Target Zero

Usually Leonard Maltin and I agree on movies....

Not this one. I have seen it perhaps four or five times. An American unit, sitting astride a strategic hilltop, plugging the Main Line of Resistance, is over-run and wiped out. Only a patrol and some stragglers picked up along the way are able to reach the now-undefended hilltop in time.

I found this story to ring true....with good characterizations and plot developments. Sure, the enemy is the two-dimensional Yellow Menace....that's standard with fifties-era movies.....but the mix of up-and-coming young actors is in itself worth the time to view this film.

A good story, well-acted, worthy of a look. And quite useful to someone trying to get a real look at war in Korea after the conflict settled into a stalemate. I recommend it.

Target Zero is your typical war film, this one set in Korea and it gave some due to one other nation present on the peninsula. Richard Conte leading an American squad finds themselves a 3 man British tank crew headed by Richard Stapley. That tank prove to be essential though there is one rather unreal scene where the tank should have been blown up.

Shapley doesn't like Americans he saw his sister ravaged by one during the last war. You know that British saying about the Yanks, "overpaid, oversexed, and over here". Words he lives by.

And there is a woman in the mix. Peggie Castle and Angela Loo UN health workers also stuck behind the lines. Loo is killed and Castle gets both Conte and Shapley's mojo going.

They're trying to reach the rest of Conte's company. What happens when they do is one nasty climatic battle.

One scene I thought rather stupid. The group uses the protection of the tank to clear a path through a mine field. I have to think in real life the tank would have been crippled and useless trying it. Could not buy that at all.

The film is rich in character players though. Charles Bronson is Conte's sergeant and he's got such people as L.Q. Jones, Strother Martin and Chuck Connors among the troops.

An average war film, nothing special.

Spot the Upcoming Stars is as Good as it Gets in this Standard, Clichéd, Static, and Pretentiously Penned Korean War Flick. The Dialog Tries Mightily to be Poetic and Insightful but is Nothing but Lame, Sophomoric, and Silly.

Richard Conte Leads this Band of Stereotypes, who are Introduced in a Prolog with a Jingoistic Melting Pot of American Soldiers Brought Together to Fight the Invading Commies.

This is a Typical 1950's Movie About Fighting Men. Made Just a Few Years After the Conflict Ended, Seems to Offer a Forced and Apologetic Tribute to the 50,000 Americans Who Perished in the Stalemate.

Peggie Castle is Recruited to Nurse the Wounded and is a Striking Blonde Bombshell that is Somehow Found on the Frontlines Amidst the Action but Never Loses Her Made Up Fifties Style Face and Hairdoo.

While Nice to Look At Among the Goofy Grunts, She is Only There for Love (and marriage) Interest for the Soon to be Returning Lieutenant, Have Some Baby Boomers, and Live Happily Ever After.

Overall, a Somewhat Bland Movie with One Good Action Sequence and can Only be Recommended for War Movie Completest.

There have been some very good Korean War flicks..."Target Zero" really isn't one of them. Instead, the film is pretty dull...as well as ridiculous.

The film begins with a small band of American soldiers finding a hot blonde (Peggy Castle) as they try to get back to their unit. This part of the film really annoyed me, as the well-coiffed lady NEVER would have been in this situation and it seemed beyond just a bit contrived. Soon, they come upon a British tank and its crew and a bit later they come upon an American Lieutenant and some more men. Together, this rag-tag group of men...and a woman...need to fight their way back to safety.

This film seemed pretty dull and offered little in the way of excitement. It also had some silly dialog and never seemed the least bit credible or interesting.

Korea, 1952, a UN patrol and a woman are trapped behind red Chinese lines.

Unfortunately, this war film comes close to being truly dreary with about every cliché in the book. Had director Jones registered some troubled emotion from a generally talented cast, it would have helped. Instead, Conte and company act as if being trapped in combat is little more than a walk in the park. And what could be more absurd than those wooden romantic scenes in the middle of life and death.

Then too, the script registers some genuinely leaden dialog, along with limp action staging that has all the combat intensity of a round of hide and seek. Good thing for our side that the Chinese bunch up across open terrain so that a couple of bullets can mow 'em all down.

I get no satisfaction from belaboring these results since I recall when the movie was shot south of Colorado Springs and we high school boys were thrilled at seeing a movie star like the lovely Castle. (Look quickly and you can see Cheyenne Mountain where air tracking defenses for North America are now located underground.)

Still, the movie does have one stunning sequence where a squadron of Lockheed jets swoops really low over uneven terrain to drop their napalm. It's a breath-taking air show. Nonetheless, I expect the movie's most memorable feature are the up-and-comers in the supporting cast—Bronson, Connors, and future TV mogul Aaron Spelling. All in all, however, it's an unfortunately forgettable 90-minutes of people managing to go through the motions.