These Thousand Hills

Terrific production values. Great cast. Lackluster script. Terrible soundtrack. Something missing. Too clean and tidy. Not realistic in a strange sense. A melodrama western? Not a bad film just not a really good one and certainly not as good as it should have been given the great cast. Lots and lots of clichés. Main character is not really likable. Many loose ends. Underdeveloped characters. Worth watching for Lee Remick and Patricia Owens.

I can't put my finger quite on the reason why this film falls flat. There just isn't any sizzle or scenes that grab you. Perhaps it is because the role of Latt (the main character) is not sympathetic. He seems to change from a decent guy to a heel almost overnight, forgetting about his true friends. Then he redeems himself instantly at the end. People don't change back and forth and back again like that.

This relatively early exercise in applied psychology by Richard Fleischer was based on a novel by A. B. Guthrie Jr in which rising young star Don Murray played an aspiring social climber with serious childhood issues who courts working girl Lee Remick before cruelly discarding her when she becomes a social embarrassment after initially making the innocent enquiry "Is she anybody's in particular?"

Murray initially naively assumes she's a nice girl since she dresses in green, but that dress has been paid for by Richard Egan, who shows what an utter heel he is by destroying a birthday cake among sundry other misdeeds.

These Thousand Hills casts Don Murray as a young cowboy who arrives in Montana broke but with an idea. Rather than have cattle feed on the open range in winter left to the elements, he wants to grow and store hay for winter feed. In order to do this he romances two women, banker's niece Patricia Owens and saloon girl Lee Remick. Murray's both a hard worker and a fast worker.

This film highlights a growing trend in the Fifties toward adult westerns. They wouldn't yet show it on television, but that Lee Remick is a prostitute is not left to any imagination. In fact even though Remick gave Murray the seed money for his ranch, Murray then objects to pal Stuart Whitman marrying one in Remick's friend Jean Willes.

And Murray's attentions to Remick among other things have made him a bad enemy in saloon owner Richard Egan. Basically you have all the ingredients of the story of These Thousand Hills.

The film really belongs to both Murray and Lee Remick who gives quite a portrayal of a battered woman, again most unusual for any picture in the Fifties let alone a western.

As entertainment the film still holds up well today, but I'd keep it from the littlest ones.

Lat Evans (Don Murray) is an ambitious lonesome cowboy who is figuring on hanging around for a while in Fort Brock, Montana… He is a good name back home… He is out to make it mean something here… He saves some money and wants to buy a ranch… So he went to the bank to see about making a loan… But Marshal Conrad (Albert Dekker) can't afford to back gamblers… For him, it's too much of a risk… He advises Lat to get himself some security—a piece of land, a deed, something to put up—then they'll talk about a loan…

But Callie (Lee Remick), the dance hall girl, who is doing it to keep him with her, gave him her savings—with the promise to pay it back— to buy the ranch he wants…

Meantime another girl appears, the pretty Joyce (Patricia Owens)… She's the niece of the banker… Tidy, educated, she has been to college and all that… Of course Lat owes his start to Callie but he got to finish by himself… What he wants is a starched wife and a starched home and a starched reputation and Callie is spoiling his chances of getting it…

Murray is fine as the man with a future… He doubts if he goes in there his political chances are finished…

Lee Remick hasn't cared for anybody in such a long time… She's honest enough to say she's not worth risking anything for…

Richard Egan is the man who breaks his word, double-crosses his friends and beats up his woman…

Filmed in CinemaScope and color, this big-scale Western is very entertaining with enough action around

These Thousand Hills is a melodrama dressed up as an epic Western in the tradition of The Sea Of Grass (see my review). A sprawling, handsome production with an engrossing story line, it incorporates many traditional western elements, including a cattle drive, a horse race, a nice girl-naughty girl rivalry, and a climactic showdown. Well-turned-out sets and authentic costumes compliment the scenic, on-location, wide-screen, color cinematography. These fetching production values are all wrapped around a rags-to-riches story emphasizing drama and character development rather than action. All about a dirt-poor young cowboy (Don Murray) determined "to make something of himself" no matter how much suffering he has to endure himself or how many friends he has to step on to get to the top.

This picture's best asset is the beautiful, vivacious, and talented Lee Remick, as the good-hearted saloon girl who gives Murray his start. Only third billed behind Murray and Richard Egan, she seems to be the real star of the show. It's a shame she couldn't have had a leading man of matching charisma and talent. Don Murray surely runs a good race with Richard Carlson as the blandest leading man of all time. His lack of virility must shoulder much of the blame for why this well-mounted Western ultimately lacks punch, along with the usually exciting Richard Fleischer's flabby direction, and a less than inspired adaptation of A. B. Guthrie's novel by screen writer Alfred Hayes. Fortunately the rest of the cast helps to make up for Murray's inadequacy. Egan, usually wooden in his more frequently seen heroic roles, is quite spicy here as a sneering villain. A fine cast of supporting actors, all familiar faces in the celluloid West, includes Albert Dekker, Harold J. Stone, and Royal Dano. Brawny Stuart Whitman has a major role as Murray's shady but loyal pal. It would have been a much better picture if he had had Murray's role.

As it was These Thousand Hills was not bad. It was fun to watch for the fine production values, the engaging if slow-moving story, and Lee Remick, who both looked good and acted well. Unfortunately it never lived up to the promise of the exciting bronco-busting and horse racing scenes in the opening reels. Solid, if uninspiring entertainment from an era when Holloywood was starting to forget how to make them like they used to anymore.