The daughter of an art forger teams up with a burglar to steal one of her father's forgeries and protect his secret.The daughter of an art forger teams up with a burglar to steal one of her father's forgeries and protect his secret.The daughter of an art forger teams up with a burglar to steal one of her father's forgeries and protect his secret.
- Awards
- 1 nomination total
Roger Tréville
- Auctioneer
- (as Roger Treville)
Edward Malin
- Insurance Clerk
- (as Eddie Malin)
Georg Stanford Brown
- Waiter
- (uncredited)
Louise Chevalier
- Cleaning Woman
- (uncredited)
Rémy Longa
- Young Man
- (uncredited)
Pierre Mirat
- Guard
- (uncredited)
Jacques Ramade
- Guard
- (uncredited)
Olga Valéry
- Lady with the dog
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you are searching for a movie with wit, charm and delightful comedy in it, you've found it. "How to Steal a Million" is perhaps one of the finest Audrey Hepburn's films around. It's the story of a reclusive though slightly devious painter and forger (Hugh Griffith) Charles Bonnet who aside from his practice of recreating masterpieces and selling them to eccentric private collectors decides to donate a priceless but fake sculpture from his private collection to the La Fayette museum to be viewed by the general public. Not wanting to lose it to theft without compensation, the museum insures it for $1,000.000 dollars. However the insurance company wants it appraised to see if it's genuine and calls in an expert who will use modern techniques to ascertain it's authenticity. If it's discovered to be a fake, the painter, his reputation and his family will be ruined. Thus his beautiful daughter Nicole (Audrey Hepburn) must hire master bugler Simon Dermott, (Peter O'Toole) to steal it from the heavily guarded museum. At the same time, she is being pursued by Davis Leland (Eli Wallach) an American millionaire who wants to marry her. What neither Nicole, nor her father suspect is that Mr. Dermott is more than a shy bugler, he too is interested in the painter's secret hobby and his daughter. Excellent film for the family. ****
William Wyler was at the end of his distinguished career when he undertook this project. The film with a screen play by Harry Kurnitz is a film that doesn't break any new grounds, but it's a favorite of a lot of fans, no doubt because of the luminous presence of Audrey Hepburn, a star of such charisma and elegance, unmatched by her peers.
Audrey Hepburn is seen in the film through the loving eyes of Mr. Wyler, a director who had worked with the star before. In fact, it was Mr. Wyler who was instrumental in directing Ms. Hepburn in "Roman Holiday", her big break in the American cinema. Audrey Hepburn is seen in the film at her best thanks to Givenchy, a designer that loved her, and whose clothes adorn the star and give the film a touch of chic.
Peter O'Toole makes an interesting partner for Ms. Hepburn. As Simon Dermott, Mr. O'Toole is the perfect match for his co-star. Both actors are seen at their most charismatic selves. They seem to be having the time of their lives working for Mr. Wyler and living it up in Paris!
The supporting cast is excellent. Hugh Griffith, Charles Boyer, Eli Wallach, Fernand Gravey and Marcel Dalio, and the rest grace the film with their distinguished presence and contribute to the general fun generated by this gentle caper.
Thanks to Mr. Wyler and its stars "How to Steal a Million" is a pleasure to watch.
Audrey Hepburn is seen in the film through the loving eyes of Mr. Wyler, a director who had worked with the star before. In fact, it was Mr. Wyler who was instrumental in directing Ms. Hepburn in "Roman Holiday", her big break in the American cinema. Audrey Hepburn is seen in the film at her best thanks to Givenchy, a designer that loved her, and whose clothes adorn the star and give the film a touch of chic.
Peter O'Toole makes an interesting partner for Ms. Hepburn. As Simon Dermott, Mr. O'Toole is the perfect match for his co-star. Both actors are seen at their most charismatic selves. They seem to be having the time of their lives working for Mr. Wyler and living it up in Paris!
The supporting cast is excellent. Hugh Griffith, Charles Boyer, Eli Wallach, Fernand Gravey and Marcel Dalio, and the rest grace the film with their distinguished presence and contribute to the general fun generated by this gentle caper.
Thanks to Mr. Wyler and its stars "How to Steal a Million" is a pleasure to watch.
William Wyler crafts a delightfully frothy caper backed up by wonderful on screen chemistry between Peter O'Toole & Audrey Hepburn. It seems to me that Hepburn always managed to bond with her Male co-stars, and here the interplay between O'Toole and herself is wonderful. Check out a long sequence of events involving the pair hiding out in a closet, it's gold dusted cinema.
The film's central plot involves Hepburn & O'Toole planning a daring robbery from a Paris museum to keep her art forger Father (a delightful Hugh Griffith) out of trouble, at first the couple are purely business partners with no love lost for each other, but as the story plays out the pair are forced to get along and etc.
The burglary itself is dramatic, attention grabbing entertainment, and it's also the film's highest point, but overall the film as a whole is simply good romantic fun. Also helps that it features a very tidy shift for the finale to further reward the audience for their time spent with the movie. Throw in dapper turns from Charles Boyer & Eli Wallach too, and it's all good really.
Open the wine, sit back and relax with Pete & Audrey. 8/10
The film's central plot involves Hepburn & O'Toole planning a daring robbery from a Paris museum to keep her art forger Father (a delightful Hugh Griffith) out of trouble, at first the couple are purely business partners with no love lost for each other, but as the story plays out the pair are forced to get along and etc.
The burglary itself is dramatic, attention grabbing entertainment, and it's also the film's highest point, but overall the film as a whole is simply good romantic fun. Also helps that it features a very tidy shift for the finale to further reward the audience for their time spent with the movie. Throw in dapper turns from Charles Boyer & Eli Wallach too, and it's all good really.
Open the wine, sit back and relax with Pete & Audrey. 8/10
Peter O'Toole shows Audrey Hepburn "How to Steal a Million" in this 1966 caper film directed by William Wyler. The film also stars Eli Wallach, Hugh Griffith, Charles Boyer, and Fernand Gravey.
Hepburn plays Nicole, the daughter of a renowned art collector, Bonnet (Griffith), who in fact is not a collector but an expert forger. He has lent his famous Cellini Venus to the Paris Art Museum, only to find out that before it can be insured, there will be a technical test to assure its authenticity.
Since it's a sculpture, and the chemical makeup was different from the material in the 14th century, the forgery will be easy to detect.
In order to help her father, Nicole Bonnet contacts Simon Dermott {O'Toole) whom she caught when he broke into the house she shares with her father, and asks him to steal the Venus from the museum.
In the '60s, caper films were all the rage, and it would be hard to miss with two such beautiful and sophisticated stars as Hepburn and O'Toole. Their chemistry is great, the caper is clever, and the dialogue is witty.
The supporting cast is excellent; someone said Eli Wallach was miscast as an obsessive collector. Originally Wyler cast George G. Scott, but he was replaced when he arrived on the set late. Scott would have been more tycoon-like.
Like bubbly champagne, "How to Steal a Million" tickles and delights throughout.
Highly recommended.
Hepburn plays Nicole, the daughter of a renowned art collector, Bonnet (Griffith), who in fact is not a collector but an expert forger. He has lent his famous Cellini Venus to the Paris Art Museum, only to find out that before it can be insured, there will be a technical test to assure its authenticity.
Since it's a sculpture, and the chemical makeup was different from the material in the 14th century, the forgery will be easy to detect.
In order to help her father, Nicole Bonnet contacts Simon Dermott {O'Toole) whom she caught when he broke into the house she shares with her father, and asks him to steal the Venus from the museum.
In the '60s, caper films were all the rage, and it would be hard to miss with two such beautiful and sophisticated stars as Hepburn and O'Toole. Their chemistry is great, the caper is clever, and the dialogue is witty.
The supporting cast is excellent; someone said Eli Wallach was miscast as an obsessive collector. Originally Wyler cast George G. Scott, but he was replaced when he arrived on the set late. Scott would have been more tycoon-like.
Like bubbly champagne, "How to Steal a Million" tickles and delights throughout.
Highly recommended.
A charming adventure comedy. It revolves around good-hearted art forgery and the need to set thing right. The basic plot is rather implausible, but it hardly matters. There is a great chemistry between the primary characters and the story is pleasantly devoid of attributes that would prevent the film from being enjoyed by anybody from 10 years-old and up. The blend of mild suspense, gentle comedy and a bit of romance is not too intellectually provocative, but it makes for great fun. It's a film I can sit down an watch with my teenage daughter, my younger son, my wife and my mother, and everybody has a good time and comes away feeling better than when they sat down.
Did you know
- TriviaWalter Matthau was the first choice for the Eli Wallach part but was asking $200,000, so the producers opted for the less expensive George C. Scott. Scott had been on the set for a few weeks before shooting began. However, on his first day of shooting, he didn't show up until after lunch, and director William Wyler decided to fire him. He was already finding it difficult to handle two heavy drinkers, Peter O'Toole and Hugh Griffith, and the prospect of a third was just too overwhelming. On hearing of Scott's removal from the production, Audrey Hepburn became quite inconsolable.
- GoofsWhen Bonnet gives the curator the statue, the curator touches the white marble with his bare hands. A real curator would never touch a marble work of art with bare hands, as the oils from the skin can stain the marble, turning it yellow. Curators always wear white gloves before touching any work of art.
- Quotes
[Nicole describes the burglar to her Papa]
Nicole Bonnet: Well, it was pitch dark and there he was. Tall, blue eyes, slim, quite good-looking... in a brutal, mean way, Papa. A terrible man!
- ConnectionsFeatured in Star Wars: Music by John Williams (1980)
- SoundtracksLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
In the score when the statue is transported to the museum
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Cómo robar un millón de dólares
- Filming locations
- Neuilly-sur-Seine, Hauts-de-Seine, France(Bonnet's house at junction Rue Parmentier & Boulevard Bineau, now demolished)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Runtime
- 2h 3m(123 min)
- Color
- Aspect ratio
- 2.35 : 1
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