Executive Suite

For all the MGM-ness of it -- the all-star roster of contract players and freelancers, the classy production values, Louis Calhern doing his reliable devilish-rogue act -- it has touches that one associates with neither the plush studio nor the time period. It's pretty frank about high-powered execs and their mistresses, for one, and the handheld camera of the opening sequence (through unfakeable Wall Street locations, yet) and lack of background music are more typical of independent movies of a few years later. Contrast it with "Woman's World" from the same year, which is also a corporate-power-struggle yarn (and also has June Allyson as a devoted, gauche corporate wifey), but is fake from the get-go. This one is dated in Holden's we're-all-in-this-together speechifying, not to mention the one-company factory town, and Stanwyck's histrionics are a bit over the top. (Hey, I love her too; her unchecked hysterics have to be Robert Wise's fault.) But the dialogue is terser than one generally associates with Ernest Lehman, the shady stock maneuvers are unfortunately as relevant as ever, and the juicy melodramatics still pack a punch. In fact, as corporate drama goes, it's as entertaining as all getout. Fredric March is a standout in a high-powered cast, and Shelley Winters, for once, underplays.

This is a story of a fictional corporation that makes furniture. It's apparently a huge one--with enormous sales. That's why when the president of the company dies that the board of directors is in a tizzy. Various men want to control the company and to do so, they need to create alliances and connive to get the majority of the board members to vote for them. However, despite the conniving and maneuvering, the film ends with a few surprises.

This is a highly unusual film. The biggest difference is that it's an "actor's film" with little of the adornment you'd find in other films--forcing the writers and actors to carry the entire film. The first way you realize it's this sort of film is that the film is missing a sound track! Yes, when the opening credits roll and there is no music whatsoever, you know this is NOT your typical film! And, when you see the wonderful cast of leading men and women as well as noted supporting actors, you also know it's a film built around people--not action. Imagine being a director who's given the likes of Fredric March, Barbara Stanwyck, William Holden, Paul Douglas, Louis Calhern, and the rest as a cast! The only film that immediately comes to mind with less adornment and an even better cast is "12 Angry Men"...and that's a truly great film.

Overall, I liked this film a lot but also think that some may not appreciate all the machinations and the cerebral plot. If you want explosions, romance or comedy, this film certainly is not for you!

Herbert Lehman, the adapter of the novel that serves as the basis for this corporate drama makes a tremendous contribution with his screen play. Little seems to have changed in the way corporate America did business then, which it still holds true today. The film, as directed by Robert Wise, keeps us involved in the maneuvers the executives of the company do behind the scenes when the head of the company dies suddenly.

We are given a gripping drama as to what goes on among all the possible candidates to take the helm of the business. There will only be a winner, but who can be the most qualified person to take the company to do better than it had performed under the dead man? Would it be the ambitious Loren Shaw, a man with facts and figures at the tip of his fingers? Would it be Frederich Alderan, the man who has dedicated almost 30 years of his life to the business? Or would it be McDonald Walling, the younger man who knows what's wrong with the way the company has been turning inferior products to its customers?

The all star cast assembled for the film do an outstanding job guided by Mr. Wise, the director. William Holden plays Walling, the youngest of all the executives. Mr. Holden gave an inspired performance as the man who knows where the focus of the company should be, and he is decent enough not to want to be seen as pushing to get the CEO's job.

Fredric March, one of the best actors of his generation, is one of the best things in the film. His ambitious Loren Shaw, clearly, the man who makes no bones about his aspirations, is one of the best roles he played for the screen. Mr. March's portrayal of the ruthless Shaw gives us an idea of how driven some people in those high places will react knowing the power they'll yield, not caring how they will affect the lives of those under them.

The rest of the players are good. Barbara Stanwyck has a small part as the daughter of the man that created Treadway. Walter Pigeon is Fred, the man who has given his life to this company. Paul Douglas is Walter, the straying man having an illicit relation with his secretary. Louis Calhern is the reptilian Casswell, who stands to make a lot of money out of his gamble to back up Shaw. Nina Foch, the executive secretary Erica, does a fine job in projecting the sadness of a lonely woman who has probably loved the dead man Bullard. Shelley Winters only has a couple of scenes as Eva, the secretary that suddenly sees the light in her situation with Walter.

The film offers a good look at the financial district of New York as it looked in those years. It's sad to realize what the recent events have done to that part of Manhattan and how different it looks today!

A rare look into the business of running a business - a corporation - this is surprisingly entertaining, for adults, I would gather. In the first few minutes, we observe the death of the President of this company, from his p.o.v.-an artful beginning from director Wise. There are 5 Vice Presidents, all of equal rank. One of them will be the new Prez. The selection procedure is pretty simple. The Board, comprised of 7 members (2 other stockholders besides the 5 V.P.'s) votes yes or no on whomever is nominated. 4 'yes' votes or more gets the job.

The cast is superb, really first rate, but the one to watch, for me, was Fredric March as Shaw, the V.P./Controller, whose sole criteria for success is the bottom line. He's smooth, too smooth, and sweats a bit too much. You'll note that nothing is ever seen of his private life, unlike the others. All his energy is geared around the company, but ultimately for his own benefit, even if he doesn't see it that way. All the actors are very articulate, delivering their lines with impressive precision. The maneuvering done by each of the 5 V.P.'s is something to see; one front-runner (Pidgeon) for the top job seems a shoo-in, but just as quickly this sense evaporates. Any of the 5 appears to be the man for the job at one point or another - the decision and vote needs to be reached quickly, before the company starts to suffer, so we add tension to the plot.

This picture has not really dated 50 years later, as much of the sensibilities and office politics remain unchanged today. There may be more sleaziness and unscrupulous behavior nowadays, but even this is presented in the form of one of the board members (Calhern), a sneak who sees the death of the President as just another way to make some money in stocks. After checking this out, you may want to catch the documentary "The Corporation" to get a little more insight into such an entity.

Robert Wise has taken Cameron Hawley's expose of big business shenanigans and turned it into a smart, well-paced melodrama with some superb performances from a highly polished cast--William Holden, Barbara Stanwyck, Walter Pidgeon, Fredric March, June Allyson, Paul Douglas, Shelley Winters and Nina Foch.

Fredric March comes on strong as the most ambitious candidate while Dean Jagger underplays as the weakest. Another who is remarkable in showing restraint for a change is Shelley Winters as Douglas' girlfriend who wishes he had more backbone. Barbara Stanwyck does some fireworks in a strong scene with William Holden but does a restrained piece of acting at the final board scene where she sits and listens as Holden takes command of the situation. Here she reveals without saying a word what a fine actress she is.

While most of it is given the glossy MGM treatment, the settings look realistic and there are some real shots of busy Manhattan streets and buildings. One MGM factor is missing--there is no background music, not even under the credits--remarkable for a film of this period. Somehow, it doesn't matter--and the film hasn't dated much at all. What it has to say about big business still holds true.

Nina Foch is excellent as an executive secretary and fully deserved her Academy Award nomination.