The events that culminated with the Passion of Christ seen from the perspective of Pontius Pilate, the Procurator of Judea who unwillingly condemned Christ to death. Based on the biblical Go... Read allThe events that culminated with the Passion of Christ seen from the perspective of Pontius Pilate, the Procurator of Judea who unwillingly condemned Christ to death. Based on the biblical Gospel of John.The events that culminated with the Passion of Christ seen from the perspective of Pontius Pilate, the Procurator of Judea who unwillingly condemned Christ to death. Based on the biblical Gospel of John.
Manuela Ballard
- Ester
- (as Manoela Ballard)
Featured reviews
The director had great ambitions;he wanted to mix politics with religion but the results show too much confusion,and the fact that Jesus and Judas are played by the same actor (!) doesn't help.Actually Jesus appears lately in the production ;the first half is marred by too many subplots :the aqueduct,the young girl who tries to seduce Pilate,the Sanhedrin,Nicodemus,gladiators devoured by ouch! crocodiles,Barabbas who sometimes seems at the Sanhedrin's beck and call,and of course the Temple.Irving Rapper has certainly De Millesque ambitions but he 's no match for the "ten commandments" man.He should have stuck to melodrama ("Now voyager",1942).
Pilate is played by great actor Jean Marais,but the production is overwhelming and he can't really display his brilliant skills.In fact,the movie is a flashback (Why?The screen play did not ask for that at all).
The second part is more run of the mill Passion stuff even if the camera focuses on Pilate,showing the crucifixion from a distance.To "enliven" things a bit,it seems that Good Friday events are turned into a disaster movie,complete with destruction of Pilate's palace and his wife's death.
Rapper ,like Wyler before him in "Ben Hur" ,never shows the Christ's face,except for a shot of his eyes.As for Barabbas,you'll always be better off with Richard Fleischer's eponymous movie(1962)
Pilate is played by great actor Jean Marais,but the production is overwhelming and he can't really display his brilliant skills.In fact,the movie is a flashback (Why?The screen play did not ask for that at all).
The second part is more run of the mill Passion stuff even if the camera focuses on Pilate,showing the crucifixion from a distance.To "enliven" things a bit,it seems that Good Friday events are turned into a disaster movie,complete with destruction of Pilate's palace and his wife's death.
Rapper ,like Wyler before him in "Ben Hur" ,never shows the Christ's face,except for a shot of his eyes.As for Barabbas,you'll always be better off with Richard Fleischer's eponymous movie(1962)
After looking for this film for decades I find it and sad to say for me is not dubbed
and my Italian is non-existent. Fortunately this is certainly a story quite well known and I could follow it in any event.
Playing the title role of Pontius Pilate is French screen legend Jean Marais and his wife is played by American expatriate Jeanne Crain. The story is told in flashback as Pilate is before the Emperor and the Roman Senate giving an account of that most troublesome of provinces Judea which they can't quite get a hold on.
Such as it seemed the plot followed along the same path of King Of Kings which starred Jeffrey Hunter the year before. Of course told from the occupying Roman point of view. Marais having been joined by Crain and their two kids has wife and kids somewhat taken with the preachings of that carpenter turned rabbi from Nazareth.
No need go into the rest, it can be found in the New Testament in four different versions. Basil Rathbone who was born in Johannesburg, South Africa plays Caiaphas and I really missed hearing that one of a kind voice as he is dubbed in Italian. John Drew Barrymore plays both Jesus and is one bug eyed Judas.
Hopefully we Americans will get an English dubbed version to watch soon.
Playing the title role of Pontius Pilate is French screen legend Jean Marais and his wife is played by American expatriate Jeanne Crain. The story is told in flashback as Pilate is before the Emperor and the Roman Senate giving an account of that most troublesome of provinces Judea which they can't quite get a hold on.
Such as it seemed the plot followed along the same path of King Of Kings which starred Jeffrey Hunter the year before. Of course told from the occupying Roman point of view. Marais having been joined by Crain and their two kids has wife and kids somewhat taken with the preachings of that carpenter turned rabbi from Nazareth.
No need go into the rest, it can be found in the New Testament in four different versions. Basil Rathbone who was born in Johannesburg, South Africa plays Caiaphas and I really missed hearing that one of a kind voice as he is dubbed in Italian. John Drew Barrymore plays both Jesus and is one bug eyed Judas.
Hopefully we Americans will get an English dubbed version to watch soon.
I finally scored an English language copy of this interesting Italian sword-and-sandal style depiction of the life and times of Jesus, focusing on the career of Pontius Pilate, played by legendary French actor Jean Marais (Cocteau's BEAUTY AND THE BEAST). I previously had a Spanish language version, but the dubbing sounded like it was recorded in a radio station last week and there were virtually no sound effects. This original English version is MUCH more enjoyable, with both Basil Rathbone and John Drew Barrymore (as Judas, not as Jesus) doing their own voices in the dubbing. The story is structured with a wrap-around sequence where Pilate is on trial in front of Caesar, and Pilate recounts the events of his life. At the end of the film, we pick back up with this trial and we see what Pilate has learned from his life and from his encounter with Christ. Basil Rathbone, doing his own voice, is quite impressive as the Jewish religious leader Caiaphus--he tries to be a faithful spiritual leader to his people, while he understands the political necessities of the day. The scene where Rathbone challenges Marais to take down the Roman insignias off the Hebrew temple is quite impressive. Of course, the "gimmick" about this film is that John Drew Barrymore plays both Judas and Jesus. Let's start with Judas. This is a role Barrymore was born to play--he was always excellent as a tortured soul or an outcast or a man with a tragic obsession, and in the Judas created by these scriptwriters, the part requires all of these qualities, and Barrymore does a great job. During one of Judas's most intense scenes, we suddenly start getting angular, Orson Welles style shots of Barrymore that are unlike any other shots in the film! Yes, Barrymore also plays Jesus, but we only see Jesus' back and side and closeups of his eyes--frankly, had a man of similar build been under the robe throughout the film and it wasn't John Drew Barrymore, I don't think I would have known. Also, someone else dubs Jesus' voice when He speaks, which isn't very often. Peplum fans will see a number of familiar faces such as Livio Lorenzon and Riccardo Garrone, and the whole film has the look of a sword and sandal film. I feel like I understand more about the political world of Palestine in the days of Jesus after seeing this film, and Barrymore's unique portrayal of Judas is something I won't soon forget. As a fan of sword and sandal films in general, I thought PONTIUS PILATE was quite interesting and overall a success. Perhaps someone could restore the film for DVD? Finally, although my copy of this runs 100 minutes, I have a strange feeling some small sections have been cut. Perhaps the Euro version ran over 100 minutes?
There's plenty of aged beefcake and stale cheesecake on display in Hollywood "woman's director" Irving Rapper's peplum-style Passion Play (co-directed by someone named Caligari) which attempts to cash in on a popular run of big budget biblical epics that began with SOLOMON & SHEBA.
Jean Cocteau's muse Jean Marais, no spring chicken, struts about as the titular magistrate and cuts a fine if flabby figure in his red cape, breastplate, sandals, and tiny gladiator skirt (he's topless, too, at one point) but apparently the only acting he can do is with his profile. Another old profile, Basil Rathbone, is also on hand as an ancient rabbi and a still-attractive Jeanne Crain unintentionally nails "patrician indifference" as Pilate's wife. Pilate's a womanizing martinet not without heart and the gang's all here from a ruthless, cut-throat Barabbas to a bony John Drew Barrymore in a dual role as both Jesus & Judas. The latter has a wild-eyed mad scene that would give JD's dad John a coronary and, like most movies of this sort, the Lord's visage is never shown, just his eyes. The money lenders get thrown out of the temple, too. I never knew the saying "I wash my hands of it" came from Pilate (or if I did, I forgot) and it's illustrated nicely here when he washes his hands after condemning Jesus and the basin water turns red with the Nazarine's eyes reflected in it.
There's much ado about an aqueduct and enough political intrigue between the Jews and the Romans in the first half of the film to put any viewer to sleep before the final crucifixion, which was unlike any I'd seen before on film. There's an eclipse and "spectacular cataclysm" as Jesus dies on the cross but unfortunately, for every plus there's a minus here and although it's no doubt unintentional, the movie does suggest the Jews killed Jesus since sending down an earthquake to destroy Jerusalem during the Crucifixion implies punishment, no? The U.S. release version cut out a wrap-around of Pilate's trial before Caligula but it's been restored (albeit with English subs) and although Rapper had an eye for spectacular widescreen tableaux (there really is a cast of thousands), it's pretty much a bore (albeit a strangely compelling one) and the low IMDb rating is about right for once.
Jean Cocteau's muse Jean Marais, no spring chicken, struts about as the titular magistrate and cuts a fine if flabby figure in his red cape, breastplate, sandals, and tiny gladiator skirt (he's topless, too, at one point) but apparently the only acting he can do is with his profile. Another old profile, Basil Rathbone, is also on hand as an ancient rabbi and a still-attractive Jeanne Crain unintentionally nails "patrician indifference" as Pilate's wife. Pilate's a womanizing martinet not without heart and the gang's all here from a ruthless, cut-throat Barabbas to a bony John Drew Barrymore in a dual role as both Jesus & Judas. The latter has a wild-eyed mad scene that would give JD's dad John a coronary and, like most movies of this sort, the Lord's visage is never shown, just his eyes. The money lenders get thrown out of the temple, too. I never knew the saying "I wash my hands of it" came from Pilate (or if I did, I forgot) and it's illustrated nicely here when he washes his hands after condemning Jesus and the basin water turns red with the Nazarine's eyes reflected in it.
There's much ado about an aqueduct and enough political intrigue between the Jews and the Romans in the first half of the film to put any viewer to sleep before the final crucifixion, which was unlike any I'd seen before on film. There's an eclipse and "spectacular cataclysm" as Jesus dies on the cross but unfortunately, for every plus there's a minus here and although it's no doubt unintentional, the movie does suggest the Jews killed Jesus since sending down an earthquake to destroy Jerusalem during the Crucifixion implies punishment, no? The U.S. release version cut out a wrap-around of Pilate's trial before Caligula but it's been restored (albeit with English subs) and although Rapper had an eye for spectacular widescreen tableaux (there really is a cast of thousands), it's pretty much a bore (albeit a strangely compelling one) and the low IMDb rating is about right for once.
Many reasons to see it, from the interesting - in few points provocative perspective- about the Savior , to an image too idealistic of Pontius Pilate, from Jean Marais decent job to the old recipe of genre, well used. A portrait of Pilate , romantic, off course, far by historical proofs, not doubts but far to be boring or only expression of good intentions. Good performances, nice details for create the atmosphere and seductive try to give the familiar story from different perspective , using the image of good leader in an world remaining far by him against his effort to help it. So, just decent.
Did you know
- TriviaBasil Rathbone, who plays Caiaphas in this, took a turn as Pontius Pilate in the 1935 production from RKO, The Last Days of Pompeii.
- ConnectionsEdited into Caligula and Messalina (1981)
Details
- Runtime
- 1h 40m(100 min)
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content