The Facts of Life

This is a pretty good movie, as far as situation comedies go. Very typical of the movies Hope was making at that time. Pepole who have only seen the Hope and Crosby Road shows think Hops did only one-liner jokes, actually more of his movies were in the vein of this one. I watched all these movies when they came out in the theaters. I started watching Ball and Hope in movies when I was 8 years old, and they were young people. Mostly, I get a kick out of reading the reader comments. Mature for it's time, Advanced for movies made in that era etc. This was NOT considered a racy movie for the times. There were many with a much more " like today's movies" story line and script. The bedroom farce movies were being made and shown to general public audiences i the 40, and take a look at some of the movies made in the late 20s and 30s, before censorship stepped in. They didn't use swear words and the language they use today in movies in the 30s, but those people made some really "broad minded?" movies then. This was just a run of the mill, cutest movie of the times. If you liked Hope in this, you will also like, That Certain Feeling-- 1956-- Bob Hope and Eva Maire Saint The Iron Pettycoat---- 1956-- Bob Hope and Katherine Hepburn I'll Take Sweden------ 1965-- Bob Hope, Dina merrill You don't want to over look Bob Hope in Beau James--- 1957. Tis is the story of the flamboyant mayor of New York City.

I watched this movie primarily because it was nominated for Best Screenplay, and in that regard, I was not disappointed. There are several funny scenes and some pretty witty dialogue, but overall this movie rates about 6/10. It's a little too long and some of the plot points are pretty contrived, but Bob and Lucy have good chemistry, which makes up for the few weak points in this film.

I was surprised by this film and the quality of work by its two stars. We always think of Lucy as goofy or screwy and Hope either swinging a golf club or playing wingman for Bing Crosby. Billed as a romantic comedy, Hope and Ball aim for the funny bone. But there are some serious adult issues raised. This tasty confection, made in 1960, I think is a lot of fun (though it could have been better paced and the contrivances are a bit much) and it has two terrific old pros at work in roles that you just wouldn't expect them to be in. Lucy looked pretty good when she got all dolled up. And Hope is ageless as ever. I thought they had some chemistry between them. Also includes Ruth Hussey, Louie Nye and Dom DeFore (Ozzie and Harriet's neighbor).

Directed by Melvin Frank and written by Frank with Norman Panama, "The Facts of Life" is an adult love story that will surprise you. Frank & Panama are Bob Hope experts, multiple Oscar nominees and the creators of such classic comedies as "The Court Jester" and "Mr. Blandings Builds His Dream House".

Kitty Weaver and Larry Gilbert are two perfectly nice suburbanites. If Kitty's husband (Don DeFore) seems a little preoccupied with work and his gambling habit, and Larry's wife (Ruth Hussey) a little too caught up with the kids - well, that's life. They have no thought of straying. They certainly have no thought of straying toward each other. However, Fate (in that way of hers) forces these two perfectly nice people to spend time together. Kitty discovers that "the jerk who tells the lousy jokes at the country club" is a genuinely warm and funny fellow. Larry sees a softer side to that stuck up Kitty. Love blossoms with the added complications of vows and conscience.

How Larry and Kitty deal with their feelings, their need to be together and the realities of their lives is played out in a frank, touching and very funny manner. It is wonderful to see two actors who happen to be bona fide comic geniuses working together in such perfect sympathy. The humour of character and situation also involves some gut grabbing slapstick, and some quiet moments that will make you smile or sigh a sentimental sigh for two perfectly nice people.

It's an unmerry marital mix-up amongst the country club set when bored society wife Lucille Ball finds herself inexplicably drawn to Bob Hope, her neighbor and also already married. Melvin Frank comedy doesn't so much expose the funny desperation of the Marital Blahs as it does tweeze it relentlessly (Frank is not the gentle sort of writer-director--he goes for the gut, much like Neil Simon). Ball is thoroughly up to the challenge of a sharp, brittle suburban comedy, but Frank has given old pal Bob Hope the same type of groaning witticisms he supplied him with back in the 1940s (Lucy: "You're a painter??" Bob: "What do you want me to do? Cut off my ear?"). Playing to the camera, referencing Francis X. Bushman and riffing on his own stand-up routine, Hope is the wrong actor for a sophisticated comedy about infidelity. Too bad, because Lucy does very well, the black-and-white cinematography is expressive, and occasionally the writing rises above smarminess to actually reveal something substantial and amusing about marriages in a rut. ** from ****