An Afghan outlaw finally saves a British officer at the cost of his own life.An Afghan outlaw finally saves a British officer at the cost of his own life.An Afghan outlaw finally saves a British officer at the cost of his own life.
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although I was just a teenager when I saw Zarak, I remember very fondly this excellent film, notably the unbelievable Anita Ekberg's dance, certainly one of the most thrilling piece of eroticism of all British films. Director Terence Young was certainly a master of blending sex appeal with action as testified by his latter films (Safari, Dr No...) Ms Ekberg who certainly is the main attraction of the film is not the only one: Victor Mature as Zarak, an afghan rebel (!) is excellent as usual and the British officers are stiff to the point that they look only at Mature and not at Anita Ekberg. Can you believe it? What is amazing me is how such a cult film which has strong fans all over the world lay unissued and can't be seen anymore. When someone somewhere will at last publish this little gem on DVD?
saw this movie at ganesha talkies in mysore,india(1957). was a big fan of victor mature those days.i think it was a big hit in india.in my opinion this movie was much better than the spielberg creations like(the raiders series).
"Zarak" gets off to a roaring start - with us entering the Arabian village where Anita Ekberg's character lives with her old husband, being acquainted with her lusty relationship with his son (Victor Mature) and the father catching them in the act and sentencing them both to death - all within the first ten minutes of the film!!!! After that, it sort of delves into non-stop rebel war fighting scenes, which aren't that engrossing or all that well filmed - only momentarily catching up with Ekberg and her turgid relationship with Mature here and there. There are some very "American" touches of humour which clearly separate this US sword and sandal flick from the much more common Italian ones. But Anita Ekberg's scantily-clad dances, and sizzling seduction scenes are reason enough to seek out this title and sit through the yawn- inducing battle scenes which make up most of the movie.
They don't make 'em like this anymore, and more's the pity. It's hokey, contrived, politically incorrect, and laced with clichés, but it blissfully transports one back to that innocent, popcorn-scented time in the balcony of the local Bijou when Technicolor images flickering across a silver screen could sweep one into a magical world of harem girls and charging horsemen.
Structurally, the film is a bit of a mess, stitching together a forbidden romance between star-crossed lovers, a stiff-upper-lip adventure about civilized British soldiers subduing pagan hordes, and a personal drama about the growing respect between two enemy combatants. While the plot is a mishmash, however, it's never dull, it moves along at a merry clip, and it fills the CinemaScope screen with lively, colorful, filmed-in-Morocco images.
Michael Wilding and Patrick McGoohan are properly British, Anita Ekberg never looked more glamorous, and Victor Mature was born to play just this sort of thing. Lean back, set your brain at "Idle," and enjoy!
(Incidentally, Victor Mature is flogged twice in this movie. The one which occurs in the first reel is especially vivid and it ranks 52nd on a list published in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies.")
Structurally, the film is a bit of a mess, stitching together a forbidden romance between star-crossed lovers, a stiff-upper-lip adventure about civilized British soldiers subduing pagan hordes, and a personal drama about the growing respect between two enemy combatants. While the plot is a mishmash, however, it's never dull, it moves along at a merry clip, and it fills the CinemaScope screen with lively, colorful, filmed-in-Morocco images.
Michael Wilding and Patrick McGoohan are properly British, Anita Ekberg never looked more glamorous, and Victor Mature was born to play just this sort of thing. Lean back, set your brain at "Idle," and enjoy!
(Incidentally, Victor Mature is flogged twice in this movie. The one which occurs in the first reel is especially vivid and it ranks 52nd on a list published in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies.")
In the 1950s and 60s, the buxom Swedish actress Anita Ekberg was a hot commodity. She made quite a few films and was very popular. Why then did someone decide that "Zarak" was a good film for her...playing one of the wives of an Afghan king?! Smudged with brown paint, you can STILL tell it's Ekberg and her blonde hair certainly stands out in a movie set in Afghanistan! Who thought this would be a good idea? Certainly no one with a functioning brain!
While not nearly as bad, the film also features a lot of non-Afghans playing roles for which they aren't suited, such as Victor Mature in the lead. He looked more at place as an Afghan but still was wrong for the part...as were all the many blonde dancing girls who were painted darker in order to make them look...well, like blondes whose skin has been painted! And, if you look, you can sometimes see the line between their actual skin color and the paint...making it funny (and a bit sad).
"Zarak" is a fictional story about an Afghan outlaw during the time when Britain controlled...or tried to control the country. It begins with Zarak (Mature) caught kissing his step-mommy (Ekberg) and daddy sure is angry! He first orders his son killed, but then is convinced just to make him an outlaw and expel him. Soon, Zarak is a very successful bandit with followers...and he's driving the British overlords crazy trying to stop him.
So, am I saying that this is a terrible film? No. But it certainly could have been a lot better. A few other problems are that for a murderous bandit, Zarak never really kills anyone! And, there are several dance sequences that simply make little sense. It an an interesting film...but a flawed one that could have easily been better.
While not nearly as bad, the film also features a lot of non-Afghans playing roles for which they aren't suited, such as Victor Mature in the lead. He looked more at place as an Afghan but still was wrong for the part...as were all the many blonde dancing girls who were painted darker in order to make them look...well, like blondes whose skin has been painted! And, if you look, you can sometimes see the line between their actual skin color and the paint...making it funny (and a bit sad).
"Zarak" is a fictional story about an Afghan outlaw during the time when Britain controlled...or tried to control the country. It begins with Zarak (Mature) caught kissing his step-mommy (Ekberg) and daddy sure is angry! He first orders his son killed, but then is convinced just to make him an outlaw and expel him. Soon, Zarak is a very successful bandit with followers...and he's driving the British overlords crazy trying to stop him.
So, am I saying that this is a terrible film? No. But it certainly could have been a lot better. A few other problems are that for a murderous bandit, Zarak never really kills anyone! And, there are several dance sequences that simply make little sense. It an an interesting film...but a flawed one that could have easily been better.
Did you know
- TriviaVictor Mature offered to pay for Jack Keely's funeral after he was killed in a horse riding stunt while making this film.
- ConnectionsFeatured in The Brigand of Kandahar (1965)
- How long is Zarak?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Zarak Khan
- Filming locations
- Myanmar(on location)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 39m(99 min)
- Aspect ratio
- 2.35 : 1
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