Pit Stop

Richard Davalos of "East of Eden" fame plays Rick Bowman, a punkish man who wrecks his car in a drag race. He's bailed out of jail by cunning businessman & race promoter Grant Willard (Brian Donlevy, in his final feature film), and groomed for a career as a driver in a series of hairy and violent figure eight races. Among Ricks' competitors is the flamboyant Hawk Sidney (Sid Haig), who's not used to losing and doesn't take it well.

Clearly "Pit Stop" has become something of an underdog on the resume of low budget filmmaking legend Jack Hill. Admittedly, it's got a pretty thin, and formulaic, story. At least one plot development was patently predictable. Also, as played as a rather inexpressive Davalos, Bowman remains something of a cipher. The show really belongs to the colourful supporting players. Jack Hill regular Haig, in particular, appears to have the time of his life as the cocky veteran. Beverly Washburn of Hills' "Spider Baby" is cute as the racing junkie who ends up in Ricks' bed. Donlevy does a decent job as the man who really only cares about results. Several real life racing figures play themselves; George Washburn (Beverlys' brother), himself a stunt driver and racer, is effective as old pro Ed McLeod. Finally, "Pit Stop" features a lovely Ellen Burstyn (billed here as Ellen McRae), doing a very nice job as McLeods' wife Ellen.

"Pit Stop" benefits from believably intense action scenes and use of actual racing tracks. It's a thickly atmospheric, convincing, and ultimately very fun movie with a groovy blues soundtrack.

You sure come to dislike Rick by the end of the story, though.

Seven out of 10.

There's a genuinely unhinged quality to the stock car drivers depicted in this movie. Their lives are empty except for the thrill of racing, which amounts to a death wish. The black and white cinematography is excellent, with a very moody documentary/chariscuro feel. The principals are all very good, especially Sid Haig as a particularly unhinged driver. Beverly Washburn (also from the incredible SPIDER BABY) plays the protagonist's teenage girlfriend. For me, this movie shows a more complete mastery of the cinematic form then Coppola or Bogdonovich or any of those guys had when they were with Corman. And of course, the car wrecks filmed at real race tracks don't hurt either.

Pure and simple, "Pit Stop" is a car crash movie that happens to have a story attached to it. The figure eight track will quickly remind you of the dirt in your face racing that used to be. Richard Davalos plays sort of an anti-hero, taking advantage of situations that could work in his favor at the expense of others. Brian Donlevy really doesn't fit here, and acts as though he would rather be somewhere else. Meanwhile, Sid Haig steals the movie, and is definitely the most interesting character. Do not come into this with expectations beyond drive in fodder, and you will be pleasantly surprised. It moves along at a nice pace, and the race scenes are well done. If you enjoy car carnage , this is definitely one to seek out. - MERK

There's a class of movies that are low budget that reflect an era of Americana and certain people that get it right. A specific view. A look back at a time, place or people. I'm from a group that looks back at my heritage and those from my family and friends. West coast hot rodders. This flic has that vibe. If you're into vintage American gas. This is a great flix.

It might seem odd to give this modest movie such a high score, but it is so well crafted and now in retrospect so fascinating, it is far more entertaining than much bigger and "important" movies made today.

First off, there is the insane-but-real setting of figure 8 racing, where racers speed across each others' paths at the track intersection. Just seeing such a crazy real-life sport enacted is worth watching PIT STOP!

Next, we have a layered story, with contrasting character arcs for "hero" Rick and heel Hawk (a career-best performance by the late, great Sid Haig).

The performances are great, with Brian Donlevy lending the same amoral tough-guy gravitas he brought to the Quatermas movies, and an early appearance by Ellen Burstyn.

And Kustom Kulture fans will also appreciate the on-location views of George Barris' car shop (the creator of the 1966 Batmobile, Munsters Coach, Monkeymobile, and many other showcars).

A real gem from the time when the American Grindhouse was taking cues from Euro Art House.