Forbidden

In 1946, one of the most stylish films of the age came out, "Gilda". It was a story about a rich but rich and ruthless man with a gorgeous girlfriend and the sexual tension generated between her and the tough guy's new, younger partner. And, in "Gilda" you wondered why the rich ruthless guy would bring the pair together. Well, here in "Forbidden" you have the same basic plot with a few differences...only a few. You have the rich, ruthless guy (here it's Lyle Bettger...who even looks and talks a bit like George Macready) once again gets his gorgeous girlfriend (Juanne Dru) together with a young guy (Tony Curtis) and you wonder why...why would he do this when he knows that the pair used to be a number?!

In the case of "Forbidden" there is another agenda. Eddie (Curtis) is working for the government and he's trying to get Christine (Dru) to come back to the States because she knows enough about Keit (Bettger) to put him in prison. And, all the while Keit keeps the pair together...like a cat toying with a couple mice!

It's all quite good and Dru was never prettier. The music is lovely and the film quite good. I just didn't score it higher because it was just a bit too similar to "Gilda".

Even leftovers can be tasty. Rudolph Maté's Forbidden is a stir-fry composed of elements from several movies of the previous decade; Casablanca and To Have and Have Not are in the mix, but the dominant flavors are Macao and Gilda (on which Maté served as director of photography). And while there's nothing fresh about it, it staves off hunger for a feast of film noir – at least for a little while.

Tony Curtis comes to Macao, port of intrigue, on a mission: To locate Joanne Dru, widow of a slain Philadelphia gangster, and bring her back to America (she knows too much). Interests in the City of Brotherly Love chose Curtis because he and Dru were once a hot item; nonetheless, they had him followed by another operative (Marvin Miller, probably best remembered as the unseen John Beresford Tipton's secretary on TV's The Millionaire).

On his way into the Lisbon Club, which Dru's known to frequent, Curtis fends off a murderous attack on its owner (Lyle Bettger), who professes indebtedness and takes him back home to meet his fiancée – Dru. Jagged flashes of lightning alert us that the romance has rekindled. The rest of the movie relates Curtis' attempts to wrest Dru away from Bettger (who plays the George Macready role from Gilda).

There's many an expected slip ‘twixt cup and lip, however. Every clandestine conversation draws unseen eavesdroppers, bringing to mind Charlie Chan's sagacious warning: `Two ears for every mouth.' Thoughts of Chan also appear in the person of Victor Sen Yung, his #2 son in many movies, who plays the Dooley Wilson/Hoagy Carmichael role (from Casablanca and To Have and Have Not, respectively) as a piano player at the Lisbon Club who knows his away around the unknown Macao and puts himself at Curtis' disposal. But just when the imperilled couple think they're home-free, Bettger resurfaces with his shark's-maw smile....

Forbidden looks good, as one would expect from Maté, but it keeps a good pace as well (Maté's D.O.A. had to keep up with Edmond O'Brien's speed-walking, but his The Dark Past and Union Station had their longueurs). It breaks no new ground in the noir cycle, but, as a second-feature, it's decent enough.

A gangster (Alan Dexter) sends Eddie (Tony Curtis) to bring back another gangster's widow (Joanne Dru) as she knows too much information about Dexter's activities. Curtis traces her to Macao but he is also being followed by someone else (Marvin Miller), on the instructions of Dexter, to ensure that he sticks to the plan and doesn't double-cross Dexter. Curtis and Dru were once in love and the thinking is that Curtis can lure her back to the US. On his way to the Lisbon Club, Curtis saves the life of the owner (Lyle Bettger) who then invites him back to his house and gives him a job at his club.....guess who his fiancée is?.....

Bettger puts Curtis and Dru in awkward situations to see if they still love each other, and eventually, the chemistry between Curtis and Dru is re-ignited. From then on, the film becomes a question of how they will get together and escape Bettger and Miller. There are betrayals and misunderstandings before Curtis and Dru make a run for it.......

The pianist at the club (Victor Sen Yung) seems to have been put into a role to provide painfully wooden Chinese wisdom (coz thats what Chinese people do!). Apart from him, the acting is good and the film is enjoyable.

"Forbidden" (1953) is full of suspenseful twists and turns. Tony Curtis is a small-time hood sent by the mob to Macau to neutralize Joanne, who has incriminating information. Joanne Dru, more familiar in westerns than in film-noir, reminds me of Grace Kelly, perhaps better looking and a better actress as well.

The plot gets really moving after Tony, a mobster, saves businessman Lyle Bettger from some powerful enemies - but then what? There are romantic complications and betrayals. If you prefer yesterday's intriguing plots and snappy dialog to today's overdone special effects, this one is for you.

Watching this movie, of course we think of those many adventure drama films where exotic atmosphere is mixed up with femmes fatales, tough villains, romance and so on...GILDA, MACAO, CALCUTTA, TANGIERS, ISTAMBUL. THE BIG STEAL...So this time, nothing is surprising, nothing, it is only a Rudolp Maté's film and showing Tony Curtis, still in his early career and in his one of first interesting roles, besides the costume swashbucklers which he used us so much since several years, also for the Universal Studio. Here, he as a real character and not a stupid one. Good worth film noir for gem diggers. Rather hard to purchase.