Bloody Mama

A gleefully trashy Corman cheapie, with Shelley Winters as the sex-crazed head of a family of criminals. Very bloody and perverse, yet strangely campy, and with good support from Bruce Dern, Robert DeNiro and Don Stroud, in a brilliantly sadistic role. Add to this Winters' fascinatingly overblown performance and you have a classic. Based on a true story, but you'd never guess.

Shelly Winters plays a wild Ma Barker in this decent Roger Corman directed flick about the Barker gang of the great depression era. Everyone playing Ma Barkers sons, who include Robert Deniro, gives a good performance. Bruce Dern also has a small role as sort of an outside member of the gang. The Barker gang is on the run, lead by their fearless mother. They rob banks and whoever they can get their hands on. There is one particular good scene involving Deniro, complete with his Max Cady accent, where he acts on the advances of a young blonde swimmer who flirts with him while he sits on the dock. Her flirty ways turn to terror as Deniro realizes he tells her some forbidden information and can't afford to let her live. Deniro lost 30 pounds for the role. He also told Corman he could drive even though he didn't have a license. Pat Hingle, a great character actor, as a high profile man who the gang kidnaps to get ransom money is also very good. This film is no "Bonnie and Clyde" but I'm surprised it didn't get more attention. Worth a look.

Trashy gangster picture from Roger Corman about Ma Barker and her criminal sons. It's very loosely based on the real people. I won't say it's uninteresting but it sure isn't much fun. It's violent, schlocky, and quite frankly, gross. I didn't care about anybody in the movie, which made it hard to become invested in the plot. It does have a nice cast, though. Shelly Winters gets a lot of flack for this movie but I thought she was pretty good. Robert De Niro appears in an early role. I missed his name in the credits so when I saw him I couldn't believe it was really him. Bruce Dern, Don Stroud, Pat Hingle, and Scatman Crothers are among the other solid actors in the cast. Like I said, it's not much fun but it's worth a look. I did love that corny theme song.

Frankly, there have been better films made about this controversial outlaw. Shelley Winters is great as is everyone else, which is kind of sad, as to what inadequate material they're given, Dern and Stroud, acting highlights, Dern, who attaches himself to Barker and her boys. A much younger and handsome devil, is Deniro (six years before his Taxi Driver days) who fares pretty well, as one of Ma Barker's more meeker sons, and is definitely memorable, especially in one scene with a bathing beauty, rising out of the glistenng waters. A few shoot outs, the film only getting bloody in it's last five minutes, one frank CU shot in particular. The film is very well made, by a B movie legend, and the performances make it, but it's kind of rush rush, where we really don't get enough time, to really get under the characters, or for the story to really take shape. It needed better plotting, and meat to it's story, and this is where the movie, ultimately fails. Like Ma Barker, planning her next move, at a loss, metaphorically speaks, as to where the story should head next. Not without merit though.

This film is Roger Corman and Sam Arkoff's answer to "Bonnie and Clyde". But not only did they take the theme of Depression-era gangsters, they also borrowed the idea of completely eradicating the facts. I would be hard-pressed to name one thing in this film that was based a real event.

That being said, it has some historical merit. Shelley Winters gives a good performance, and has said she was proud of the film (which she oddly enough promoted as a film denouncing violence, despite its clearly violent nature). She even allegedly took a punch to the face, resulting in a nose injury bad enough to get X-rays.

Bruce Dern and Robert DeNiro give some of the earliest performances of their careers, and any DeNiro fan who has not seen him in this is really missing out on his humble beginnings. These days, he is past his prime, making cheesy comedies. But have you seen him before his prime?

Perhaps most interesting, this was the big-screen debut of cinematographer John A. Alonzo. While he may not be well-known, he did go on to film "Harold and Maude", "Chinatown" and "Scarface" and snagged an Oscar nomination. Not bad for a graduate of the Corman School.