Kaleidoscope

This film was fun, though it's also easy to skip. In some ways, it's quite enjoyable and in others it's a little slight--especially when it comes to the romance. When the film begins, you see that Barney Lincoln (Warren Beatty) is an international playboy who loves to gamble...and win. However, you soon see how he's so good--as he breaks into the company (Mission: Impossible style) that manufactures cards for the casinos. Why? So he can mark the plates and thus be able to read all the cards*. Along the way, he gets hooked up with a screwy girl, Angel (Susannah York). This is problematic, as she then tells her father all about Barney and his incredible card playing...and he works for Scotland Yard. The film, however, doesn't go where you think as Daddy is not interested in arresting Barney but forcing him to do a job for him. What's the job and how will it all work out....well, see the film.

Watching Beatty breaking in and then playing a high-stakes game of poker was very enjoyable. His romance with York, however, never seemed very convincing nor romantic. I think if they'd have improved this angle, they would have made the film more engaging and more of a must-see affair.

*It's hard to imagine no one spotting the marks on the cards-- especially because these are multi-million dollar casinos. This just didn't make much sense.

"Kaleidoscope" drifts through like a pleasant breeze. Allow yourself five minutes with this light comedy, and you're hooked. Set in 1960's Swinging London and Europe, the film was directed by an American, Jack Smight, in an abstract style that deliberately calls attention to itself. The dialogue is amusing repartee; and the performers seem so offbeat they exist as near comic-book characters. If a viewer feels distanced, then the film's creators have succeeded. It's all pretty much at the same level as that quintessential Sixties caper, "Modesty Blaise" (1966), only a bit less refined and a tad more square.

Warren Beatty stars as a card-cheating playboy with romantic pretensions. Before "Kaleidoscope," Beatty had acted in only one other film comedy ("Promise Her Anything," with Leslie Caron). Here, he comes on a little heavy-handed at first, but he soon settles in with the other performers, including Eric Porter, a powerful presence in the role of a sociopathic Mr. Big with a dreadful Napoleon-complex.

The movie's high notes arrive on cue. The climax is a high-stakes, winner-take-all poker game, and it's a tight, suspenseful scene. Its resolution will leave you breathless, admiring the good, low-keyed humor of the whole affair. The film's denouement, a kidnap-and-rescue sequence, is almost as clever. This film is not High Art -- not by any stretch of our good will or imagination. But there's nothing wrong with taking pleasure from well-made fluff, especially if we realize the genre's built-in limitations. "Kaleidoscope" is great fun because, like its gambler/hero, it doesn't always play by the rules.

With Susannah York as Beatty's chic companion, a Carnaby Street shopowner, and Clive Revill as her Scotland Yard inspector/father.

Warren Beatty struggled through a few duds in-between his star-making role in "Splendor In The Grass" and his re-emergence as a superstar in "Bonnie & Clyde". This film, though Warren is good in it, is incredibly slim. The production looks great, there's livelier-than-usual pacing from director Jack Smight, but it's just a puff piece--and not likely to be something Beatty is very proud of. Plot has a scam-artist in Europe breaking into a playing card factory and changing the reverse designs into code (I kid you not) so he can successfully cheat at all the top casinos! Much of the film is exposition, a big build-up to the climax, and supporting players Susannah York and Clive Revill are left without much to do. Flashy outing certainly looks handsome, but it's swinging '60s balderdash. ** from ****

The movie isn't really a comedy, or suspenseful. It relies on Beatty's charms (who does "deliver") and one good idea. However, interesting at first, you know where it's going, and the whole thing becomes too predictable and unbelievable. I kept waiting for something original to come out of the blue, but that never happened. Warren is a much better criminal in Bonnie and Clyde, $ (1972) and others.

PS Instead of Susannah (Angel) throwing the gun to the water, she could have given it to Warren (Barney!...) and he would have lost it somehow. Whatever. Not a total waste of time.

Ok, so it's not going to win any awards for originality, but Beatty looks the part, Susannah looks beautiful and it all bumps along at a pleasant pace. I'm lucky enough to own a Technicolor print of this film and boy - the colours alone are enough to bring a smile to your face. A real slice of swinging '60s nostalgia.