World for Ransom

For some reason, the actors in this film, particularly Dan Duryea, found it necessary to speak as if they were in an amphitheater in "World for Ransom," a 1954 film directed by Robert Aldrich.

If I had to describe this film in one word, I'd say "loud."

Mike Callahan (Dan Duryea) is a good friend of Julian Marsh (Patric Knowles), and is also in love with Julian's wife Frennessy (Marian Carr), who met Julian while boyfriend Mike was away in the service.

Julian is up to something no good, and Mike promises Frennessy that he'll get him out of it and bring him home. Frennessy admits that she's unhappy with Julian, but that she won't be able to leave him and go off with Mike while he's in trouble.

Turns out Julian has involved himself with a man named Alex Pederas (Gene Lockhart), a bad guy, and is part of the kidnapping of a nuclear scientist, one of the three men in the world who know how to detonate the H bomb. They're planning on making some big money. Julian has made a mistake in driving a route where he is well known, and he's been photographed by a street photographer. So there's a panic to get the photo and the negative to cover his mistake.

Others on the board have said this is a template for "Kiss Me, Deadly" and that it also is reminiscent of "The Third Man." I see similar plot elements but that's about it. Comparing this to either film is a stretch.

A good start for Aldrich, who was still in his early career and uncredited for this film. I think he did the best he could given the material.

"World for Ransom" is set in Singapore. A gang of crooks have just kidnapped a top nuclear scientist and have done so to auction him off to the highest bidder. Because one of the crooks is a good friend with Mike (Dan Duryea), authorities think he, too, might be involved. But Mike is a standup guy and it takes most of the film to prove he's no communist.

This film is a nice example of Dan Duryea's work as a non-supporting actor or villain...both things he was mostly known for doing. Here he's tough and well cast and the film is never dull. Believable? Perhaps not so much...but it is well worth seeing and is a nice example of Cold War cinema.

I taped World For Ransom when BBC2 screened it during the early hours recently. This is the time when they usually show these sort of movies and I found this one quite good.

Set in Singapore, a group of people plot to kidnap a nuclear scientist who is one of only three people in the whole world who knows how to detonate the H-Bomb. We get to see plenty of people being killed, especially during the final scenes. There is also blackmail, double crossing and punch-ups.

The cast includes Dan Duryea, Patric Knowles (How Green Was My Valley, The Wolf Man), Gene Lockhart (Lost In Space star June's dad) and Nigel Bruce (Dr Watson from the Basil Rathbone Sherlock Holmes movies) in his last movie.

World For Ransom is quite good and is worth checking out.

Rating: 3 stars out of 5.

World for Ransom (1954)

This movie is a Robert Aldrich strain. It's not quite raw enough or exotic enough to rise above its low budget, but it's not for lack of trying. One problem is several so-so actors. But the great asset is the one actor who's pushing his limits, not as a film noir lead, but as a guy lost in the shuffle around him and a little at a loss. Dan Duryea. If you don't know him, this isn't the best place to get a sense of his unique, slightly languid, nice boy, sarcastic style. He's wonderful in his own way. And he's the core of the movie.

We are in Singapore. There is an impossibly convoluted plot about hydrogen bomb secrets and a group of thugs out to steal either the secrets or the bomb itself. The chief bad guy is a little improbable, the great character actor Gene Lockhart (the judge in the classic "Miracle on 34th Street"). He's just not bad enough, or interesting enough. One of the good guys is another character actor, the peculiar and wonderful Nigel Bruce (who you might remember in Hitchcock's "Suspicion" with Cary Grant).. The lead female (Marian Carr) isn't quite a femme fatale or a steamy love interest. She's blonde, of course, and good, overall, but she isn't given much to do.

It doesn't mean much to us to know this but this is basically an extension of a television series along the same lines (same sets, same characters) starring Duryea. It has better production values, I hear (probably due to Aldrich) but it's still hampered by its formulaic television roots, for sure.

Oddly for Aldrich the camera-work is often very stable. Everything looks good, great sets and light, but it's static. And the plot keeps barreling along, adding new minor characters from the administration toward the end (just when we've had enough minor characters). There is drama, and the whole affair is slightly raw and slightly exotic. And there are steamy smokey nights and impersonations and cheesy nightclub acts and of course, the bomb, looming every so subtly.

So it's not half bad, Duryea making the most of his role. Could have been great, but a lot of little pieces are not falling into place.

Soldier of fortune Dan Duryea finds himself helping out Singapore governor Douglas Dumbrille in tracking down nuclear scientist Arthur Shields -- apparently he knows how to build a working H-bomb and always carries the pieces with him, perhaps as a party trick -- while trying to persuade chanteuse Mariann Carr to leave husband Patric Knowles.

Director Robert Aldrich apparently shot this noirish programmer in 11 days as either a film version of Duryea's "China Smith" TV show, or perhaps an attempt to change his movie image. Duryea had been around for more than a decade, a highly capable actor who seemed most notable playing weak-kneed psychopaths. Perhaps it was his resemblance to Richard Widmark, who made his movie debut playing that sort of character, and who surmounted the typecasting, that held Duryea back. Who needed another Widmark, except as a threat to keep Widmark's price down? There's little doubt that Duryea was a capable performer; sity movies and hundreds of TV apperances demonstrated that. He died in 1968, aged 61.