Where the Boys Are

This film succeeds in the sense that it isn't a stereotypical beach flick. As a current college student, I can attest that it is rather believable, and, oddly enough, some of it applies to college gals today...nearly 40 years later. Actually, WHERE THE BOYS ARE offers the public a fairly realistic, in-depth portrayal of everyday kids in the 60s, as opposed to other beach movies of the period. Simply put: Frankie and Annette had nothing on these gals!

Contrary to what the title may lead one to believe, the focal point is not terribly superficial. Yeah, sure, the girls head to Lauderdale to nab a Yaley or two, but that becomes somewhat secondary to what actually transpires. Whether it was meant to be or not, this film is one of decisions, learning, and friendships that are strengthened due to the experiences four college girls share during Spring Break in Ft. Lauderdale.

The actors themselves are very believable; none of the main players outdo the others. Hart, Mimeux, Francis, and Prentiss do a wonderful job of conveying many different sides to the characters they portray. The supporting cast is equally skilled and effective in varying roles.

Though this isn't Academy Award winning material, it is definitely worth watching!

To be honest, the movie began as a typical- and not so great, teenage comedy flick, in which a couple of youngsters are going on a spring break holiday. "Where the Boys Are" however handles delicate themes delicately and the movie is way more than just another teenage comedy.

Actually quite amazing considering that this movie got made in 1960. The movie and its theme seems far ahead of its time. It makes the movie all the more relevant for the time period it got released in and all the more interesting now days to watch. This movie is basically a good observation of how teenagers handled sexual themes in 1960, without ever getting raunchy or not honest. It's a straightforward flick with its theme but its style ensures that this movie at all times mostly remains an entertaining and light one to watch. The movie also really doesn't feel like it was made in 1960.

It's an all the more interesting movie since it tells the story from the viewpoint of the female characters, which works refreshing for a change.

The movie knows to create a perfect balance between its more serious moments and its entertainment value. With movies like this the drama would often feel forced and out of place since the entire movie is done in a comical style of film-making. The creators of this movie however managed to find the right balance, without ever crossing any lines.

Above all things it's still a very entertaining movie to watch. It's still mostly a comedy that provides some good entertainment and has some likable characters in it.

The characters are also really a reason why the movie works out. Lot of the characters are very stereotypical but luckily the actors don't go over-the-top with their roles, which ensures that we can also really start to like- and feel for some of the characters.

The acting was way better than expected. Paula Prentiss really impressed me, also with her beauty and the movie further more features George Hamilton and Frank Gorshin in some early roles. Gorshin is still perhaps best known for his portrayal of the Riddler in the early "Batman" series.

A surprising and fresh movie that deserves to be seen by more.

7/10

http://bobafett1138.blogspot.com/

There is a Movie reviewer who has what he calls "guilty pleasure" movies or, movies that a serious movie buff might not own up to watching but which he enjoys watching never the less. This is one of those movies. It is fun inspite of all the "trashines". The acting is excellent throughout the cast. It is enjoyable to see the locations used that are easily recognizable for any one who has been to Ft. Lauderdale. The movie has too many funny parts to list, and in the other reviews on this site many have been cited. I would like to add one. In the beginning when Chill Wills and Chief of Police talks to the assembled troopers about how to handle the invasion of the students. A real classic scene. I can't wait for this film to become available on DVD, having worn out my VHS copy. A really fun nostalgia movie

WHERE THE BOYS ARE is very much worth seeing, although extremely dated and a movie that would probably make today's 18 year-old laugh out loud at the innocent boy-meets-girl shenanigans of kids in an era before string bikinis and drunken riots in Fort Lauderdale.

Delores Hart is the crown jewel in this, the very first, "beach movie" that launched a whole summertime surf-romance culture of sand and two- piece swimsuits that, just a few years later, spawned Annette Funicello and Frankie Avalon in their BEACH BLANKET money-makers.

Hart is the embodiment of the girl next door with a face that could melt granite as she, Connie Francis, Yvette Mimeaux, and Paula Prentiss drive down to Fort Lauderdale during spring break in search of boys. They hook up with Frank Gorshin, Jim Hutton, and rich boy George Hamilton. The antics that ensue are so saccharine you could pour them over ice cream as a substitute for chocolate syrup.

It is the Hart-Hamilton romance that is the focal point as Hamilton tries unsuccessfully to seduce Hart on his father's yacht. Near the end, Hart thinks he has dumped her when he fails to show. A disconsolate Hart is left alone on the beach and wonders if she'll ever meet Mr. Right. The final scene between Hart and Hamilton offers a touching romantic twist and caps the whole thing nicely. Of course, the movie's theme song, WHERE THE BOYS ARE, would become Connie Francis'signature piece in years to come.

WHERE THE BOYS ARE is certainly dated, but its depiction of a benign teen culture shows us the world of summertime youth before mores,language, and music took a radical turn toward sex, drugs, and rock and roll.

TRIVIA: Anyone who doubts the existence of real, religious vocation should study the life of Delores Hart. She had made about 8-10 movies including two with Elvis--KING CREOLE and LOVING YOU. Then making the whopping sum of about $50,000 a picture, she was being groomed as the next Grace Kelley when she announced, in 1964, she was entering a convent to become a Catholic nun! Studio producers were beside themselves and most of Hollywood reacted with skepticism thinking it was a publicity stunt. She was, in fact, engaged at that time and her fiancée was heartbroken. But she entered a convent in Bethlehem, Conn. and remains there to this day as Mother Delores!...About 2-3 yrs. ago Hart was interviewed on 20--20 and disclosed she had a rare and painful nervous disorder that limits her movements. But her spirits were high and she spoke easily of the old Hollywood days, hiding nothing, even describing Presley as sensitive and a great guy...Yvette Mimeaux would marry MGM dance choreography Stanley Donan in the 1970's...Paula Prentiss would marry actor Richard Benjamin (GOODBYE COLUMBUS)...And Connie Francis? This is a life story waiting to be produced on the screen. For anyone interested in the real life tragedy of Connie Francis, read WHO'S SORRY NOW.....

Dennis Caracciolo

i don't understand how anyone cannot like this film! the story about the 4 co-eds is mind-grabbing but i couldn't help wondering if all that sex talk would be looked upon well, it being the good old sixties. i would descibe this film as smooth, quirky, dramatic, and fun. i am a HUGE fan of frank gorshin and i loved his portrayl of basil. the whole cast was was very good and that made it a great film. i usually rent this film at least once a month. but am i the only one who adores basil's glasses?