In 1868 Oregon, after the Army violates the treaty by building a road across the reservation, several tribal chiefs decide to unite their forces against the trespassing whites.In 1868 Oregon, after the Army violates the treaty by building a road across the reservation, several tribal chiefs decide to unite their forces against the trespassing whites.In 1868 Oregon, after the Army violates the treaty by building a road across the reservation, several tribal chiefs decide to unite their forces against the trespassing whites.
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This fine western is a cavalry-Indian affair that has the usual treaty-breaking by the government as it builds a road and fort on Indian land that causes an uproar and leads to war. The military's action sets in motion cavalry-Indian hostilities and the tribes gather for an attack on the fort. Many of the Indians have been baptised and converted to Christianity by a white missionary and live in peace with the soldiers, many serving as scouts under a sergeant played by Jeff Chandler. Complicating matters are two white women the Indians hold as hostages who are at great risk should war break out. Chandler did some his best work in westerns and is the lieutenant whom the Indian soldiers respect and follow faithfully. Chandler's flirtation with a married woman, played by Dorothy Malone, doesn't have much to do with the story other than to give the leading man a romantic interest. Ward Bond, Michael Ansara and Keith Andes are good in supporting roles. Oregon's scenic beauty is on display in this CinemaScope film.
A rather sombre film for veteran director George Marshall, set in Oregon in 1868.
In a well-acted film, Ward Bond is particularly good in a sympathetic role as a preacher; and even Lee Marvin is permitted a touching scene as one of the troop.
In a well-acted film, Ward Bond is particularly good in a sympathetic role as a preacher; and even Lee Marvin is permitted a touching scene as one of the troop.
Slow-paced story gets off to a ponderous start with too much talk and too little action, with only some gorgeous scenery for eye comfort. The fault seems to be George Marshall's sluggish direction of a uniformly bland cast.
All of the actors go through their paces in rather standard roles, including JEFF CHANDLER, KEITH ANDES, WARD BOND and LEE MARVIN and for a western that promises some action when the plot thickens, it's a good half-hour before the conflict between cavalry and Indians provides any thrills.
DOROTHY MALONE has the only substantial female role, as a woman no longer in love with her husband. In make-up and hairstyle, she looks and acts more as though she's a woman of modern times rather than frontier days. The romantic triangle (Malone, Chandler, Andes) is a weak one.
The big set piece is the Indian attack that occurs an hour into the film and wipes out most of the command. It's well staged and vigorously mounted for western action. But it comes too late to alter the slow pacing of most of the story which is either Marshall's or the scriptwriter's fault.
A minor quibble: All of the night scenes have a soundstage look to them, in sharp contrast to all the daytime locations.
Summing up: Lackluster western needed the John Ford touch from George Marshall, with Lee Marvin and his Irish accent less than credible in the sort of supporting role Victor McLaglen usually played. Nothing more than average.
All of the actors go through their paces in rather standard roles, including JEFF CHANDLER, KEITH ANDES, WARD BOND and LEE MARVIN and for a western that promises some action when the plot thickens, it's a good half-hour before the conflict between cavalry and Indians provides any thrills.
DOROTHY MALONE has the only substantial female role, as a woman no longer in love with her husband. In make-up and hairstyle, she looks and acts more as though she's a woman of modern times rather than frontier days. The romantic triangle (Malone, Chandler, Andes) is a weak one.
The big set piece is the Indian attack that occurs an hour into the film and wipes out most of the command. It's well staged and vigorously mounted for western action. But it comes too late to alter the slow pacing of most of the story which is either Marshall's or the scriptwriter's fault.
A minor quibble: All of the night scenes have a soundstage look to them, in sharp contrast to all the daytime locations.
Summing up: Lackluster western needed the John Ford touch from George Marshall, with Lee Marvin and his Irish accent less than credible in the sort of supporting role Victor McLaglen usually played. Nothing more than average.
That scene,when the good doctor courts danger ,when he comes towards an army of angry bloodthirsty Indians ,strongly reminds you of that scene in "the war of the worlds" (1953) when Uncle Matthews ,the minister ,faces up to the Martians ,a Bible and a cross in his hands .But those Indians were supposed to be Christians whereas the ETs were not .Which would tend to show that religion does necessarily calm people down !Jeff Chandler is efficient as sergeant Bell but the love affair is totally bland and Dorothy Malone is totally wasted (hardly 10 lines to say in the whole movie)-she would win an AA for her next movie the famous "written on the wind" melodrama -.Some (Indian only) sadism in certain scenes.
Near the Oregon Trail in what is now southeastern Washington and northeastern Oregon, tribal leaders are upset by the movements of a new cavalry officer and his troops, which break the treaty. An established First Sergeant whom the Indians trust (Chandler) tries to keep the peace, but war is inevitable. Lee Marvin is on hand as a young sergeant while Michael Ansara plays a hostile chief.
"Pillars of the Sky" (1956) came in the tradition of John Ford's Cavalry Trilogy from 1948-1950 and the ensuing "Warpath," as well "The Last Frontier" (aka "Savage Wilderness"). While it's arguably just as worthwhile as the Cavalry Trilogy in its own unique way, it's not as compelling as the other two.
Some of the key actors playing American Indians are Lebanese, Latino, Tennessean, and a New Yorker, but one is a Kickapoo and there are some other genuine Indian peripherals. Overall, their depiction is well done. Meanwhile Chandler's character is supposed to be an alcoholic, but he doesn't look or act like a typical functioning alcoholic, such as Ulysses S. Grant. Actually, Jeff is towering and god-like as the commanding noncommissioned officer, despite his drinking.
There's a love triangle thrown into the mix involving Chandler, Dorothy Malone and Keith Andes. While this might cause some eye-rolling, I'm pretty sure there were one or two love triangles during the decades of the Indian Wars. Speaking of rolling your eyes, there's some lame (and incongruous) comedy involving a raw recruit and his horse, but it's so minor it can be overlooked.
The best thing about this Western is the superb authentic locations and the muscular action. But I also liked the emphasis on Christianity with Ward Bond playing the missionary-physician. You'd never see this today, of course, as it's a great sin now to show Christianity in a positive light. Get real.
It runs 1 hour, 26 minutes (the version I watched), and was shot in northeast Oregon at Joseph and nearby Wallowa Lake, as well as LaGrande, which is to the west of there. Studio scenes were done at Universal Studios in the Los Angeles area.
GRADE: B-
"Pillars of the Sky" (1956) came in the tradition of John Ford's Cavalry Trilogy from 1948-1950 and the ensuing "Warpath," as well "The Last Frontier" (aka "Savage Wilderness"). While it's arguably just as worthwhile as the Cavalry Trilogy in its own unique way, it's not as compelling as the other two.
Some of the key actors playing American Indians are Lebanese, Latino, Tennessean, and a New Yorker, but one is a Kickapoo and there are some other genuine Indian peripherals. Overall, their depiction is well done. Meanwhile Chandler's character is supposed to be an alcoholic, but he doesn't look or act like a typical functioning alcoholic, such as Ulysses S. Grant. Actually, Jeff is towering and god-like as the commanding noncommissioned officer, despite his drinking.
There's a love triangle thrown into the mix involving Chandler, Dorothy Malone and Keith Andes. While this might cause some eye-rolling, I'm pretty sure there were one or two love triangles during the decades of the Indian Wars. Speaking of rolling your eyes, there's some lame (and incongruous) comedy involving a raw recruit and his horse, but it's so minor it can be overlooked.
The best thing about this Western is the superb authentic locations and the muscular action. But I also liked the emphasis on Christianity with Ward Bond playing the missionary-physician. You'd never see this today, of course, as it's a great sin now to show Christianity in a positive light. Get real.
It runs 1 hour, 26 minutes (the version I watched), and was shot in northeast Oregon at Joseph and nearby Wallowa Lake, as well as LaGrande, which is to the west of there. Studio scenes were done at Universal Studios in the Los Angeles area.
GRADE: B-
Did you know
- TriviaBetween takes, Ward Bond argued with Lee Marvin that the US should attack the Soviet Union because of what Bond claimed to be the Communist threat. Marvin, an ex-Marine who served in World War II, was wounded in the fighting on Saipan against the Japanese,. He asked Bond--who had never spent a day in the military due to epilepsy, --how he spent the war. Bond had no real reply, and Marvin pointed out that the only thing Bond knew about war was what he pretended to fight on studio back lots.
- GoofsThe cavalry had a Red Cross wagon. The American Red Cross was not founded until 1881.
- ConnectionsFeatured in Cuba (1979)
- SoundtracksBugle Calls
(uncredited)
Composer unknown
Details
Box office
- Gross US & Canada
- $1,500,000
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 2.35 : 1
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