Kath encounters the manipulative Sloane in a cemetery and invites him to be a lodger. Her closeted brother, Ed, forbids it, but Sloane seduces both Kath and Ed. Their father recognizes Sloan... Read allKath encounters the manipulative Sloane in a cemetery and invites him to be a lodger. Her closeted brother, Ed, forbids it, but Sloane seduces both Kath and Ed. Their father recognizes Sloane and threatens to expose his murderous past.Kath encounters the manipulative Sloane in a cemetery and invites him to be a lodger. Her closeted brother, Ed, forbids it, but Sloane seduces both Kath and Ed. Their father recognizes Sloane and threatens to expose his murderous past.
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The adaptation of Joe Orton's play Entertaining Mr Sloane is a misfire. Beryl Reid is the middle aged nymphomaniac Kath who spots the amoral narcissistic drifter Mr Sloane (Peter McEnery) lying half naked sunbathing in the cemetery. Kath herself who lives by the cemetery is dressed seductively, a see thorough dress and we initially see her suggestively licking an ice lolly.
Kath invites Mr Sloane to become her lodger and quickly seduces him. Her elderly father, Dada recognizes Mr Sloane as the man who killed his employer and then disappeared.
Mr Sloane is having a fine time womanizing, tormenting Dada and being playful with Kath and her brother Ed (Harry Andrews) who drops by every now and then. Ed seems straight-laced but drives a pink Pontiac and makes Mr Sloane the chauffeur with a tight leather uniform.
The film is supposed to be a grotesque, sexual black farce but the film reveals its hand too early. McEnery is too old as Mr Sloane, he should had been held back as an innocent charmer than unveiled as a murderer as soon as he met Dada. As for Ed, that pink Pontiac gave him away not matter how much of a country gent he tried to pass off as.
The ending was also rather abrupt and disappointing although I suspect a gay marriage ceremony would had been seen as shocking at the time.
Kath invites Mr Sloane to become her lodger and quickly seduces him. Her elderly father, Dada recognizes Mr Sloane as the man who killed his employer and then disappeared.
Mr Sloane is having a fine time womanizing, tormenting Dada and being playful with Kath and her brother Ed (Harry Andrews) who drops by every now and then. Ed seems straight-laced but drives a pink Pontiac and makes Mr Sloane the chauffeur with a tight leather uniform.
The film is supposed to be a grotesque, sexual black farce but the film reveals its hand too early. McEnery is too old as Mr Sloane, he should had been held back as an innocent charmer than unveiled as a murderer as soon as he met Dada. As for Ed, that pink Pontiac gave him away not matter how much of a country gent he tried to pass off as.
The ending was also rather abrupt and disappointing although I suspect a gay marriage ceremony would had been seen as shocking at the time.
A worthy film adaptation from a farcical play by Joe Orton. Really as fresh as the day it was made and only dated in the most endearing of ways. To be honest I have never seen anything quite like it before or since and over the years it has certainly gained a strong, cult following. The cast including Beryl Reid, Harry Andrews and Mr Sloane himself, played by Peter McEnery, are all on great form. Top Entertainment from start to finish.
I first saw EMr.S as a teenager who had just come out of the closet. As a child I was a fan of '60s horror films (Carradine, Cushing, et.al.) and black comedies (e.g., "No Way to Treat a Lady") and suspense/murder ("Eye of the Cat" or "Wylie", "What Happened to Aunt Alice?", "Daddy's Gone a Hunting", "Who Killed Teddy Bear?"). EMr.S, at least as I remember it after 20 years, combined those genres. The title character, handsome and bi-sexual, added the homo-eroticism that made for a very happy young gay movie fan indeed. It also led me to learn that the Brits were years ahead of Hollywood in the treatment of gay characters in movies, and I now count "Who Killed Sister George?" and "The Leather Boys" as other personal favorites.
10rickvan
If you haven't seen this superb film - put it to the top of your "must view" list! Featuring two of Britain's best character actors, the late Beryl Reid and the late Harry Andrews, this scintillating black comedy is based on Joe Orton's wonderful play of the same name. Reid is marvellous as aging nymphomaniac Kath and Harry Andrews provides a superb foil as her roue brother Ed, who both attempt to secure the sexual services of their libidinous lodger, Sloane (played by Peter McEnery). Set in an eerie graveyard lodgehouse and with Alan Webb as their grubby father this brilliant film has gained cult status since its release over 30 years ago and is the only film I can watch - and enjoy - repeatedly.
Have watched this film many times and enjoy it just as much as the first time,a mark of a good film.Joe Orton certainly had a strange sense of humour very evident in this black-comedy.A must see if never seen.Perhaps immoral,so what the blazes its entertaining to say the least.Great performances from the cast.
Did you know
- TriviaThe car that Harry Andrews drives in the film is a Pontiac Parisienne, formerly owned by Pink Floyd's Syd Barrett and re-sprayed pink for the film. You can see Pontiac on the rear of the car when Sloane drunkenly returns to the house one night and Parisienne on the boot when Andrews removes a shotgun from it.
- GoofsWhen Andrews, Reid and McEnery are laying out the dead guy, the 'deceased's movements clearly indicate that he is at least undead.
- Crazy creditsInstead of "The End" the last title reads "AMEN".
- ConnectionsEdited into Arena: A Genius Like Us: A Portrait of Joe Orton (1982)
- SoundtracksBehold, thou hast made my days
(uncredited)
Based on Psalm 39:5
Music by Orlando Gibbons
(choral music used in the opening of the film)
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- Seid nett zu Mr. Sloane
- Filming locations
- Paddington Fire Station, Harrow Road, London, England, UK(Ed pursuing Kemp)
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- See more company credits at IMDbPro
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