War of the Satellites

"War of the Satellites" is a better than average science fiction flick; which, just means, it is not achingly awful. Roger Corman did some genuine stylish and engrossing Edgar Allen Poe films and the cult classic "Little Shop of Horrors," an amazing film, especially when you realize it was shot over a weekend. However, except for this and "Attack of the Crab Monsters," virtually ever other Corman sci-fi is garbage,largely because of the incredibly kitschy special effects. Here the special effects are passable and the set decoration is fairly good. However, what really distinguishes "War of the Satellites" is actor Richard Devon's mostly dignified performance, mindful of Michael Rennie in "The Day the Earth Stood Still". Even more fascinating about Devon's performance is the subtle bisexuality of his character. Watching Devon is far more interesting than anything else going on around him.

Not to say Dick Miller and Susan Cabot do not contribute a lot. Miller, a stalwartly reliable character actor who worked a lot, has his moments and Susan Cabot, a fine, beautiful actress who never got her due, keep the film moving nicely. I am not certain of the of the young actor who first accuses Devon, but he is effective in a very small role. Actually, the acting and fast pacing are what keep "War of the Satellites" from being a total dud. That and the very good black and white photography.

All and all, a pretty entertaining movie.

Roger Corman is well-known for his ability to make something fun and enjoyable out of nothing and War of the Satellites fits the bill. Corman even has a bit part as a ground control radio operator! It is a fast-paced film with an interesting premise that gets right down to business. Just add a few war-surplus props, footage lifted from other films and a set that looks like a basement for a UN meeting scene and Bob's your uncle! I'd love to get my hands on those fabulous reclining chairs that were used by the crew of the rocket ships!

Famously concocted in 8 weeks after director Roger Corman promised Allied Artists a "satellite' movie in time to cash in on America's fascination with (or fear of ) Sputnik, 'War of the Satellites' really has nothing to do with the cold war or the Russian space program or, for that matter, any other reality. Briefly, Earth's attempts to put people in orbit are met with disaster when the ships approach a mysterious barrier and we are warned by the "Masters of the Spiral Nebula Ghana" that humans have been prohibited from exploring space. To ensure our compliance, the aliens kill the head of the space program, Dr. Van Ponder (Richard Devon), and replace him with a sinister doppelganger. Astronomer David Boyer's (Corman perennial Dick Miller) suspicions concerning his new boss leads to a show-down in outer space, the outcome of which could determine the future of humanity. There are some adequate special effects shots, such as the rocket base or the in-orbit assembly of a space station but other than these, the film is strictly a dime-store production, especially the interiors the space ships (featuring recliner lounges with seatbelts) or the flimsy looking control panel manned by none other than Corman himself). The plot/script makes little sense and, other than Miller and Devon, the acting is underwhelming. Typical for a Corman picture, 'War of the Satellites' turned a profit and remains watchable today (half a century after Sputnik fell out of the sky) in a chintzy sort of way.

This is cut-rate science fiction from Allied Artists and producer-director Roger Corman. The United Nations space program involving launching manned spacecraft into outer space is met with defeat after defeat as a strange energy barrier surrounding the planet destroys any craft that gets too close. One last chance is taken with an experimental solar device which will hopefully subvert the energy field, only unbeknownst to the programs members, the proposed captain (Richard Devon) has been replaced by an alien duplicate bent on stopping human efforts in space exploration once and for all.

This was rushed out in reportedly eight weeks, from conception to theaters, in an effort to cash-in on the Sputnik launch in the news. The special effects aren't very special, and a good bit of the film's final third is comprised on people walking back and forth through the same 10-foot stretch of ship corridor. But I liked seeing Richard Devon, a familiar character actor, in a lead role, and there are some fun moments when his true alien nature pops up. Longtime Corman regular Dick Miller gets one of his very few heroic leading man roles, and he uses a more serious voice than normal, much to my amusement. Susan Cabot acts a bit like a robot. This movie is no one's idea of high art, but it hit enough of the right B-movie buttons for me to be entertaining.

In October, 1957, the Soviet Union surprised everyone with the first successful launch and orbit of a spacecraft, a satellite dubbed "Sputnik". That name and the term "satellite" was on front pages of every newspaper in America.

"War of the Satellites" was produced by Roger Corman because he knew he could get a deal (funding) from his distributor by promising a film with the then hot buzz-word, "satellite", on the marquee. His plan worked and the film was rushed together. By then, Corman had a number of capable people he could count on to pull it off. Discount the war-surplus and junkyard props and and the hardly scientific premise and "War of the Satellites" turns out to be fun and a rather credible popcorn epic. It was released on a double bill and the title brought in the expected crowd.