Captain Lightfoot

A colorful, light adventure that plays like a classic swashbuckler, the Ross Hunter production "Captain Lightfoot," is entertaining Hollywood hokum from a screenplay by W.R. Burnett and Oscar Brodney, which was loosely based on Irish history. The casting of Rock Hudson as Mike Martin, aka Captain Lightfood, undercuts any pretense to historical accuracy, despite a supporting cast of Irish players. Although hired more for his looks and marquee value, than his aptness for the role, Hudson nevertheless is amiable, and he attempts a slight brogue that gets slighter as the film progresses. While his good-natured performance is an asset to the movie, Hudson lacks the confidence and bravado that a Burt Lancaster would have brought to the part.

Martin was a bold highwayman in early 19th century Ireland, who worked for a revolutionary society in support of Irish independence. An Irish Robin Hood, Martin stole from the English oppressors to aid the cause and to feed the poor. An Irish rebel patriot, Captain John Doherty, hears of Martin's exploits and enlists him to be his second in command; brought to Dublin by Doherty, Martin is dubbed Captain Lightfoot by Doherty's saucy headstrong daughter, Aga, after a fumbled dance with him. Known as Captain Thunderbolt, Doherty runs a gambling establishment that fleeces the English to fund the independence struggle. Like a boys' adventure movie, "Captain Lightfoot" is often exciting fun. During duels and escapes, fights and chases, robberies and romance, director Douglas Sirk maintains a steady pace.

Barbara Rush provides the requisite love interest as Aga, although the predictable romance between her and Hudson is of the clichéd "hate at first sight" variety, and viewers know the outcome from the first scene. Jeff Morrow, who plays Aga's father, Doherty, arguably gives the film's best performance; he is strong, authoritative, and convincing as a rebel leader. "Captain Lightfoot's" technical credits are also good. Shot on location in Ireland, the scenery is lush and beautiful, and the music, supervised by Joseph Gershenson, is rousing. While undemanding fun, the movie does not rise to memorable, despite the presence of a young Rock Hudson at the cusp of stardom. For Hudson fans, the film is essential viewing, for others, light escapist fun.

When I started watching "Captain Lightfoot", I was taken aback when I saw that Rock Hudson was playing an Irish highway man! But, after getting over the shock, I realized that Hudson wasn't 100% terrible...at least when he remembered to use his Irish accent! But, as I just noted...he often sounded like Rock Hudson and only sometimes remembered the accent. I really don't blame him so much....it was the director's job to notice these sorts of things. Amazingly, it was directed by the very well respected Douglas Sirk....who made some of Douglas' best films. It also was a big budget production...filmed on location in Ireland and in color.

When the story begins, Michael Martin (Hudson) is a cheap and rather dim highwayman along with his friend. But they aren't very good at it and soon end up in really serious trouble with the law when one of their victims pulls Michael's mask off. So, he needed to go into hiding and is rescued by a traveling priest....or at least someone PRETENDING to be a priest. The man turns out to be the infamous Captain Thunderbolt (Jeff Morrow)...a combination Irish patriot, gambler and highwayman. But unlike Michael, he has class and common sense and soon Thunderbolt dubs Michael 'Captain Lightfoot' and makes him his second in command.

A bit later, Thunderbolt is shot and injured during one of his incursions. While in hiding and recovering, he asks Lightfoot to take command of his gambling house AND his household...including his headstrong daughter, Aga (Barbara Rush). You just KNOW that this means sooner or later, the pair will become lovers (I am referring to Aga and Lightfoot, not Thunderbolt and Lightfoot). What's next for these folks? See the film.

Despite being about highwaymen and crime, this film turned out to be a costume drama. Much of the time, folks are wearing colorful fancy outfits, dancing and living in luxury...not the sort of thing you might expect in a film about Irish patriots/bandits. Again, you could see that Universal really pulled out the stops with this one...with a large budget and lots of gloss.

So is it any good? Yes...very good...but not great. The acting is generally good (apart from a few missing accents...not just from Hudson), the locations lovely and the story engaging.

Splendidly shot in the Green Erin - Ireland - this beautiful, magic adventure movie is my own favorite from director Douglas Sirk, who was mostly specialized in melodramas; certainly not adventures and westerns. Which he also gave us from once in a while. As an Universal Pictures stuff, you could hardly avoid Rock Hudson - or it could have been Tony Curtis or Jeff Chandler, other "home" stars. It is an enchanted film, I forgive the naive side of this story that could have also been written for a sword and sandal or even One Thousand and One nights tale, set in Arabian desert or palace. I have great tenderness for this beautiful film.

While Douglas Sirk won't be everybody's cup of tea, which was as true then as to now, he was an interesting director. Perhaps best known for the last of his three primary periods which consisted namely of melodramas, that were always very well made and mostly well acted too but were either intense and moving or pure soap and unintentional camp. Another main reason for seeing 'Captain Lightfoot' was for one of his main lead actors Rock Hudson, who gave some of his best work under Sirk (with him being one of not many directors to fully understand Hudson's strengths).

'Captain Lightfoot', made when Sirk was nearing the end of his middle period, is not among the best films of either of them or one of the best of its genre. Sirk did better with especially 'Imitation of Life' and 'All That Heaven Allows'. As far as his filmography goes 'Captain Lightfoot' is around middle of the pack level. Hudson though comes off better and one can see why he was a popular leading man at the time and in Sirk's, who again really knew what to do with him and what he particularly excelled in, films.

Hudson is an immensely likeable lead, with such an endearing good nature and the charm and charisma factors are there. Barbara Rush is alluring and not too sugary, her chemistry with Hudson is sensitively charming and even if it is very cliched it didn't feel too rushed. Jeff Morrow is even better than the two of them, his performance brimming with authority. The supporting cast are not exceptional but are sturdy enough. Sirk's direction has skill and has some energy.

The film looks great, being very lavishly produced and the photography is very sumptuous. The music has the right amount of heroism, sensitivity and edge. Enough of the writing amuses and charms and the story likewise in parts.

At other points though, the story seemed a little uneventful and could have done with more oomph pace-wise. With the pacing sometimes being rather dull and not containing enough excitement. The script would have been better than it turned out if time constraints were kinder to it, there was a rushedly-written feel to it and with not enough time to give any depth to the characters or what goes on. Which all felt underdeveloped, with some vague politics, and some real credulity straining.

Sirk's direction has moments but he didn't seem in full command of the story, some of it came over as routine.

Overall, worth the look but not great. 6/10

This is not really a drama;this is not a story of sound and fury either. Sirk's swashbuckler is a bit tongue-in -cheek .He often makes a fool of his hero (Rock Hudson ,his favourite actor ,he will be featured in many other Sirk works including the stunning "magnificent obsession" and "written on the wind" ): he tries to help captain Thunderbolt to escape and ends up himself in prison;on the roof he unintentionally rings the bell.Barbara Rush (another Sirk's favourite:she will team up with Hudson again in " Taza" and "obsession")gets a good whacking.The political side remains vague and neither the Irish nor the English seem to take it seriously although it's not really a comedy.But the main interest is the splendid cinematography ,the marvelous landscapes :the scene when Lightfoot and Regis try to escape and end up in the river is masterfully filmed.There's something nonchalant ,which makes "captain Lightfoot" a distant cousin of "a scandal in Paris" (1946) in Sirk's filmography.

That said,it's entertaining but I do not think that it ranks with the director's best films.