Sebastian

This is a good film to watch if you like British films from the era and especially ones with Dirk Bogarde. It's made with some style but the script is a problem. Though it starts out intriguingly, in the end this espionage film is rather much ado about nothing. The main point of interest in this rarely seen movie now is the equally rarely heard Jerry Goldsmith score, which I rather like. I believe it got an LP release back in 1968, but has never been issued on CD. Perhaps one of the reasons for that, as I've recently read, is that Goldsmith didn't have a good experience doing the score and never had much to say about it or simply didn't want to discuss it at all. Unfortunate, because the score, though minor Goldsmith, does have merit. I hope someday to read just what Goldsmith's problems were with it.

Dirk Bogarde is at his most suave and the swinging London sixties is most convincingly presented in this extremely stylish, sophisticated romp that was slyly coy at the time, and simply fab when viewed today. Jerry Goldsmith provides noticeable musical accompaniment. Hip.

"Sebastian" is a film from 1968 that is the ultimate swinging London '60s flick, starring Dirk Bogarde, Susannah York, Lili Palmer, and John Gielgud. Bogarde plays a tough, cold on the outside British mathematician who heads a code decryption department during the Cold War. He has many women in his employ, and one of them (Susannah York) falls for him and pursues him, and he reciprocates.

Fun music and atmosphere of the '60s permeates. York is lovely as a smart, pretty woman who knows what she wants, isn't afraid to try for it, and cracks the hardest code in the bunch - Dirk Bogarde. Bogarde is excellent as a man of deep feeling who likes to keep his work life separate from his private life and doesn't quite succeed.

Not much of a plot, but the acting is good - you can't really go wrong with Lili Palmer and John Gielgud in the supporting roles. Palmer plays a codebreaker of long-standing who is nevertheless under suspicion for some of her views, and Gielgud is one of the big bosses over Bogarde.

Enjoyable.

Saw the movie on cable last night, and while I didn't get quite all of it, I thought Dirk Bogarde was very handsome, and thought he played his part very well. Interesting look at 60s culture. Sometimes I couldn't quite follow the storyline. I was also uncomfortable with some violent tendencies in Sebastian, especially when he hits York. Not a bad film, but I didn't like it as much as some of his other films.

The list of excellent actors and actresses in the film is endless and includes Dirk Bogarde, Susannah York, Sir John Gielgud, Lili Palmer and Nigel Davenport, with many more first-rate performers besides. Add to this the musical talents of Jerry Goldsmith and it is quite an achievement by the Director to create this piece of utter nonsense, especially as some of the screenplay is worthy and the settings very 60's and good. Is this meant to be a serious film? It could only have merit if it was a total send-up of it's decade and spy-films generally, but as Dirk Bogarde later described it as a "non-event," the meaning and intent was obviously lost on him; a big disadvantage as he was the star. This film must have begun with promise and potential for why else would such an array of talent include themselves in it's making? Something after that went radically wrong, but like your other contributors I would gladly purchase a DVD if only, in my case, for curiosity value.