Hawaii

"Hawaii," based on about one-third of the Michener novel, is one of those big, old-fashioned epics, full of wistful vistas, compelling performances, and casts of thousands.

Julie Andrews' acting abilities shine as bright as the tropical sun in this story of a New England woman who accompanies her stodgy husband to the islands on a mission to convert the heathens. Andrews' buoyant on-screen persona is held in check here (as it is in the overly criticized "Darling Lili"), making her Jerusha a quiet heroine. Her childbirth scene is effective for the visceral reaction it creates, and she's got one whopping good speech toward the end, where she finally gives her stick-in-the-mud hubby what-for.

Von Sydow, who would work with Andrews again later in "Duet for One," is all bluster and bellowing, condemning just about everyone he comes in contact with. I find the performance rather one-note; however, the opening scenes in which Hale tries to woo the lovely Jerusha are sweetly awkward.

Richard Harris shows up as a long-lost sea captain in one of moviedom's most impossible coincidences. Harris is all fire and passion, exactly the kind of third-party that a juicy love triangle needs.

George Roy Hill's direction keeps things moving at a brisk pace, despite the lengthy running time. He had a gorgeous palette to paint with, and he takes full advantage. The sea trek--complete with storms--suffers from some very obvious blue-screening, but Hill manages to build an appropriate sense of excitement.

I'm also going to carp with costumer Dorothy Jeakins. Andrews costumes are lovely (but consider what Jeakins had to work with), but Von Sydow goes running throughout the movie with his stove-pipe hat cemented onto his head. Works okay for the New England settings, but once the cast hits the beach, he ends up looking like some kind of absurd Dr. Doolittle (Hugh Lofting's, creation, not Eddie Murphy's).

Jeakins also makes a very brief appearance (her role was trimmed mightily) as Hale's mother.

While on the subject of the supporting players, LaGarde had no acting experience whatsoever (and, hence, drove the production schedule and budget way off base), but she's utterly charming. She more than earned her Oscar nomination.

Funny to see a pre-Archie Carroll O'Connor in the New England sequences. Also watch for Heather Menzies as one of Jerusha's younger sisters. Two years earlier, she had played Louisa von Trapp to Andrews' Maria. Gene Hackman's here, too, as a put-upon doctor.

One last note: If you're going to seek out this treasure, please, please, please opt for the widescreen version. The rocking of the boat sickened many of the passengers on their way to paradise, and likewise, the pan-and-scan version will sicken viewers of this terrific epic.

Excellent performance by Max Von Sydow as the self-righteous missionary with a narrow vision of redemption and worship. This movie is almost as infuriating as Michenor's novel. You will not believe the horrible changes wrought upon these beautiful natives done with the best intentions. Sad and lovely film.

James A. Michener's mammoth novel, "Hawaii," is the subject of this suitably mammoth film, one with a lot to recommend it. Julie Andrews proves that she can handle a dramatic role as well or better than musical roles. Her Jerusha Bromley Hale captures our sympathy the minute she comes on screen and sustains it for the rest of the film. Likewise, Jocelyn LaGarde, a real-life Tahitian princess with no previous acting experience, gives an equally good performance as Alii Nui Ruth Malama Konakoa, for which she was justifiably nominated for an Oscar. There are also good supporting performances from Carroll O'Connor and Gene Hackman, both just a few years away from stardom when this picture was made. Russell Harlan's cameras capture the islands at their most beautiful, and Elmer Bernstein's haunting, evocative score is one of his best.

The one fatal flaw in all this is the actor playing the central male character, Reverend Abner Hale. While Max von Sydow was always good in the great Ingmar Bergman films ("The Seventh Seal"), in most of his English-language films, with the sole exception of "The Exorcist," he always came off as something of a well-dressed stiff. It's an image he upholds here. Perhaps it's the fact that he's working in a language not his own, perhaps it's just the hopeless nature of the lines he's saddled with, but his is an Abner Hale who could transform the staunchest Christian into a Druid. He, quite simply, generates no sympathy. Plus, as many of the best clergymen seem to know, you can win more converts by stressing the kind, loving qualities of Jesus than by belching out fire and brimstone. It seems to me that, for Andrews's character, choosing between this mannered stiff and Richard Harris's vigorous sea captain shouldn't have been much of a choice at all.

But this shouldn't drive you away from "Hawaii." For all the good points I mentioned, it's definitely worth seeing at least once.

While this film is based on part of a novel, so is largely drama, it does begin to tell the story of colonialism & for its time, it does pretty well. Clearly there are lots of aspects of the indigenous people that are revered in this film and the disrespect & savagery by colonial invasion is explored in a simple manner, but explored all the same. There are parts where it starts to turn into a stageshow. I actually think this film would be great to remake, to tell the story of how Hawaii was settled by the Europeans, but this time tell the whole story, the full novel, & the whole truth. The full traditions of the first people, and the gains & losses that the Europeans brought with them.

From the day Captain Cook arrived on those beautiful islands, Hawaii like Poland was cursed because of geography. Poland situated between two gigantic European powers just became a pawn in the eternal military and diplomatic chess game.

Hawaii located where it is between North America and the Orient, when sea travel improved it was only a matter of time before the big powers came a-callin'. And they came from both directions. Not shown in the time frame this film covers, but soon after, waves of Japanese and Chinese immigrants landed on the shore. Hawaii was coveted by all and America got it.

Max Von Sydow plays a young New England minister out to bring the gospel to the heathen as he sees them and has been taught to see them. His church won't send him out to the south seas without a wife, lest he be tempted by sins of the flesh, so on a short acquaintance he marries Julie Andrews. She in turn has been home pining away for whaling captain Richard Harris. When Von Sydow and Andrews get to Hawaii over the course of their story Harris would reappear.

Naturally its quite a culture shock for the New Englanders when they get to Hawaii. The film's story covers about a quarter of a century of Hawaiian history and the history of the changing attitudes of Andrews and Von Sydow.

James Michener's original novel was of War and Peace duration and I suppose the final script was as best they could get it and cover what he was trying to convey. Despite the obvious racist feelings that Von Sydow has, he's a basically decent man who does do some positive good.

His problem is that everything with him has to be filtered through the Bible. There's a lot of incest going on in Hawaii when he lands there. Reason being is that these are islands with a limited number of mating partners. Now incest is bad as we know because it does eventually weaken the gene pool. But Von Sydow hardly takes a scientific approach, how could he, he doesn't know it, he hasn't been taught it.

Julie Andrews is a far cry from the perky Mary Poppins. She develops quite an attachment to Hawaii and its people and her approach with them is fundamentally different than her husband's. It's not a bad performance.

Richard Harris is the lusty whaling captain of Andrews previous affections. I tend to think his part might have been edited down. In a recent biography of Harris, it was stated he and Andrews did not get along at all on the set. Harris in those days was a whole lot like the characters he played like this one in Hawaii.

Of course when you've got Hawaii as a subject for a camera, the photography could not be anything but gorgeous.

Hawaii covers a period not well known to most Americans except Hawaiians. And indeed they are Americans and have been since 1959. I think people could learn something from this film even with the script flaws.