The Purple Plain

A pot-boiler of a Film that is intelligently crafted by Director Robert Parrish. To some it may seem intolerably slow & lacking pace, but to others like myself the Film does something that nearly all Films in the Fifties and indeed many now do not even attempt to achieve, and that is take the time to investigate the main characters in depth and in detail. This is done not via long tracts of dialogue, but via the un-said. In particular Peck and the astonishingly beautiful and talented Win Man Than as 'Anna' develop their relationship in the Film in the subtlest and most delicate of manners. I can find no further information on Win Man Tan, but her performance in this period piece, is one part enchanting, one part mesmerising. We understand fully how Peck's psychiatric problems eventually dissolve as hie begins to find perspective courtesy of love for 'Anna'. This Film is not staggering nor the best piece of Cinema you will ever see, but it is superbly acted, wonderfully cast, sparingly written, adroitly directed, and deserves to be watched by anyone who has a love of Cinema. Recommended, because what we see at our Cinemas today has MUCH to learn from Movie making such as this.

This well-produced and often-moving J. Arthur Rank production stars Gregory Peck as a Canadian flyer serving with the British in Burma, suicidally reckless after his wife's death in the Blitz, who finds new reason for living after meeting a beautiful Burmese girl. Then, however, his plane crashes in the wilderness behind Japanese lines and he has to find a way to get back home with his injured crewman and complaining passenger. It's beautifully shot, well-acted, and a powerful story of hope vs. Despair. Apparently, a popular hit in Britain, it doesn't seem to have made much of a mark in the U. S. but deserves to be much better known.

I suppose the reason why I loved the film so much was that I was actually watching the film being made in Sigaria in Ceylon (Now Sri Lanka). I was part of an RAF Police team from RAF Columbo called to investigate the theft of some property from the set of the film. The visit also gave me the opportunity to actually have breakfast with Grgory Peck before the days shooting. I was astounded by the amount of detail that went into the making of the film, and the amount of responsibility put upon Jean, the continuity girl. Gregory Peck was a perfect gentleman, and I was so proud to actually be introduced to him by Brummie Benson, an RAF extra on the film set. To me, the film depicted courage at it's best, and as said by a previous critic , a simple story, with no over blown heroics,a good and believable cast, and a most enjoyable though somewhat predictable conclusion. But, NO bad language..... It's a pity more films of today cannot follow the same pattern. In all a very good example of the Royal Air Force at it's humble best, and a credit to the J.Arthur Rank Studios for its production

A really fine film and quite remarkable especially for it's time; shot on location (Ceylon standing in for Burma) in color and with an actual Burmese woman for the female romantic lead. As a war film the pacing and lack of any real 'battle scenes' might disappoint a few people. But the film is at its core is a character study of a RAF pilot (Peck) who has 'gone round the bend' suffering from what we'd call PTSD today and how his battle with it consumes him as much as the war with the Japanese.

The other major character - other that the wonderful Win Min Than as the 'love interest' - is the location itself. 'Location as Charter' is something that David Lean latter became famous for but here in this film the immense expanse of jungle and plain becomes a beautiful but deadly antagonist The 'actual enemy', the Japanese Army, is tellingly, never seen.

As this is a British film all the performances (except for -shockingly- the one Scotswoman in the film) are nicely understated. At one point Peck's character admits that he has been trying to get himself killed in battle ever since the death of his wife to which he drolly adds ' you think that would be pretty easy in a war....but all they kept doing was giving me medals....' WWII airplane geeks ( guilty as charged) will appreciate the shots of the De Haviland Mosquitoes in operation.

In The Purple Plain Gregory Peck became the latest in a long list of American stars playing Canadians in order to appear natural in a British production. At least Peck did not attempt an English accent as he did in The Paradine Case where he drifted in and out of one during the course of the film.

The Purple Plain is set in the China-Burma-India Theater of World War II and Peck is a pilot with the RAF. He's a man who takes reckless chances on missions because he's got nothing to live for, his wife having been killed in the blitz in wartime London.

But a doctor friend, Bernard Lee, decides what Peck needs is a new woman and a new purpose in life. He introduces him to missionary Brenda DaBanzie and also to a lovely Eurasian played by Win Min Than in her one and only film. If The Purple Plain has a glaring weakness it's her, she's beautiful, but can't act.

Peck may have a new outlook on life and a reason to live, but that fact is lost on Maurice Denham his bunkmate and copilot. On a routine mission, Peck, Denham, with new navigator Lyndon Brook crash in the Burmese jungle. Will they all survive as Peck's leadership is put to the test?

If the jungle looks familiar, The Purple Plain was shot in Sri Lanka, Ceylon at the time which was for a brief period, a most popular place for film locations. Around the same time Elephant Walk was done here and later on the acclaimed Bridge on the River Kwai. The Purple Plain is beautifully photographed in that jungle.

The Purple Plain is not as good as The Bridge on the River Kwai, it certainly is much better than Elephant Walk. Peck delivers a stalwart performance and gets able assistance from the rest of the cast with the exception of his leading lady. It's worth a look the next time it is broadcast.