Bleak Moments

Netflix has most of Mike Leigh's earlier films, including his early BBC films, available for on-demand streaming, so I thought I'd check out his debut feature, being a fan.

The absence of artifice in Leigh's films is always very refreshing. You never get the Hollywood "sheen" on the story. Even when he uses Names, the performances never seem like performances, but rather a scene you would most likely walk in on if you opened the front door of any house at random.

That lack of artifice is particularly glaring in Bleak Moments and one can't help but wonder if this was part of what Leigh was trying to get across: the conversations appear to be shot in first-take improvisational style and if things happen, they do, and if they don't, they don't. He isn't going to force an unnatural performance and you shouldn't expect one, either.

There's a lot going on in these pregnant pauses, however, and many shadings of self-consciousness to sift through before you glimpse the tortured soul behind each character. It is a subtle and classy trick, as other have pointed out, that the least self-conscious and therefore joyous character is developmentally-disabled Hilda.

Occasionally Leigh will show-off a bit, and to good effect, particularly in the fast cut group of headshots prior to Sylvia and Peter's date, but for the most part he plays it cool and just lets us bask in the glow of some great, naturalistic acting.

Mike Leigh's directorial debut remains some forty years later a powerful story which focuses on the ordinary living of a group of Londoners trying to carve out some meager semblance of existence. The true conflict resides within: nearly all of the characters Leigh centralizes on have some form of deep-set emotional turmoil raging inside of them. Sylvia, the main character who lives alone while caring for her mentally handicapped sister and working at a secretarial job she doesn't care for, seems not only disappointed in her life but also helpless in any way to improve upon her current situation.

She attempts to start up some kind of relationship with Peter, a shy and introspective schoolteacher but he seems even more apprehensive and cautious than she. Added to this mix are Pat, a rather talkative friend from work with her own set of issues, and Norm, a really odd but likable hippie-type living next door to Sylvia who attracts her through his gentility and musical ability.

Leigh's ability to probe deep within these characters and expose their innermost pain and turmoil is truly astonishing to see. So much is said with a facial gesture or expression of the eyes. Silence dominates the conversations of these people, leaving the audience ample time to study the atmosphere of the situation and the long-term results of such behavior. Certainly this is a stunning debut and lays the groundwork for future works exploring even further the inner workings of human relations.

Bleak Moments, by Mike Leigh, is an outstanding piece of modern cinema. The characterisation in his first film for the big screen is rich, and as always Leigh mixes the serious and dramatic elements of his film with realism and humour. The film focuses on a woman caring for her mentally retarded sister whilst trying to strike up a relationship with an inhibited schoolteacher. The film avoids unnecessary sentimentality; the relationship between the characters seems as much taken from reality as from dramatic creation.

Some of the film's inherent humour is tremendous, but most noticeable is its accurate but dramatic portrayal of life through the characters' eyes. Mike Leigh may have made more accessible films later on, but this is as good as any of his later works.

Mike Leigh is much more effective in "Bleak Moments" than his later, more popular efforts like "Secrets and Lies". The latter lacks much of the intensity and focus of this film.

The characters in Mike Leigh's films live in different, often isolated worlds. Some haltingly, painfully attempt to communicate and relate to one another. Others just blindly or blithely drift by. There is some caring, often much misunderstanding. In Leigh's later films the characters come to some reconciliation, but there is no such escape for them here. The movie is, true to its name, bleak.

Tom Noonan's "What Happened Was", which is highly recommended to anyone who likes this film, is really a working out of one critical "coffee and sherry" scene in Bleak Moments.

One of the best films I've seen in recent years. 10/10

At one time I believe this was thought as Loving Moments and at the end of the film it thinks that it maybe should be but certainly from the beginning it is very Bleak Moments. The woman is Sylvia the beautiful and smiling luminously as like a Mona Lisa to those around her. She lives alone with her 29 year old sister, Hilda whose is mentally challenged. There is a drifter, Norman he pretends to play guitar and camps in Sylvia's garage although he sometimes goes inside and has a cup of tea, a fag and perhaps a few nuts, maybe five or two. Pat works with Sylvia in an office and she lives with her bedridden mother but would rather have Sylvia's sister instead. The other star is Peter who would like to chat with Sylvia but it seems that even he can't get on better than anyone else. It is all rather uncompromising but maybe the people along will get on as it seems and that there appears it me perhaps not as bleak as it looks.