Berserk

"We've eaten caviar, and we've eaten sawdust".

Only Joan Crawford could muster the dramatics possible to make the above line actually work, but she does it all with a totally straight face and makes this movie hysterically funny! Her scenes in lingerie with studmuffin Ty Hardin must be seen to be believed. That woman must have had an ego the size of Texas. The movie is worth seeing as a 'bad' movie that you'll enjoy.

Old Joan Crawford, dressed in tights and a ringmaster's coat throughout much of the film, plays Monica Rivers, circus owner and apparently heart-breaker to men decades younger than herself. Watch Joan cavort first with Michael Gough with lots of suggestions about their business and personal lives merging(fortunately for Gough this does not last too long as he soon finds himself nailed to another post). So with Gough gone, he-man Ty Hardin, a new high wire act who arrives after the old one hangs himself while performing, comes into the picture, no shirt half the time and all, and makes his moves for the less-than-sexy sixty plus year-old. Watching Crawford and her beaus work with heavily-laden dialog laced with absurd innuendo was the highlight of this film as it was just so preposterous. She looks ancient and yet acts like she is still 25! Anyway, the film itself is one of those films that is so very fun to watch just for those elements already mentioned, the then grisly murders as circus people start to die off, and the lush colour used in the film. The settings of the circus are believably done and Herman Cohen, the producer, always knew how to put on a good show. I even enjoyed some of the circus acts that were intermittently laced in the picture. The rest of the cast is very able with Gough, always good, and George Claydon playing Bruno excelling. Lovely Diana Dors and Judy Geeson also star. Hardin was really quite bad but I really enjoyed his trapeze act at the film's end. While the story can only be classified as silly and absurd, the ending seems way too abrupt even for this film. The film seems to be going along almost effortlessly - Joan prancing about working her guys over(Yuck!) and circus performers dying - then a quick ending that comes out of left field. Despite the many shortcomings, Berserk - why the heck is it named that? - is a whole lot of fun and is very similar, as some other reviewers have noted, to Straight-Jacket, Crawford's film for William Castle.

In BERSERK, circus owner, Monica Rivers (Joan Crawford) finds a novel way to drum up business when a series of "accidents" prove to be profitable. The action starts right away when the high-wire act turns deadly. While Monica enjoys her windfall, and Scotland Yard snoops about, more performers come to their abrupt, grisly end.

Though thrillers set in circuses have been made before, none have had Ms. Crawford! She smokes! She glares! She romances the musclebound daredevil! Doesn't this guy own a shirt?

While some of the deaths are memorable, like the spiked noggin sequence, the actual circus acts aren't bad either. Especially, those adorable poodles, and the elephant stepping over the prone women! Yikes! One wrong move and your head is oatmeal!

Co-stars Michael Gough (KONGA, HORROR HOSPITAL) and the heavenly Diana Dors...

A high-wire act is going on as the film opens. The wire snaps, and Gaspar The Great is victim #1. Ringmaster Monica Rivers (Joan Crawford) sends out clowns to distract the audience as the body is carried off. Later that night, Rivers is going over box-office receipts, which upsets her manager Dorando (Michael Gough). He accuses her of not having a heart. The rest of the film is a whodunit, spiced with occasional killings, red herrings, and animal acts (the French poodle act was my favorite).

The Billy Smart Circus of Britain did the animal acts and the most difficult stunts. They also participated in an earlier British horror film, "Circus of Horrors" (1960).

Joan Crawford has a marvelous time chewing the scenery and outacting her costars. Diana Dors is fine as Matilda, the woman whose partner "does nothing in bed but snore". Hardin is the hunk who replaces Gaspar on the wire and in Monica's bed. Geeson is the girl who gets herself expelled from a private school and goes to work as the target in the knife throwing act.

The film does slow down after a fast moving first half hour. The finale is too abrupt, unconvincing, and badly staged. Despite these faults, film is still worth a watch.

Joan Crawford's fans will appreciate her foray into yet another horror show, this time as the feisty, hard-edged manager of a traveling circus show suddenly burdened with murders of several circus members. The careful photography cannot hide the fact that Crawford has aged considerably--and consequently, although her figure is still trim, her scenes with hunky Ty Hardin have an unpleasant and unbelievable quality about them.

The plot is strictly standard fare--who is responsible for the series of gruesome murders? For awhile, it looks like Joan herself is probably the wicked one--and there are a few other red herrings to make you think you know who did it. When the ending is revealed, in a climactic thunderstorm, it comes as a distinct letdown although a surprise, the reason being the guilty one is given no substance in the plot. The killer's identity seems highly implausible which makes the ending seem as though it has been merely tacked on to provide a final scene.

As these sort of things go, BERSERK isn't a bad way to pass the time on a low-budget mystery. The technicolor is good, Joan's costumes are fantastic, her shapely legs are on almost constant display and she uses her haughty manner to great effect. The details of circus life are smoothly integrated into the story and some of the animal acts are amusing--but none of the characters have any depth. Ty Hardin makes a handsome and arrogant stud whose daredevil highwire act provides some high moments of suspense as he performs over a row of spikes below. Like Crawford, he's given ample opportunities to show off his handsome physique.

Diana Dors makes the most of her role as an outspoken tart and all of the supporting performances are competent enough--Michael Gough, Judy Geeson and Robert Hardy. Certainly worth a view if you're a Crawford fan. The dialogue is ripe with campy one-liners.

Trivia note: The plot is slightly reminiscent of Barbara Stanwyck's LADY OF BURLESQUE where a series of backstage murders takes place with a slim plot involving a jealous performer.