A protege of a renowned cat burglar reluctantly teams up with a lesser criminal for a daring heist to steal famous jewels from an impregnable vault.A protege of a renowned cat burglar reluctantly teams up with a lesser criminal for a daring heist to steal famous jewels from an impregnable vault.A protege of a renowned cat burglar reluctantly teams up with a lesser criminal for a daring heist to steal famous jewels from an impregnable vault.
- Director
- Writers
- Stars
Marie Laforêt
- Olga Vodkine
- (as Marie Laforet)
Charlie Hickman
- Lieutenant Gilder
- (as Chaz Hickman)
Arthur Brauss
- Insurance Company Employee
- (uncredited)
Robert Naegele
- Ticket Agent at Airport
- (uncredited)
Bob O'Connell
- Man
- (uncredited)
Philip Roye
- New York Police Sergeant
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One great line in the film. After Gabor's jewels were stolen the second time the Press showed up at the scene of the crime to interview her. One Reporter asked if she had seen the Cat Burglar. She said: "No, but that he must have seen me". Feigning surprise after looking her body up & down he said: "Why would the burglar have left?". Gabor retorted: "There isn't a straight man left in America"! They all laughed and left. Now given that this film was released in 1967 the expression 'straight' seems ahead of it's time and yet there seems no doubt as to what was implied. Was this some in-joke as surely Gabor had done much 'research' in her personal life. I'm sure the audience laughed with the Reporters yet only a few would have known what the joke really was.
Modern-day Canadian cat burglar, young, handsome and rich, steals precious gems from wealthy women all over the world; he's mentored by a veteran thief, both of whom become begrudging partners with a female cat burglar and her stepfather, who has concocted his own Mission: Impossible--stealing royal blood red diamonds from an impenetrable vault. Disposable caper, written by four screenwriters (Jack DeWitt, co-producer Sandy Howard, Howard Joseph and Robert L. Joseph), has tongue in cheek and brain in neutral. The tinkling background score from Peter Thomas and Bob Harris lends the proceedings some groovy charm, but lead George Hamilton (while agile) fails to lighten the load with his nondescript personality. Star cameos by robbery victims Lilli Palmer, Carroll Baker and Zsa Zsa Gabor (playing themselves) are incidental, though Gabor makes the most of her screen time with a cheeky turn. ** from ****
"The Jack of Diamonds" is a most enjoyable film, for fans of Mr. Hamilton. The story is that of a retired jewel thief (Joseph Cotton) who is known as "The Ace of Diamonds." Although he has long since retired, his new protégé George Hamilton has earned the reputation of a world class Cat Bugler and is so proficient he has come to the attention of international Insurance investigator Von Schenk (Wolfgang Presiss.) The insurance organization and the police are very interested in capturing him and the other two re-known jewel thieves like the King and Queen of Diamonds, (Murice Evans and Maire Laforte) and their aid Helmut (Karl Lieffen). They plan on going after the World Series of Jewels called the Hazerhoff Collection and will need all their collective skills to obtain it as it is not only well guarded, but the insurance company is waiting for them to try. Fun is an understatement, as the combined star power makes the film as interesting as the caper itself. A good film in any sense of the word. ****
This movie is so limp.
The heists are dull. The female cameos are insipid.
The acting is TV level. And the soundtrack belongs in an elevator.
Watching George Hamilton IV gabbing with lisping (or drunk) Joseph Cotton isn't remotely interesting. Cotton's makeup is so ghastly he looks like a marrionette.
Some of the locations are OK, but whoever director Don Taylor had behind the lens didn't take proper advantage, most of the time.
There's no way this movie would ever have seen the light of day after initial release if not for TCM.
The heists are dull. The female cameos are insipid.
The acting is TV level. And the soundtrack belongs in an elevator.
Watching George Hamilton IV gabbing with lisping (or drunk) Joseph Cotton isn't remotely interesting. Cotton's makeup is so ghastly he looks like a marrionette.
Some of the locations are OK, but whoever director Don Taylor had behind the lens didn't take proper advantage, most of the time.
There's no way this movie would ever have seen the light of day after initial release if not for TCM.
Seen this on film at the new beverly and it was a treat.
The first burglary scene was delightful and cute and then there were some late 60's thematic pleasantries.
The soundtrack (Which i've made a note to get ahold of) made this movie visually melodic; such as-The opening scene, The ski-ing scene & The dance scene.
I'd watch it again to meditate on the elegance it celebrates so well.
I'd watch it again to meditate on the elegance it celebrates so well.
Did you know
- TriviaGeorge Hamilton was able to demand and receive $100,000.00 for this film. He was at this time considered a hot commodity due in part to the fact that he was dating the president's daughter.
- GoofsAt the end of the first caper, Helmut is waiting for Hill in the apartment's underground garage and helps him into a Cadillac limousine. But the limousine in which they emerge onto the dark street in the next shot is a Lincoln Continental.
- Quotes
Zsa Zsa Gabor: There isn't a straight man left in the vhole vorld!
- ConnectionsFeatured in Lionpower from MGM (1967)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Der Diamantenprinz
- Filming locations
- Manhattan, New York City, New York, USA(opening establishing shots)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,300,000 (estimated)
- Runtime
- 1h 48m(108 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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