The Last of the Fast Guns

Classic, archetypal hero. Plot twist at the end, which some anticipate and some don't. One of the fastest draws shown in any film. Ending a bit disappointing, as final confrontation is short and not settled with firearms. For fans of the genre, a must-see.

Jock Mahoney is terrific here in this enchanted Universal Studios western. An underrated western which deserves to be more widely known, as much as Anthony Mann's or Delmer Daves' films too. Gibert Roland, as usual, plays the hero's sidekick - remember him in THE TREASURE OF PANCHO VILLA, where the lead hero, Rory Calhoun, is close to Jock Mahoney's role. TREASURE...is also from George Sherman. The plot brings nothing special, compared to another western and the scheme of men search for a woman makes me think of Richard Brooks' THE PROFESSIONALS, and the directing, settings, locations, are terrific and contribute to the quality of this B western; I remind you it is under 79 minutes. When I think about Jock Mahoney - in his black leather outfit, I think about LAST OF THE FAST GUNS. This story could have been made ten yeas later, during tje sixties. And the most juicy part is the symbolic in characters clothes; have you noticed that the good guy wears black clothes whilst the evil one wears white suit? EXCELLENT.

Gunfighter Miles is hired to go south of the border to find a dying man's missing brother. However, things are more complicated than they seem.

Generally underrated western, with good scenic Mexican locations, a non-clichéd plot, along with a few good twists and a colorful cast. Getting Roland, Greene and Franz was a real coup since each is a very distinctive presence. Mahoney certainly looks the part of a western hero, but is a rather bland actor, not to the extent of being a problem, however. Director Sherman makes creative and compelling use of the locations and I especially like the shack set against the cliff; it's like nothing else I've seen. Unlike many oaters set in Mexico, this one comes across as genuinely persuasive. Cristal's role (Maria), surprise, surprise, is little more than eye candy, but I don't blame Ellison (Mahoney) at fade-out. Anyway, don't let the first tame 20-minutes or so fool you, the twists and action pick up considerably.

The Last of the Fast Guns is directed by George Sherman and written by David P. Harman. It stars Jock Mahoney, Gilbert Roland, Linda Cristal, Eduard Franz and Lorne Greene. Music is by Joseph Gershenson and cinematography by Alex Phillips.

Gunslinger Brad Ellison (Mahoney) is hired by a rich tycoon to find his long lost brother. The trail leads to Mexico where hostility and intrigue ensue.

There's nothing overtly fresh about this as per plotting, but it delivers good qualities via some interesting twists and turns. From the sombre beginning it's evident that the makers have contemplation in mind for the narrative drive. Ellison is the last of a dying breed, and he knows it, so should he achieve the task to hand, the $25,000 he will earn could shape his future. As he sets about his detective work, tests come and go, while he is befriended by Miles Lang (Roland) and finds himself flirting with Maria O'Reilly (Cristal). But is everything as it seems? Cast are made of stoic stock, though Cristal is purely eye candy token. Pic is very airy and the Mexican vistas, filmed in CinemaScope/Eastman Color, are gorgeous.

A good meaty Oater that's well mounted, so recommended for genre fans. 7/10

Jock Mahoney is at his best in this one. Lorne Greene and other notables round this one out