Alex in Wonderland

Alex in Wonderland (1970)

** (out of 4)

Paul Mazursky's second feature has pretty much been forgotten about. It centers on a film director (Donald Sutherland) who scores a hit with his first film and is now struggling to make a follow-up. He has several people pitching him ideas but the director is wanting to do something personal and a film that has something to say. ALEX IN WONDERLAND is pretty much a hippie version of 8 1/2 and I guess it should come as no shock that the highlight of this picture is a cameo by Federico Fellini who plays himself. I think it's pretty obvious that Mazursky was basing this film around his own life since he had just scored his first hit the previous year and I guess this was his attempt to tell people that he wanted to say something important. Self indulgent is something that films get called whenever they try to be smart or pretend they have something to say. Well, sometimes films do have things to say and they come across as a piece of art. When film's say dumb things they become self indulgent, which is exactly what this film is. There are just so many problems with this thing but the biggest one is that we really don't care about the director, his films or his vision of what his films should be about. Nothing that he says is all that interesting and especially when he constantly asks people if they were on an island what three foods would they want. Is that really your great vision? Sutherland gives a good performance in the lead but he really doesn't have to do very much. He pretty much just hides behind his long hair and talks about race or various movie stars. Ellen Burstyn plays his wife and does a nice job but the role doesn't give her too much to do. Besides the Fellini cameo we get another one with Jeanne Moreau, which is strange to say the least. ALEX IN WONDERLAND starts off somewhat entertaining but the more it tries to say something the more boring it gets.

I'm very fond of films made from the late 1960s through the mid 1970s for their experimental attempts to get beyond genre conventions. I had fully expected "Alex in Wonderland" to be an overlooked psychedelic gem. While the film does have some amazing hallucinatory set-pieces (the most elaborate, a violent war in Hollywood with soldiers firing into a crowd while 2 men in top hats and tails dance on a flaming station wagon to the tune "Hooray for Hollywood"), most of the action is plodding. Donald Sutherland as Alex, goes off on many travels and tangents to entertain ideas for his next directorial effort. None of the episodic scenes build on each other and aside for gloriously lensed shots (by Laszló Kovács) of Sutherland in full hippie regalia walking introspectively in a variety of locations, there is little cumulative insight.

"Alex in Wonderland" is an absolutely different kind of film.It is one of those American films which talks about film making albeit in a very superficial manner.This is one of the few weak spots in the film as its narrative shifts quickly from one philosophical or ideological stance to another.This film can also be termed as Alex's adventures in wonderland as its eponymous protagonist film director Alex tries really hard to strike a fine balance between his professional and personal lives.Director Paul Mazursky is able to make his film appear a serious experience for a débutant film director by ensuring that there is absolutely no coherent link between two phases of a director's lives : personal life and professional life.Although Alex's journey in wonderland begins with a truly shocking scene which might be construed as somewhat scandalous by certain prudes,overall story gathers momentum once more pertinent characters are introduced.Paul Mazursky also plays a brief yet important role in this film to make us aware of the fact that not all filmmakers live in wonderland.His film suggests that most film directors live in ordinary surroundings where they try to deal with their strengths and weaknesses in equal measure in order to invigorate their artistic lives.It does not matter if not all viewers would be able to associate themselves with "Alex in Wonderland" and its hidden motives.One thing which can be said is that some serious fans will not be disappointed as they get to see great master of cinema Italian cinema maverick Fellini and French cinema diva Jeanne Moreau.

.....because I have fond memories around it. Yes...it is so very dated. But I remember the tender relationship Sutherland's character had with his family, his wife and two daughters, in this movie. I also remember how entranced I was with Donald Sutherland - the actor. He was so charming. This was the first movie I ever saw with him and the first movie I ever saw in the theater without my parents. It was the first time I was able to go to the movies with friends only, and what a time we had. All five of us silly, giggly, girls....and we couldn't take our eyes off of "THE Donald". So when you watch this movie now on cable or DVD, see NOT a movie of no value, but of a wonderful fantasy vehicle that five little girls took one Saturday afternoon in 1970. What a memory!

It is so blatantly obvious that Mazursky is gently parodying the self righteousness of the hippie movement. When discussing the black uprising movie, it's the black dude who tells him it's a rotten idea. In a more stern observation, his wife is clearly upset and his family life is clearly hitting the skids and he goes on about an acid trip he and his friend took. His wife makes the incredibly accurate observation that he wants her to do what he wants her to do not what she wants to do.

Look I fly a little to the left of the left wing but to blather on about Hollywood being left wing when they want nothing more than to do movies where "things blow up real good" is kind of ridiculous.

The movie is good. It's not great. But it is a keen and well observed characterization of a creative man who is trying to keep his personal and creative life together and vibrant but falls prey to his own self doubts.