerning these two actors as I am writing a book about British Film Actresses and a large section will be devoted to Kay Walsh.

Thank you,

MCG

I love this film and it's one of the few I've watched time and time again. It's a forgotten jewel and is infrequently mentioned. For me it has everything that was important of it's era. The social comment is mingled into an entertaining story. How the Health Service is expanding but people go hungry. An over worked Doctor making mistakes. George Bird being projected into a world that is not his own. The irony of riches coming his way when he thinks he has little time left. The Union's getting their grip on the country with strike action. How the upper classes view the lower and vice versa. How George Bird is now viewed as upper class because of his new setting. Post war money laundering. How war heroes can't find work. Love and jealousy. And the ironies - how he buys a dead man's clothes. How he swerves a car to avoid a dog that is due to be destroyed and turns into a road called 'Fallow End.' Then there is the acting. Sid James gives one of his great performance. His 1940's and 1950's work was superb. Sadly remembered for his Carry On performances more than the superb actor that he was. He just holds the scenes and in some cases is competing well with Guinness. For Guinness this is an early film. Ernest Thiesiger makes a great appearance along with many others including the delightful Kay Walsh. Esma Cannon's acting is well done - better than her later performances where 'silly' scripts let her down.

Please do see it if you can. It's a little gem.

Although most Americans have little knowledge of his work other than Star Wars, Alec Guinness produced an amazing body of work--particularly in the 1940s-1950s--ranging from dramas to quirky comedies. I particularly love his comedies, as they are so well-done and seem so natural and real on the screen--far different from the usual fare from Hollywood.

This movie is the story of a man who thinks he is dying and decides to go out in style--living it up among the wealthy and well-bred. After all, he figures, he certainly won't need the money after he's gone! The marvelous acting and experiences among the upper crust make this a must-see. However, be forewarned, this is an incredibly depressing film. I doubt if I would have allowed the movie to be as dark as this one, but at least I can commend those who made it for not taking the easy way out and making a typical Hollywood style ending.

Absent for years in Europe on both TV and Video, I finally managed to acquire this one on a VHS tape from the US. A man learns he has a short time to live and decides to make the most of it by living it up in a luxury hotel. His life suddenly becomes far more interesting, makes more money than ever before and luck generally smiles him in the face. I remember seeing it about Thirty years ago and wondered how a new viewing would affect me. There were one or two disappointments, I had a memory of the film being rather more romantic than it actually is ( nothing much actually happens on this side ) and parts of the film are rather 'chatty'. This said the overall story is quite original. The film captures that now long-lost atmosphere of a luxury 1950's English hotel in the bright sunshine presumably situated in Devon or Cornwall (as we see palm trees in the garden. There are many well-known actors and the script is quite original to say the least. Another of J.B. Priestley's stories 'An Inspector Calls' was also made on film and is actually very good, even better than 'Last Holiday'. Nevertheless, the haunting theme music (solo fiddle) and thedécors are A1. Picture and sound quality are very good for the time (1950) and I am surprised that the film is not readily available on VHS and DVD everywhere! Of course, Alec Guinness was a great actor and his performance here is totally up to standard. If the romantic side of it all had been pushed just a little further the film would have been perfect for me ! The ending of the film is the Wickedest and most unexpected in the history of cinema !

What makes a film good? In this case it's the writing that first draws you in. Writer and co-producer J.B.Priestly (The Old Dark House '32 ~ An Inspector Calls '54) has a way with words that compels the viewer to want to know more about his characters. With wit and a sense of mystery, he surrounds us with multi layered groups of people that are mostly drawn together by chance. In 'Last Holiday' the cruel hand of fate brings us face to face with ultimate irony.

It's filled with marvelous situations, at first upsetting, then wryly funny, leading to an unexpected ending that invites us to examine the way we not only relate to others, but how we treat them. Priestly is examining the bias that all too often accompanies class consciousness. The cast is exquisitely diverse, everyone from bit players to mains, deliver sterling performances under direction from Henry Cass (Glass Mountain '49). Welsh born Cinematographer: Ray Elton (Quartet '48) with his strong grounding in documentaries, brings a realistic look to the fine work of Scottish art director Duncan Sutherland (San Demetrio London '43 ~ The Human Monster '49).

I found the music score by Romanian born composer Francis Chargrin surprisingly melodic for a 50s film of this type. Its thoughtful main theme is equally likable as his later 'The Beachomber' in '54. You might also remember Chargrin for his 'Colditz Story' '55, and 'Grey Friars Bobby' '61. Those who enjoy the always professional performances of Alec Guinness will enjoy his generally dour role in this off-beat mini classic.

My viewing was hindered by Australian TV broadcaster Gem's, persistence in supering 'pop-up' adds for up-coming shows, and their ridiculous LARGE lolly 'Pink' station ID. At least this time they screened the full film after inadvertently leaving out a reel in an earlier screening! Sure wish this broadcaster would treat their viewers, and the films they run with far more respect!