After the Civil War, Cord McNally searches for the two traitors whose treachery caused the defeat of McNally's unit and the loss of a close friend.After the Civil War, Cord McNally searches for the two traitors whose treachery caused the defeat of McNally's unit and the loss of a close friend.After the Civil War, Cord McNally searches for the two traitors whose treachery caused the defeat of McNally's unit and the loss of a close friend.
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Being the John Wayne/Howard Hawks fan that I am, I expected great things from "Rio Lobo." Unfortunately, it's one of the Duke's weakest efforts. Howard Hawks has a style all of his own, but none of it is in evidence here. As a matter of fact, the one thing this picture reminds me of is those cheesy A.C. Lyles westerns from the '60s, which were made cheap and loaded with familiar faces like Rory Calhoun, Howard Keel, Rod Cameron, etc.
The biggest problem in this film is the performances of the younger cast members. Jennifer O'Neill is ravishingly beautiful but can't act her way out of a paper bag. Her scenes with Rivero are among the most embarrassing on record. Rivero has trouble with English and seems to be reciting his lines phonetically; O'Neill doesn't seem to have the slightest idea of what she is doing. She steps on other actors' lines, forgets hers, misses cues, and is a pretty good argument for models not being paid for opening their mouths. Future studio head Sherry Lansing has a small part as a Mexican girl who ges beaten up by bad sheriff Mike Henry; she was a much better studio head than an actress. It's up to the old pros like Wayne, Bill Williams, Jim Davis, Victor French and especially David Huddlestson as a frontier dentist to give this picture some semblance of professionalism, performance-wise. Jack Elam as an ornery old codger gives an over-the-top performance that is nevertheless fun to watch. Mike Henry is quite good as a sadistic, crooked sheriff. Yakima Canutt staged the rousing action scenes with his usual flair, and there's a good Jerry Goldsmith score. Unfortunately, however, the trite script and the incompetent performances are obstacles that neither Hawks nor Wayne can overcome. O'Neill has a line early in the film that pretty much sums up her performance: "I'm acting like an idiot, aren't I?"
Yup.
The biggest problem in this film is the performances of the younger cast members. Jennifer O'Neill is ravishingly beautiful but can't act her way out of a paper bag. Her scenes with Rivero are among the most embarrassing on record. Rivero has trouble with English and seems to be reciting his lines phonetically; O'Neill doesn't seem to have the slightest idea of what she is doing. She steps on other actors' lines, forgets hers, misses cues, and is a pretty good argument for models not being paid for opening their mouths. Future studio head Sherry Lansing has a small part as a Mexican girl who ges beaten up by bad sheriff Mike Henry; she was a much better studio head than an actress. It's up to the old pros like Wayne, Bill Williams, Jim Davis, Victor French and especially David Huddlestson as a frontier dentist to give this picture some semblance of professionalism, performance-wise. Jack Elam as an ornery old codger gives an over-the-top performance that is nevertheless fun to watch. Mike Henry is quite good as a sadistic, crooked sheriff. Yakima Canutt staged the rousing action scenes with his usual flair, and there's a good Jerry Goldsmith score. Unfortunately, however, the trite script and the incompetent performances are obstacles that neither Hawks nor Wayne can overcome. O'Neill has a line early in the film that pretty much sums up her performance: "I'm acting like an idiot, aren't I?"
Yup.
After an excellent start with the train ambush, the movie loses steam and never really picks up, an unhappy way for a great director like Hawks to bow out. But I did not get too bored and was happy enough to stick it out to the end, even though the writing is too flat and derivative with echos of half a dozen better movies. Rivero lacks the charisma that could have helped to save things but I do not think O'Neill is as bad as some reviewers claim – not expressive enough with her dialogue at this stage but I think you can see the spark that gave her a respectable career in movies. But, as usual, Wayne saves the day. Even in a disappointing movie like this, that enormous screen presence reminds you just what a great star he was.
OK, put down the film criticism texts and just watch this fun movie for what it is. Feels like a TV movie, but several cuts above one. The opening train robbery sequence is pretty damn breathtaking for a "bad" movie. Bet some action directors have studied that one. "Lobo" is collection of a lot of good Hawks-ian moments recycled, sort of like a retrospective of his bag of tricks ie. "Yer necks broken," etc. The Duke aging, beat up, but still The Duke. Sherry Lansing pretty hot looking in her one role. Jack Elam the scene stealer. Too bad they didn't have the money to cast the other parts better--Mitchum or Martin would have helped a lot. Duke looks a little lonely. Plot sorta strung together, but Hawks was concentrating more on characters in his Bravo/Dorado/Lobo "trilogy." "Smart" dialog, while not up to 30s & 40s banter, still has clever moments by today's standards. Clever rifle bit at the end shows old timers' practical knowledge of things, like weapons. If you like old westerns, you'll like this one. Not among his greatest, but low end Hawks is better than no Hawks. I've seen much thinner stuff win awards.
Involving and fascinating Western with crisp action , masterfully directed by Howard Hawks , being a take-off based on ¨Rio Bravo¨ and ¨El Dorado¨ mold . After the Civil War, Union ex-Colonel Cord McNally (John Wayne ) searches for the traitor whose perfidy originated the defeat of his unit and the loss of a close friend (Edward Faulkner) . The Duke then out to settle some old scores . In addition to an ex-Confederate officer (Jorge Rivero ) and an ex-sergeant ( Chris Mitchum) with whom he forms an uneasy alliance . They go to a little town called Rio Lobo where rules an ominous marshal (Mike Henry) and a heinous baron land named Ketchan (Victor French) . But the Duke takes prisoner Ketchan and imprisons him into jail for being brought to justice . Then he takes on a blockade of gunfighters and the nasty sheriff is out to get his kill-crazy boss . Duke along with a shotgun-toting old loony (the scene-stealing Jack Elam) are besieged and only helped by the Mexican/French ex-captain and the hot-headed Sergeant Tuscarora .
Action western, snappy dialog , shoot-outs at regular intervals, and humor abounds in this magnificent film whose roles are splendidly portrayed . It packs larger-than-life characters, uproarious events and lively happenings. The Duke carries strong acting on his brawny shoulders and perfectly does. It's basically a lighthearted , upside B Western and being mainly lifted out by veteran Jack Elam 's wonderfully acting as a half-crazed sympathetic old man , whose finger itches demoniacally on the trigger every time he gets a nasty guy in his sights . And of course, top-drawer John Wayne , few stars could match his ability to dominate a scene . Delightful supporting cast formed by several youthful costars as Chris Mitchum , Robert's son who starred Rio Bravo ; a gorgeous Jennifer O'Neill , recent his hit in Summer of 42 ; Sherry Lansing's last movie as an actress who married William Fredkin and future Paramount studio head ; Susana Dosamontes who married a magnate and gave birth the singer Paulina Rubio . Glittering Technicolor cinematography by William H Clothier who adds much to the setting of this unique Western . Marvelous musical score by Jerry Goldsmith including emotive guitar playing . This overlong, too much-acclaimed and very gripping Western will appeal to John Wayne fans . Rating : Above average, essential and indispensable Western , a masterpiece horse opera whose reputation has improved over the years . The motion picture is well directed Howard Hawks supported by John Wayne , it's a nice Western made by these two giants . Hawks proved to be a Western expert as ¨Big sky¨, ¨The outlaw¨ and ¨Red River ¨.
Rating : Good and great fun , though over lengthy and displays a number of similarities to previous ¨Rio Bravo¨ , quintaessential Hawks Western at the peak of his powers , starred by Walter Brennan , Ricky Nelson , Angie Dickinson and ¨El Dorado¨ with James Caan , Edward Ashner and Arthur Hunnicut virtual retreat of the previous role played by Walter Brennan and again by Jack Elam in ¨Rio Lobo¨in this second reworking of Rio Bravo; and of course the great John Wayne who repeats in the excellent trilogy .
Action western, snappy dialog , shoot-outs at regular intervals, and humor abounds in this magnificent film whose roles are splendidly portrayed . It packs larger-than-life characters, uproarious events and lively happenings. The Duke carries strong acting on his brawny shoulders and perfectly does. It's basically a lighthearted , upside B Western and being mainly lifted out by veteran Jack Elam 's wonderfully acting as a half-crazed sympathetic old man , whose finger itches demoniacally on the trigger every time he gets a nasty guy in his sights . And of course, top-drawer John Wayne , few stars could match his ability to dominate a scene . Delightful supporting cast formed by several youthful costars as Chris Mitchum , Robert's son who starred Rio Bravo ; a gorgeous Jennifer O'Neill , recent his hit in Summer of 42 ; Sherry Lansing's last movie as an actress who married William Fredkin and future Paramount studio head ; Susana Dosamontes who married a magnate and gave birth the singer Paulina Rubio . Glittering Technicolor cinematography by William H Clothier who adds much to the setting of this unique Western . Marvelous musical score by Jerry Goldsmith including emotive guitar playing . This overlong, too much-acclaimed and very gripping Western will appeal to John Wayne fans . Rating : Above average, essential and indispensable Western , a masterpiece horse opera whose reputation has improved over the years . The motion picture is well directed Howard Hawks supported by John Wayne , it's a nice Western made by these two giants . Hawks proved to be a Western expert as ¨Big sky¨, ¨The outlaw¨ and ¨Red River ¨.
Rating : Good and great fun , though over lengthy and displays a number of similarities to previous ¨Rio Bravo¨ , quintaessential Hawks Western at the peak of his powers , starred by Walter Brennan , Ricky Nelson , Angie Dickinson and ¨El Dorado¨ with James Caan , Edward Ashner and Arthur Hunnicut virtual retreat of the previous role played by Walter Brennan and again by Jack Elam in ¨Rio Lobo¨in this second reworking of Rio Bravo; and of course the great John Wayne who repeats in the excellent trilogy .
I think that most John Wayne buffs would agree that this is a remake of 2 previous picture-"Rio Bravo",and "El Dorado".We have the same characters,the same basic situations,and the same resolutions.What I found interesting is the way that the "Duke"was able to kid his image in this one.He's not just strong,tough,brave,resourceful,and quick;he's also able to show a middle-aged man whose libido might not be as urgent as it was previously.Let's face it,being a lover isn't just performance,but also being tender and"comfortable"(the word that they use in this picture.)Let's not be too hasty about the performances of O'Neill,Rivero,and Mitchum-they were young and needed experience,and they got it in this film.(And Rivero is every bit as tasty looking as O'Neill.Isn't he delectable?)Nice to see Victor French as a porcine,slimy villain,and Mike Henry manages to play against his Tarzan image as the sheriff.I found him tough enough,and certainly brutish,but I didn't see him as quite enough of a sadist to go around cutting up women.David Huddleston does a first-rate job as Dr.Jones.The real acting honors of the evening,however,do go to the redoubtable Mr.Elam.This is a scenery-chewing,rip-roaring,over-the-top performance of such eye-rolling looniness that it's a joy to behold.Watch this film for fun,and don't take it too seriously.
Did you know
- TriviaRobert Mitchum visited his son Christopher Mitchum during filming. Director Howard Hawks asked the elder Mitchum to reprise his El Dorado (1966) role as a drunken sheriff, but Mitchum claimed he was now retired. John Wayne responded, "Mitch has been retiring ever since the first day I met him."
- GoofsWhen uncoupling the train from the locomotive the rebels pull up on a lever opening the knuckle coupler and releasing the car. At the time of the Civil War railroads used a link and pin coupling system. The knuckle coupler was invented by Eli Janney in 1873, eight years after the civil war ended. They are still in use today.
- Quotes
Cord McNally: Do you think you could sneak up on the fella at the gate?
Phillips: I could sneak up on a *coyote* if I've a mind to!
Cord McNally: Did you get that fella at the gate?
Phillips: He's at *another* gate now, lookin' fer *Saint Peter*!
- ConnectionsFeatured in Plimpton! Shoot-Out at Rio Lobo (1970)
- How long is Rio Lobo?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Ріо Лобо
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
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