The Swimmer

I still have dreams where I'm at summer camp; 10 years old and running through the woods. The sun barely breaks through the thick forest canopy. There is no way for me to recapture that feeling in my adult life. No backpacking trip in a national park or well-planned vacation to an unspoiled beach can provide it. This is the problem of privilege: What seems to be a gift is really a loan. We spend the rest of our lives paying back this debt. This movie is fantastic. Burt Lancaster is the man. If you are a film fan and an American and you have not yet seen this film, then be careful! Save this one for a rainy day because you won't find many more like it. It's about living in the past, in a dream of what the present should be. It's about a privileged, womanizing, self-obsessed middle aged man who comes up with a plan to swim home that is clear only to him. "Why would you want to do that?", people keep asking him. Watch this movie alone and then don't talk to anyone about it. Keep it secret. Let it fuel you.

I saw this movie in 1968 when it came out, and have never been able to forget it. I never found anyone who had ever heard of it--a shame. It's my favorite Burt Lancaster performance: I can't imagine anyone else doing the role justice.

When Neddy is ready to leave the garden cocktail party he has been invited to, he looks out across the valley and sees the row of pools, all belonging to his neighbors. He's obviously a poet, and sees the chain of pools as a river (Metaphor). He decides to swim back home. Little does he, or we, know at this point what going home means! He goes from house to house, he greets his friends and jumps into their pools. We become a little worried as things seem to get a little out of hand--a little more so at each house. It's not long before we realize that this "river" is (Meta-Metaphor!) a trip through time, through his life--and that he has made one fine mess of it. The ending is amazing, and almost unbearable.

Here's a movie that turns out nothing at all like you'd think it would. Look at the cover box for the videotape and you'll see a picture of Burt Lancaster grinning broadly while swimming laps in a luxurious pool. Don't let the imagery fool you. In fact, this is a dark, depressing odyssey through one man's personal failure and wasted life.

Ned Merrill (Lancaster) is an affluent Connecticut businessman enjoying a poolside visit with some old friends. Out of the blue it dawns on him that every house between his friends' home and his own has a swimming pool. He will therefore swim his way home, stopping at every pool along the way for a dip. He is unable to explain why he is so determined to do this, but it becomes his mission and he cannot rest or linger until it is carried out.

Each residence Merrill visits brings back old memories of his own wrongdoings and shortcomings. He has not lived a virtuous life. He has cheated on his wife, snubbed his friends, and lived above his means. Everything has come easily to him because of his ability to make people like him and comply with his wishes. In short, he has spent his entire life BS-ing all those close to him, and is just now discovering that the love and respect he believed others had for him does not exist. As he gets closer and closer to his own home the resentment grows stronger, until he finally learns he is detested most of all by his own wife and children.

`The Swimmer' is partially a story of retribution – what goes around comes around. Merrill is mocked by those he tries to aid and comfort, and all his kindness is met with indifference and scorn. It is partially an allegory – it hurts most when it hits close to home. However, it is mainly a study of a misspent life, discovered as such too late in the game to amend. At the center of the movie is Lancaster's captivating performance, depicting all the pathos of a man desperately keeping up a front to hide his complete lack of character. The film is marred only by occasional grandiosity, as in an overlong and unnecessary slow-motion sequence and especially in the ending, which indeed packs a punch but upon reflection is too pretentious for its own good. Nonetheless, this is a powerful and often surreal story, the likes of which you will probably never see again on film.

John Cheever's short story of 1964 is his most anthologised and here Eleanor Perry, wife of director Frank, has achieved the feat of expanding its twelve pages into a film of ninety five minutes. Cheever's prose is meticulous of course but the tale itself is relatively uneventful and the participants insubstantial so that plenty of fleshing out of episodes and characters has been required, even to the point of adding a few!

Two of the additions are Julie played by newcomer Janet Lindgard who admits to having had a teenage crush on the Ned Merrill of Burt Lancaster but then repulses his advances. The other is the boy Kevin of Michael Kearney with whom Ned 'swims' the length of an empty pool. It is during this scene that Ned utters the crucial words that provide a key to his character:"if you make believe hard enough that something is true, then it is true for you."

We never discover the nature of Ned's 'misfortune' and what has caused his fall from grace although it is hinted at by various characters throughout his aquatic odyssey across the quasi-subterranean string of swimming pools that lead to his home. In believing that his previously affluent life has not changed is he suffering from the ultimate self-deception or has he had a mental breakdown? It is both fitting and ironic that the grim reality of his situation is brought home to him not in the private pools of his social set but by some distinctly unpleasant people in the public swimming baths.

The most telling encounter is that of Ned and a former lover Shirley Abbott played by Janice Rule. What is the briefest of exchanges in the original story has been developed here into one of the bitterest scenes between male and female on film. Ned approaches her with great optimism but his hopes are soon dashed when she lashes out at him for his selfishness and thoughtlessness which leads to his self-pitying lament "we are all going to die."

Could this be the true meaning of Cheever's story I wonder and is this simply an allegory for the ageing process? At the opening of the story Ned is described by Cheever as resembling 'the last hours of a summer's day.' As his journey progresses his stamina is sapped, he feels chilly and his bones begin to ache. I trust it is not too fanciful to see in this the inevitable decline from glorious summer, through the sere and yellow leaf of autumn to the winter of discontent. Just a theory of course.

What is certain however is that this is one of Mr. Lancaster's finest performances and interesting to learn that prior to making this, not only was he unable to swim, he suffered from aquaphobia!

Frank Perry's screen adaptation of the achingly sad John Cheever short story gets the tone of Cheever's story just right, even if the movie itself doesn't have quite the same impact.

There have been countless strong and powerful films made around the theme of suburban loneliness, and this movie belongs to that genre. There's something so poignant about the idea that someone can exist in a world that's manufactured for the sole purpose of providing its inhabitants with luxury, pleasure and convenience, and still be miserable. You'd think people would have gotten the point by now, and figured out that privilege, wealth and materialism have virtually nothing to do with ultimate happiness, but if our own consumerist culture is any indication, they haven't.

What helps "The Swimmer" to stand out from other similarly-themed films is the way the story is told. It's only through the reactions of others that we begin to sense what's wrong with Burt Lancaster's character. To us, he looks the picture of middle-aged robustness and health. Lancaster became a much better actor as he aged, and he gives a wonderful performance here, as his bravado and macho virility (the strutting and preening of a man on top of the world) slowly dissolves into a lost insecurity, until the film's final devastating moments leave him as forlorn as a baby.

What a sad, sad movie.

Grade: A-