Thunder in the East

Paramount must have had some trepidations about Thunder in the East as it was made in 1949 and held up in release for three years. Nat King Cole recorded the theme from Thunder in the East, a song called The Ruby and the Pearl three years earlier. It's quite a beautiful ballad and perfectly suited for Cole's voice, it's the best thing to come out of this routine action film.

Alan Ladd plays an arms dealer selling weaponry for the best price he can exact from the various sides in the Indian Civil War where the boundaries of India and Pakistan were settled in a lot of blood spilled. He's in Ghandahar province which has its rebel Moslem faction. He falls for Deborah Kerr the blind daughter of missionary Cecil Kellaway.

Ladd's got a silly playboy maharajah in Charles Lung to deal with and a prime minister for Ghandahar who is a disciple of Gandhi's non-violence philosophy. Charles Boyer as the prime minister doesn't want the weapons, but the rebel Moslems want them if for no other reason than to keep them out of Hindu hands and if they can't buy them, they'll take them by whatever means necessary.

The film tries to be a critique of Gandhi's non-violence code, but it doesn't rise above being an action/adventure story. The ending is a rather abrupt one and unconvincing. Still fans of the star players will probably like it.

Based on a novel by Alan Moorhead set just after partition in the fictitious Indian state of Ghandahar. Despite the low ratings this film has received - and the fact that Paramount shelved it for nearly three years before they finally got round to releasing it - it's actually not too bad.

As usual Alan Ladd is obliged to play a two-fisted adventurer when he did introspection better, and the early appearance of Charles Boyer in blackface doesn't bode well. But it's nicely moody and downbeat and Deborah Kerr is as usual radiant. (Without giving too much away, the scene where she slaps a man's face and promptly walks straight into a door is probably the film's most memorable moment.)

I liked "Thunder in the East," a 1952 release for this film, made in 1949.

This film looks to have been made on a smallish budget and takes place in the first years of India's freedom from Britain. A man named Steve Gibbs (Alan Ladd) flies in a plane filled with armaments in the Ghandahar province in order to sell them. However, the Prime Minister, Singh (Charles Boyer) wants to achieve a peaceful resolution with the leader of the guerrillas, Khan.

The British living in India are delusional, not realizing that the guerrillas are about to attack. The ones who do get out end up dead en route. Gibbs meets Joan Willoughby (Deborah Kerr) and her parson father (Cecil Kellaway) and manages to meet the maharajah, who defers to the Prime Minister and then leaves the country for the winter.

Gibbs offers his plane, but he gouges the people wanting to leave, which angers Joan, who was falling for him. Now she turns against him and no one will give into what they call blackmail. They gather at the palace, waiting for the guerrillas to attack, and hope that the Prime Minister will let them use the guns he has.

There are a couple of problems with this film. One is the casting of Charles Boyer and his French accent and heavy makeup. I have to say, he was wonderful. He was an underrated actor, but miscast.

The script has a few clichés, particularly the hard core businessman falling for a sweet, altruistic woman. Nevertheless, it certainly held my interest.

I read some complaints about the ending, which for me was the best part of the film. Very dramatic and very exciting. As far as the Prime Minister's beliefs, he was a human being and acted on an injustice viscerally. His idealism went out the window, and that's okay. That's what happens sometimes.

Alan Ladd did a good job in a Bogart-type role. I never considered him much of an actor, but that monotone type of line reading works fine in this type of part, as it did in his film noirs. Deborah Kerr was lovely as a good woman who prides herself on her independence and fearful of losing it.

The film was probably trying to make the point that Gandhi was an idiot, and that following his principles wasn't a good idea. Not sure I'd conclude that in all cases. Maybe in this one.

This film, despite its heavy-handed Hollywood attempt at making heroes out of villains, is a perfect example of how Hollywood handled misinformation in the 1940s and 1950s. American Indians were bad and every Westerner from the Mayflower to California was good. Then, as we got older, we realized just the opposite was true. England was good and anyone who opposed them was bad. And as we got older, we learned that was all lies as well. Occasionally, both the US and England were on the right side of morality, as in WW1 and WW 2, but more often than not, there were merely colonialists and imperialists; especially after WW 2. This film is a perfect example of that. US arms dealer and fuddy-duddy UK colonialists along with a spineless Indian leader. No wonder the Pakistinians took whatever they wanted in the north and broke away from India. Absolutely no relationship to reality.

I guess the 1952 audience was certainly not satisfied with the ending,which abruptly comes as the heroes are still in action. Ending a movie like that was not obvious at the time.

The biggest flaw is French actor Charles Boyer,ridiculously made up as a Hindu.This character,a Gandhi disciple, puts forward wisdom,prayers,peace and love to cowardice and reactionary mind (the English) greed(Alan Ladd's character) , violence (his brothers ,the rebels),and complete irresponsibility (the caricature of a maharajah).He's the only positive character of the story along with the minister and his blind niece (Kerr).It's absolutely impossible to believe Boyer is an Indian ,mainly if you've seen him as a French lover!Besides,he finally demonstrates the opposite of what he stood up for . Ladd's evolution is predictable,from a greedy businessman to a hero (thanks to the blind girl of course).One should notice that Deborah Kerr is too great an actress to play such a poor part that would be suitable for a B movie starlet.Her intellectual playing does not match with down-to-earth Alan Ladd.The movie also suffers from a shoestring budget.

Take George Cukor's "Bhowani junction"(1956) instead.