IMDb RATING
6.4/10
5.1K
YOUR RATING
A womanizing reporter for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown.A womanizing reporter for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown.A womanizing reporter for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown.
- Awards
- 1 nomination total
John Alban
- Nightclub Patron
- (uncredited)
6.45K
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Featured reviews
Cut and very silly, the 60's summed up...
Wood is the 'single girl,' a 20 year old doctor who just released a book on sex as a single girl, the catch is... she's still a virgin. Curtis is a sleazy reporter covering a story on Wood and her book. Curtis eventually falls for Wood's character, beneath all the lies he has told her. Cute side-stories with Henry Fonda and Lauren Bacall. Worth a watch just for the chase seen near the end.
Fun Movie with Touchy Subject Matter
There is something infectious about this comedy. The cast is about as perfect as you can get, but the subject matter was a bit awkward when compared to today's mores.
Before Carrie Bradshaw there was Helen Gurley Brown (Natalie Wood) a real life psychologist and businesswoman (she was editor of Cosmo for 32 years). Ms. Brown has just written a very controversial book about sex and the single girl (hence the title). It creates a firestorm amongst her male colleagues and her conservative patients. Tony Curtis is Bob Weston, a writer for a sleazy National Enquire-esque magazine called Stop. Bob wants to get an interview with Ms. Brown, but pretends to be a patient in need of marital counseling as a ruse. He uses his next door neighbors', Frank (Henry Fonda) and Syvia (Lauren Becall), volatile marriage as material. Of course a romance blossoms and then the normal confusion and hijinks ensue.
My issue with the film is the way Ms. Brown is portrayed. She is a befuddled, confused and weak female. She's also a terrible therapist. Despite writing a book on how a single girl can be successful, she immediately allows herself to become involved with a married patient. If I was the real Helen Brown, I would be appalled. Ms. Wood is gorgeous and I'm captivated by her screen presence, but she plays Ms. Brown as a woman who needs a man...the exact opposite of the book she wrote and my recollections of Ms. Brown in real life (mostly from reading her biography).
I understand this was set in the 1964 when views of male/female relationship skewed more towards male dominance, but it was still hard for me to accept that Ms. Brown could accomplish so much while being so desperate for a man...and a married one at that. Her therapy techniques violate every code of ethics you can imagine. Sure, it was a funny movie and I enjoyed it, but it left me feeling awkward at how simple women were portrayed.
The supporting cast is top notch and the movie's best selling point. Fonda and Bacall as the bickering neighbors are a treat. Mel Ferrer as Brown's fellow psychologist and potential love interest is hilariously smarmy and cocky. Fran Jeffries and Leslie Parish are attractive and funny love interests/secretary for Bob. Larry Storch appears in a cameo as a motorcycle cop during the finale's odd highway chase scene. Count Basie and his orchestra are here just to provide some gravitas, but don't really play any key roles.
There is a running gag about Tony Curtis wearing a woman's robe and everyone referring to him as Mr. Lemon. Curtis and Jack Lemon had starred in "Some Like It Hot" a few years before where they dressed like women. The gag was funny the first two times, but it got overplayed.
I have to say something about the chase scene. It seems that every romantic comedy in the 1960s had a chase scene. This one had a funny idea of the first three cars tossing a quarter to the toll taker. The last car leaves a dollar and takes the 75 cents. It was silly, poorly filmed, but made me laugh. Then there is another similar thing involving pretzels which I simply did not understand. I'm sure there was a point, but I missed it.
With this much talent, it was going to succeed and it does. I just wish Ms. Brown had been played a bit more wisely and not as such an easy mark for Tony Curtis' Bob Weston.
Before Carrie Bradshaw there was Helen Gurley Brown (Natalie Wood) a real life psychologist and businesswoman (she was editor of Cosmo for 32 years). Ms. Brown has just written a very controversial book about sex and the single girl (hence the title). It creates a firestorm amongst her male colleagues and her conservative patients. Tony Curtis is Bob Weston, a writer for a sleazy National Enquire-esque magazine called Stop. Bob wants to get an interview with Ms. Brown, but pretends to be a patient in need of marital counseling as a ruse. He uses his next door neighbors', Frank (Henry Fonda) and Syvia (Lauren Becall), volatile marriage as material. Of course a romance blossoms and then the normal confusion and hijinks ensue.
My issue with the film is the way Ms. Brown is portrayed. She is a befuddled, confused and weak female. She's also a terrible therapist. Despite writing a book on how a single girl can be successful, she immediately allows herself to become involved with a married patient. If I was the real Helen Brown, I would be appalled. Ms. Wood is gorgeous and I'm captivated by her screen presence, but she plays Ms. Brown as a woman who needs a man...the exact opposite of the book she wrote and my recollections of Ms. Brown in real life (mostly from reading her biography).
I understand this was set in the 1964 when views of male/female relationship skewed more towards male dominance, but it was still hard for me to accept that Ms. Brown could accomplish so much while being so desperate for a man...and a married one at that. Her therapy techniques violate every code of ethics you can imagine. Sure, it was a funny movie and I enjoyed it, but it left me feeling awkward at how simple women were portrayed.
The supporting cast is top notch and the movie's best selling point. Fonda and Bacall as the bickering neighbors are a treat. Mel Ferrer as Brown's fellow psychologist and potential love interest is hilariously smarmy and cocky. Fran Jeffries and Leslie Parish are attractive and funny love interests/secretary for Bob. Larry Storch appears in a cameo as a motorcycle cop during the finale's odd highway chase scene. Count Basie and his orchestra are here just to provide some gravitas, but don't really play any key roles.
There is a running gag about Tony Curtis wearing a woman's robe and everyone referring to him as Mr. Lemon. Curtis and Jack Lemon had starred in "Some Like It Hot" a few years before where they dressed like women. The gag was funny the first two times, but it got overplayed.
I have to say something about the chase scene. It seems that every romantic comedy in the 1960s had a chase scene. This one had a funny idea of the first three cars tossing a quarter to the toll taker. The last car leaves a dollar and takes the 75 cents. It was silly, poorly filmed, but made me laugh. Then there is another similar thing involving pretzels which I simply did not understand. I'm sure there was a point, but I missed it.
With this much talent, it was going to succeed and it does. I just wish Ms. Brown had been played a bit more wisely and not as such an easy mark for Tony Curtis' Bob Weston.
A Charmer
I've seen this one a few times over the years and wish it would come out in DVD. Natalie Wood was never more beautiful, and the battle of the sexes was never more fun. It's great to see a love story that doesn't resort to foul language or adult humor, but simply witty dialog and the vagaries of human nature.
Tony Curtis plays a tabloid reporter trying to get the goods on Helen Gurley Brown (played by Natalie Wood) and her personal life to find out if she actually knows anything about sex and relationships. To this end, he impersonates an acquaintance (played by Henry Fonda) whose having problems with his jealous wife (played by Lauren Bacall) so that he can pose as a patient and seek her advice.
The confusion caused by this impersonation just leads to more problems. However, this is just a sideshow to the reporter's seduction of Dr. Brown and the glorious mayhem that ensues.
Her constant comparisons of Tony Curtis to Jack Lemmon (Curtis' co-star in Some Like It Hot) will appeal anyone who's seen that classic.
Tony Curtis plays a tabloid reporter trying to get the goods on Helen Gurley Brown (played by Natalie Wood) and her personal life to find out if she actually knows anything about sex and relationships. To this end, he impersonates an acquaintance (played by Henry Fonda) whose having problems with his jealous wife (played by Lauren Bacall) so that he can pose as a patient and seek her advice.
The confusion caused by this impersonation just leads to more problems. However, this is just a sideshow to the reporter's seduction of Dr. Brown and the glorious mayhem that ensues.
Her constant comparisons of Tony Curtis to Jack Lemmon (Curtis' co-star in Some Like It Hot) will appeal anyone who's seen that classic.
There IS One Great Reason To See This Movie
What could have been a sharp satire on 60's sexual attitudes runs basically lame throughout, the script simply comes up short. The basic mistaken identity plot device fails to provide laughs and it is so much the base of the film's story that it's failure prevents the whole from going anywhere.
However, all is not lost. There is a saving grace, and that is the presence of the then 25 year old Natalie Wood, playing the sexologist Helen Gurley Brown.
Wood, in this film is staggeringly pretty. She had, at that age, a natural girl next door beauty that has rarely if ever been rivaled in film history. Seeing this film and Wood again recently for the first time in decades was a revelation. About her, not the mediocre film.
However, all is not lost. There is a saving grace, and that is the presence of the then 25 year old Natalie Wood, playing the sexologist Helen Gurley Brown.
Wood, in this film is staggeringly pretty. She had, at that age, a natural girl next door beauty that has rarely if ever been rivaled in film history. Seeing this film and Wood again recently for the first time in decades was a revelation. About her, not the mediocre film.
Early 1960s fun doesn't stick the landing
Light, fluffy fun with great vintage wardrobes. Natalie Wood was good as Helen Gurley Brown. Would have liked more scenes involving the proudly trashy magazine.
However, a little car chase goes a long way, and the interminable chase at the end drags the movie down.
Did you know
- TriviaIn her contract for this film, Natalie Wood required Warner Bros. to provide a portable trailer, white cigarette holders from London, oil gardenia from Cairo, days off when she was on her menstrual cycle, and a $160,000 salary.
- GoofsNone of the cabs have meters in them.
- Quotes
Helen Gurley Brown: You know, when you smile like that, you *do* look like Jack Lemmon!
- ConnectionsFeatured in Cinema: Alguns Cortes - Censura III (2015)
- How long is Sex and the Single Girl?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- El Sexo y la Joven Soltera
- Filming locations
- Sepulveda Blvd., Los Angeles, California, USA(long chase sequence, through Sepulveda Pass, alongside the 405 Freeway)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $6,490
- Runtime
- 1h 50m(110 min)
- Aspect ratio
- 1.85 : 1
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