IMDb RATING
7.3/10
4.6K
YOUR RATING
During World War I, a British private, sent ahead to a French town to scout for enemy presence, is mistaken for a King by the colorful patients of an insane asylum.During World War I, a British private, sent ahead to a French town to scout for enemy presence, is mistaken for a King by the colorful patients of an insane asylum.During World War I, a British private, sent ahead to a French town to scout for enemy presence, is mistaken for a King by the colorful patients of an insane asylum.
- Director
- Writers
- Stars
Pier Paolo Capponi
- Un Officier Anglais
- (as Paolo Capponi)
Georges Adet
- L'aliéné-docteur
- (uncredited)
Jackie Blanchot
- Le Gabalou
- (uncredited)
Robert Blome
- Un aliéné
- (uncredited)
Jean-Marie Bon
- Un aliéné
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A charming film, first, for the contained naked truth. Second, for status of reflection in mirror of near reality, in too many senses. Not the last, for acting and the veil of innocence and cold / precise perspective about life, freedom, expectations, fears , joy in pure state. A film deserving to be loved and seen often. As a sort of cure. So, Alan Baits and Genevieve Bujold. And the others. A cold perspective, seeming a kind of verdict, about reality and its large illusions.
Perhaps I am biased because the female lead, Genevieve Bujold (Coquelicot / Poppy) reminds me of a young French girl whom I fell in love with, and then lost, 40 years ago - the very same year that I first saw the film (1966 or early 1967).
But personal memories apart, it is stunning to watch how French director Philippe de Broca managed to fuse hilarious fun and melancholy reflection in a mold that is an incredible mixture. There is fairy tale, commedia dell'arte, circus, slapstick, comedy, romance - and World War I carnage. Among the supporting roles, the cast features some of the foremost French actors of those times; and it is obvious that they enjoyed every bit of it, especially as they put in a number of biting quips along with marvelous cameos.
This is what happens: For one day Private Charles Plumpick (Alan Bates) becomes, rather against his will, the mock king of a group of lunatics. This motley crowd have escaped from their asylum and have temporarily taken possession of a deserted town in Northern France between the 1918 front lines. Eventually Plumpick owes it to his lunatic friends that he survives when his Scottish battalion and their German counterpart meet in battle. There seems to be no way out of the madness of war. But don't miss the penultimate scene! (Rumour has it that it was censored in the American version at the time...)
My favorite scene is when young, innocent Coquelicot takes the shortest way from the brothel (well - it's a French film, isn't it?) to the town hall to meet her loved one, the King of Hearts - using two telegraph wires as a tightrope.
Why the film was a flop in its own country, and why neither a DVD or at least a video tape is available in France, I simply do not understand. Is it because only the French speak French but the Scots speak English and the Germans speak German? (Note de Broca himself, very early in the film, in a 5 second cameo as Private Adolf Hitler!) No need to worry - there are subtitles to help you along. Actually the DVD recently on sale in the USA *is* the original French version! Subtitled, and uncensored, to be sure.
I cannot deny that the film does have its shortcomings. The story is somewhat inconsistent, there seem to be goofs galore, continuity is lousy. But then it seems that de Broca had to make do with a lousy budget, too. And what he has created is essentially a dream which opposes to the nightmare of war a vision of humanity. In such dreams inconsistency, goofs and lousy continuity do not really matter. So it is still 10 out of 10.
But personal memories apart, it is stunning to watch how French director Philippe de Broca managed to fuse hilarious fun and melancholy reflection in a mold that is an incredible mixture. There is fairy tale, commedia dell'arte, circus, slapstick, comedy, romance - and World War I carnage. Among the supporting roles, the cast features some of the foremost French actors of those times; and it is obvious that they enjoyed every bit of it, especially as they put in a number of biting quips along with marvelous cameos.
This is what happens: For one day Private Charles Plumpick (Alan Bates) becomes, rather against his will, the mock king of a group of lunatics. This motley crowd have escaped from their asylum and have temporarily taken possession of a deserted town in Northern France between the 1918 front lines. Eventually Plumpick owes it to his lunatic friends that he survives when his Scottish battalion and their German counterpart meet in battle. There seems to be no way out of the madness of war. But don't miss the penultimate scene! (Rumour has it that it was censored in the American version at the time...)
My favorite scene is when young, innocent Coquelicot takes the shortest way from the brothel (well - it's a French film, isn't it?) to the town hall to meet her loved one, the King of Hearts - using two telegraph wires as a tightrope.
Why the film was a flop in its own country, and why neither a DVD or at least a video tape is available in France, I simply do not understand. Is it because only the French speak French but the Scots speak English and the Germans speak German? (Note de Broca himself, very early in the film, in a 5 second cameo as Private Adolf Hitler!) No need to worry - there are subtitles to help you along. Actually the DVD recently on sale in the USA *is* the original French version! Subtitled, and uncensored, to be sure.
I cannot deny that the film does have its shortcomings. The story is somewhat inconsistent, there seem to be goofs galore, continuity is lousy. But then it seems that de Broca had to make do with a lousy budget, too. And what he has created is essentially a dream which opposes to the nightmare of war a vision of humanity. In such dreams inconsistency, goofs and lousy continuity do not really matter. So it is still 10 out of 10.
My mother had seen King of Hearts years ago, when she was in college. When I was about seven or eight (a few years ago, she rented the movie. Most of the movie is in French and it had subtitles, so even though I could just barely understand what was being said, I had a wonderful understanding of what was going on. It's the type of movie where what's on screen is enough to let a person get a gist of the scene. When I first saw the movie, I remembered how lovely the music was, how I grew to love the "crazy" people from the asylum, and how beautiful the movie was. When my mom bought the movie, we watched it constantly. I still watch it at least once a month. It's one of my favorite movies. I really do love the music. For me, it simulates fun insanity. I love every single aspect of King of Hearts. If you ever have a chance to see it, then go! Go see King of Hearts!
A timeless and exquisite treatment of profound and compelling issues, this 1966 International collaboration, was one of the few films ever to give tasteful testimony to being truly sane, or maybe I should say being truly (in)sane in a cruel and berserk world. If you liked Life Is Beautiful, E.T., Star Wars, The Great Dictator, Gandhi, Henry V, Blazing Saddles, or Rain Man... you will probably love this movie. It remains for me among the top three or four, of all movies I have ever seen.
I saw King of Hearts on its original release when I was 15. For 35 years it has remained one of my favourite movies; perhaps the number one. Nothing in particular about the film so qualifies it. I like quite a number of "better" films, but KOH touched me in a way that stuck. It is an authentic movie; the reality is as simple as the english speaking english, the french french, and the germans german. The crazy people are sane, the sane people crazy. It is funny and tragic and perhaps a little too quirky but ... if you haven't tried it on you should.
Did you know
- TriviaWhile the film was a flop with critics and audiences in France, it was an unexpected cult success in the USA, running for years in Boston repertory film houses circa 73-76. Midnight showings around the country made it an early cult film, like The Rocky Horror Picture Show (1975), Eraserhead (1977), El Topo (1970), Beyond the Valley of the Dolls (1970), etc...
- GoofsThe stairs/ladder Plumpick uses to climb to the top of the blockhouse appear out of nowhere.
- Quotes
[last lines]
Le Duc de Trèfle: The most beautiful journeys are taken through the window.
- Crazy creditsThe credits rise and then fall to coincide with the sound of a large clock.
- ConnectionsReferenced in Saving Private Ryan (1998)
- SoundtracksLa Valse Tordue
Written and Performed by Georges Delerue Et Son Orchestre
- How long is King of Hearts?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Herzkönig
- Filming locations
- Senlis, Oise, France(insane asylum and town square scenes, Senlis is 55 km north of Paris)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $17,646
- Opening weekend US & Canada
- $3,443
- Feb 25, 2018
- Gross worldwide
- $18,130
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