Flight from Ashiya

Relaxed entertainment for plane films fans dealing with three pilots , US Air Force operating in Japan ; they carry out a rescue attempt over Pacific . Exciting flick with overwhelming aircraft scenes , pyrotechnics , some silly and boring romances and including a moving final . This interesting picture packs big stars , intrigue , action , love stories and historic deeds ; however being deliberately narrated and predominates the melodrama . A helicopter rescue team piloted by Lt. Col. Glenn Stevenson (Richard Widmark), TSgt. Mike Takashima (Yul Brynner) and 2nd Lt. John Gregg (George Chakiris) tries to save the survivors of a shipwreck off the coast of Japan during a raging typhoon . As they are plunged into hell with the most fearless breed of men on earth . Later on , there take place various flashbacks about the aviators ; as 1954 Germany where the Air Rescue Service pull off operations piloted by Glen Stevenson and John Gregg ; Manila during WWII where Stevenson (Richard Widmark) falls in love for a beautiful girl (Shirley Knight , though Tuesday Weld originally announced for this role) and Tunisia 1942 where Mike Takashima (Yul Brynner) to win the heart a gorgeous Arabian woman (Daniele Gaubert) with tragical consequences .

Thrilling film in which there are nail-biting action scenes , drama interlaced with breathtaking aerial scenes , love stories , intrigue , suspenseful set pieces and almost overloaded with stars . The movie gets a simple emotional appeal , professionalism , though being regularly shot and slow-moving . Stiff as well as excessively melodramatic screenplay by Waldo Salt based on the novel by Elliott Arnold . Good trio protagonist as Yul Brynner , Richard Widmark , George Chakiris along with the beauties Suzy Parker , Danièle Gaubert and Shirley Knight . Nice special effects interwoven with impressive aerial scenes and excellent production design by expert Eugene Lourie , though including excessive maquette and scale model . Filmed on splashy color and brilliant cinematography in Panavisión by excellent cameramen Burnett Guffey and Joseph MacDonald . Rousing as well as evocative musical score by Frank Cordell.

The motion picture was middlingly directed by Michael Anderson . This is one of various and professional works of his long career as filmmaker . He was a craftsman with reputation for making a variety of commercial and amusing films , it's well demonstrated in ¨Flight from Ashiya¨. Anderson did most of his best work in the thriving British cinema of the 50s . Anderson was quickly a man with a reputation for making a variety of commercial , entertaining movies . As his films from 1953-58 were all quite well received , his cycle ended with the best of them , the suspense/thriller ,¨Chase a crooked shadow¨ . Latterly resident in Canada , he has continued to direct , mainly in lower-profile projects and TV adventure movies . Anderson has filmed all kind of genres as cinema as TV ; such as Adventure : ¨Around the world in 80 days¨ , ¨Doc Savage¨ , ¨The sea Wolf¨ , ¨20.000 leagues under the sea¨ ; Sci-Fi : ¨Logan's run¨, ¨The martian chronicles¨ , ¨Milennium¨ ; Thriller: ¨The Quiller Memorandum , ¨Dominique is dead¨ , ¨The naked edge¨ , ¨The wreck of the Mary Deare¨ , ¨Murder by phone¨ and Wartime : ¨Battle hell¨, ¨Shake hands with the devil¨, ¨Damm Busters¨, and ¨Operation Crossbow¨ . ¨Flight from Ashiya¨ is an interesting as well as tedious film at times , though it will attract to Yul Brynner and Richard Widmark fans .

If you want to see this film it helps being not too attentive. This film has a nice surface which promises an entertaining, adventurous film but unfortunately "Flight from Ashiya" instead is full of clichés, stereotypical characters and of often unintentionally funny story lines. "Highlight" is the story of Yul Brynner which takes part in Africa and which involves a super-exotic woman and a doll's house's Africa. The end of this part of the film is ridiculous and at the same time disgusting and a perfect example of the exploitation of a character for a very cheap effect. The most funny is the pathetic narrative voice-over commentary which claims that everything in this film really happened - which indeed would surprise me... All in all "Flight from Ashiya" unfortunately is a perfect argument for all the people who despises classic Hollywood films for being stereotypical and false, which this film surely is.

I was surprised to find so few and low rated reviews on this deeply compassionate film about World War II veterans who chose to continue risking their lives by saving lives of others. George Chakiris, Richard Widmark and Yul Brynner have each one their own story to tell of profound human interest, Chakiris battling with a constantly bad conscience for having failed in one rescue emergency operation during the war, Widmark constantly battling with his hatred of the Japanese because of what they did during the war with his love Shirley Knight as a casualty, and Yul Brynner, part Japanese, part Polish, recalling his crushing love affair in Tunisia with a moslem girl he wanted to marry. It's a great film for its very realistic pathos offering an alternative solution to the most common war trauma: not to be able to stop fighting, and usually resorting to drinking or drugs for a bad recompense; but these men channelled their persisting war energy into an Air Rescue Service, battling their guilt complexes and insufficiency traumas by saving and rescuing lives in desperate need. Most of the film is flashbacks from the war, but the situation is of timeless and universal interest.

The screenplay tells the story of three men ,two of whom fought during WW2.Now they all work for Air Rescue Service with a commendable motto.The problem is that the film is far from being commendable.

During a mission,Widmark's dark memories come back to haunt him and ,in the middle of a sea rescue,we're offered a full flashback :he once loved a woman (Shirley Knight),and that is supposed to make us comprehend why he hates Japanese.But if it is bad ,a second flashback (dealing with Yul Brynner's past) is still worse.In a chocolate box North Africa ,he falls in love with an Arab girl -who barely looks Arab anyway.As George Chakiris did not fight during WW2(see above),the director spares us a third flashback,phew! This is a flick where even technical competence is at question and that is very ill-conceived.

In 1964 at Ashiya Air Force Rescue station in Japan, another Flight From Ashiya is launched when word of survivors on a raft in the North China Sea is heard. Two planes are given the mission.

While on the way in flashback we see the lives of three of the men on the rescue mission with various incidents from their past. The three are Colonel Richard Widmark, Lieutenant George Chakiris, and Sergeant Yul Brynner.

You're supposed to take only essentials, but in this situation all three men are taking a lot of baggage along. Both Widmark and Brynner met and lost their true loves during World War II and Chakiris blames himself for the deaths of several people during another mission ten years earlier that both Widmark and Brynner were on.

There are some very nice flying and rescue sequences in Flight From Ashiya, aviation buffs will love this film.

Best performance in the film has to be Yul Brynner the half Japanese half Polish American sergeant who decided to make a career of the Armed Services even after World War II. My guess is that Brynner probably served in the 443rd Division of Nisei and served in Italy as well as North Africa where his flashback takes place.

Widmark was a civilian pilot who ran an airline in the Phillipines before World War II where he met Shirley Knight. What happens to both of them after Pearl Harbor and the invasion of the Phillipines shapes Widmark's attitudes.

Last year Dennis Quaid and Ashton Kutcher did a film about the Coast Guard Rescue Force called Swimmer. A lot of Flight From Ashiya was incorporated into that film. That was a worthy successor to Flight From Ashiya.