The World in His Arms

In old San Francisco, Marina Selanova (Ann Blyth) - a dark-haired Russian countess on the run from imminent union to the ambitious prince Semyon (Carl Esmond) - implores Captain Jonathan Clark (Gregory Peck) to take her to Alaska after been rejected by his eternal rival Portugee (Anthony Quinn).

Jonathan, an American seal pirate, falls for the diminutive, fresh-faced brunette, while giving her a midnight tour of San Francisco—an impressive similar situation to Peck-Audrey Hepburn in William Wyler's "Roman Holiday."

On the eve of their wedding day, her odious Russian fiancé kidnaps her, and sails for Alaska taking her on his gunboat... He promises to kill her uncle unless she married him as it was originally planned...

The film's highlight is the outstanding windswept race between two boats led by Peck and Quinn from San Francisco harbor to the Fur Seal Islands off the coast of Alaska, with the winner acquiring the other's ship and crew to rescue the lovely heroine...

With her slightly oriental eyes and pleasant lyric soprano voice, Ann Blyth provides feminine decoration for this epic adventure...

Anthony Quinn gives a high-spirited performance as the cunning, sympathetic thief... Quinn is challenged in the film in a 'trial of strength,' an amusing drinking and wrestling bout..

Raoul Walsh's direction is simple, direct and muscular... As a popular entertainer he is confident with a sense of humor... His actions, fury, spirit, skill, ambition and unrestrained dreams remain his forte...

THE WORLD IN HIS ARMS is the sort of film Hollywood made in the 1930s and early 40s and might have starred John Wayne, Errol Flynn, James Cagney or Edward G. Robinson--it's very easy to imagine any of these men in such a formulaic programmer. By the 1950s, such adventure films were practically gone--replaced with more realistic films about more contemporary topics. Now I am NOT complaining about this film--I happen to like these old fashioned films. Sure, the characters and situations were unrealistic, but this sort of escapism is something many will enjoy.

As for the choice of Gregory Peck, he wasn't bad--even though he isn't generally the "type" to play this sort of macho role. Now this isn't to say that Peck wasn't manly enough, but seeing him as a guy who loves loose women, fighting and chaos is certainly a departure from his typical film! Even such seafaring films as CAPTAIN HORATIO HORNBLOWER and MOBY DICK feature Peck in a much more somber, intellectual and dependable sort of man than the slightly crazy Captain Clark in THE WORLD IN HIS ARMS. Again, I am not complaining--just pointing out that this role is a departure for Peck.

Peck's love interest in the film is Ann Blyth, who is quite lovely but also appears too young for Peck. This is due to Blyth looking much younger than she was (24) and because the height difference between them (more than a foot) tended to make her look even younger. She wasn't bad--just an unusual choice.

The film begins in San Francisco. Peck and his crew have just arrived with a ship filled with seal furs. They are rich and in a mood to celebrate. However, an envoy from a Russian Princess (Blyth) tries to engage the ship to take her to safety (she is running from an arranged marriage). Peck refuses outright--he just wants to unwind and have fun. In an odd move, Blyth herself meets Peck and doesn't identify who she is. Peck is taken with her and makes plans to marry her--at which point the Russian husband she is supposed to marry shows up to claim his bride--leaving Peck disappointed and furious. Will Peck catch up to this Princess? Will she be able to avoid a loveless marriage? Well, tune in for yourself and see.

The film has a lot of pluses. First, the color print and cinematography are just lovely. It's the sort of 1950s color that is bold and prettier than real life but not as bold and garish as early Technicolor. Combined with a rousing musical score, the film has lovely aesthetics. The film also features some excellent actors. In addition to Peck and Blyth, Anthony Quinn in on hand in a not particularly subtle but enjoyable role as Peck's nemesis as is John McIntire--an under-appreciated but excellent supporting actor (who, in parts of this film, looks like the spitting image of General Sherman).

Now the film is not without its faults. There is a rather poor use of rear projection in the seal hunting scenes--even by 1950s standards. Also, the story, at times, seems more like comic book or dime novel due to characters who are not exactly believable. It's the sort of film, however, with no pretensions--it's not high art or an Oscar contender and never seemed like it was intended as this.

Overall, a great adventure film for you to just turn off your brain and enjoy. Great old time fun.

By the way, much of the film revolves around seal hunting, which wasn't considered such a big deal in 1952. Starting in the 1960s, worldwide opposition to seal harvesting became an issue and so today some might hate this movie. Try to keep it in historical context and enjoy the film for what it is.

By the way, considering how evil and stupid the Russians are generally shown to be in this film, I wonder if perhaps it was all meant as a metaphor for US-Soviet relations at the time?

Gregory Peck is a pirate that sails his ship all over the northern pacific. He picks up, or gets picked by the Russian countess to extricate her from her fiancé, and take her to Alaska. He winds up in heap of trouble as a result, but during their voyage both fall in love with each other that leads him into even more trouble.

Very good movie about a daring ship captain, and the romance that goes with it. There's something about a high seas adventure that's both romantic and exciting. Add a romance between a rough sea captain and a noble lady, you have one excellent romantic adventure that appeals to all audiences. I've seen this movie since I was a kid, and always enjoyed it every time I saw it.

This is one of the best pirate theme movie made in the golden age of Hollywood. It's still entertaining to watch after half a century of time.

with a lot of senses for this word. because, like each love story, the romanticism is the lead ingredient to define it. but the love story represents only a part for its seduction source. the pure adventure, like in the great films from "50 s, the admirable confrontation between Gregory Peck and Anthony Quinn, the Russian in Alaska and the easy portrait of them in the Cold War period, the title and its meaning, the images and dialogues, Gregory Peck and his great job in a role who seems be, at the first sight, so far by him, all are ingredients of a splendid chain of romanticism nuances who impose this film like a great example of splendid cinema.

Sometimes you just want to watch real adventure and romance and escape. TWWIHA is that and more, shot in Technicolor and full of character and characters this is escapist melodrama at its best.

Gregory Peck plays the Boston Man, a sailor and a sealer, who lands in port and finds love unexpectedly with a Russian countess. Set against the politics of the purchase of Alaska the film spends the first hour in port and then follows 20 minutes of the best sailing sequences caught on film: two tall masters sailing fullspeed and captured to great effect on film, with gaff sails, bumkins, and bowsprits furling this is one of my favorite sailing scenes from any film.

All in all, this is a wonderful romantic adventure film and a terrific way to spend a rainy afternoon.