Triple Cross

Terence Young directed the first two James Bond films and magnificently set the style of the series. He tries to bring some of that flamboyance to "Triple Cross", down to a title song which should have been sung by Shirley Bassey. But this wartime shaggy-dog espionage yarn resisted the 007 treatment and laid a big egg.

Compared with, say, "Five Fingers" or "I Was Monty's Double", "Triple Cross" is sluggish. It's a European co-production, always a difficult diplomatic problem, and the cast is a mini-United Nations: a Canadian as the secret agent, a British spy master, Germans, an Austrian love interest and Yul Brynner, whose origins (like those of the slab in "2001") were still a total mystery.

Christopher Plummer is sleek and sardonic as Eddie Chapman, a master safe cracker and in reality a working class charmer from North East England who had been a Guardsman; here he seems more of a toff, like Raffles or Bond. The bare bones of his story were true and incredible enough not to need polishing.

Eddie was in jail in the Channel Island of Jersey when the Germans occupied it in 1940 (by air, not as shown here from ships docked directly under Chapman's cell). He offered himself as a Nazi spy to get back to England. There he immediately re-ratted and got sent to Germany, where he trained other agents whom the British caught and turned. The unsuspecting Nazis were so pleased with his apparent perfidy that he was given the Iron Cross. Hence the film's title.

Brynner is a "good German" colonel, an anti-Nazi aristo who pays the price of involvement in the Hitler assassination plot. Among other heel-clickers who think they are controlling Chapman is Gert Frobe-- so that's what Goldfinger was up to before he became a card sharp in Miami. Trevor Howard sports an ugly little ginger beard. Romy Schneider, no longer the plump little ingenue of the Sissi trilogy, is sharp-jawed and wan as Eddie's aristocratic girlfriend.

Their lack of chemistry underscores Plummer's lack of sex appeal. He was losing the kudos he had gained as Baron von Trapp-- maybe he'd have felt more at ease in Brynner's part-- and his stellar status was as brief as Julie Andrews's. Eddie Chapman fared better. Given a blanket amnesty at the war's end, he married and lived long, prosperously and respectably.

Fascinating thriller of espionage and how to survive the most impossible circumstances by simply collaborating with any criminal and make him trust you, even if he doesn't. This is no James Bond entertainment but bloody war and a true one, and Eddie Chapman existed for real and managed to trick his way through the war by selling his soul to any devil that offered a price. He was doomed from the beginning and would have passed the entire war in jail for burglary on an advanced scale if he hadn't offered himself as a spy for the Germans. There it all began.

The main character of the drama however is not Chapman/Christopher Plummer but Yul Brunner as his main employer in Germany, the Baron von Grunen, who has no illusions about the war and admits defeat when there is one. Gert Frobe is another, an honest policeman who survives by his honesty and sticking to it, even when it could be argued away. Romy Schneider is the one woman of some realism who also admits defeat and recognizes a fatal farewell and accepts it even when there is one too many. All actors are good but none outstanding, because a complicated story like this admits no stars, and the grim reality and circumstances of the intrigue play of a war like this lets no star shine through. Only in the end, after the war, when Christopher Plummer finally is able to relax at a pub home in London there is finally room for an ego when it has got through it all alive and kicking after all, – but it took many difficult twists and turns to get there.

The ghost of Bond is fairly obvious here. Plummer as the real life safe cracker Eddy Chapman is suitably suave and charming and Yul Brynner is his normal stiff martinet (with added monocle)and Romi Schneider is "okay" (the love scenes are mostly a dud and show little chemistry between Romi and Chris). The production design is pretty good, lots of authentic uniforms and arms, plus plenty of genuine WW2 trucks and cars, the naughty Nazis are a tad stereotypical, but the conference scenes in the Paris hotel are well produced. Perhaps an aircraft buff can identify the twin engined plane used in several sequences, it certainly didn't look German! Overall an entertaining way of passing the time with few phony heroics.

Quite right, it is definitely not a German plane. The aircraft is a 1946 French SNCAC Martinet.

This was enjoyable to watch on a quiet evening at home. It was particularly interesting for me because I knew nothing of Edward Chapman's charmed life and wartime exploits so now I would like to know more about him and I'll be tempted to read up a bit and do some research about him.

The film was well made with good production values and direction. My complaint is with the editing which was off kilter at times. The story line was abrupt and frequently resulted in too many fast changes. For instance we needed to see how Edward Chapman got passage on the vessel to Lisbon.

This espionage-Flic based on fact concerns an astute safe-cracker named David Chapman (Christopher Plummer) who encounters himself working for both contenders in the 40s , as the German secret service commanded by a baron (Yul Brynner) and a colonel (Get Frobe) , and British military (led by Trevor Howard and Jess Hahn) . Meanwhile , he falls in love with a gorgeous resistance fighter (Claudine Auger) and a mysterious German countess (Romy Schneider) . Chapman attempts to cheat both sides and play each other . The he's sent a dangerous mission and parachuted in England with objective to reconnaissance and factory's sabotages . He's even decorated by General Von Runstedt (Marcel Journet).

Based on real events starred by a true bank robber named Eddie Chapman , this film packs action , suspense , warlike feats and being quite entertaining. First-rate main cast as Christopher Plummer as an amoral but sympathetic double agent adding a bemusing touch , Yul Brynner as a disillusioned German officer, Von Stauffemberg-alike , and a splendid Get Frobe as a cunning Colonel . Ample and stunning supporting cast with a magnificent Trevor Howard , and the beautiful Claudine Auger and Romy Schneider, among others . Here appears uncredited prestigious secondaries , such as Gordon Jackson , Howard Vernon , Bernard Fresson and Gordon Jackson . Colorful and evocative cinematography by Henry Alekan , Terence Young's usual cameraman (Mayerling , Poppies are also flowers) . Enjoyable musical score by George Garvarentz in a James Bond style . The motion picture was professionaly directed by Terence Young , but contains some flaws and gaps , though tension at times, as well . The film was realized in his best period when he made the classic Bonds films (Dr No, From Russia with love and Thunderball). In fact Young directed actors who played in James Bond movies as Claudine Auger-Thunderball and Anthony Dawson-Dr. No and also performed Gert Frobe who made Goldfinger and Terence wanted his Dr. No leading lady Ursula Andress to star opposite Christopher Plummer . Rating : 6/10 : Acceptable and passable.