Harold and Maude

The most indie-esque film to come out of the '70s that I have seen, "Harold and Maude" wallows in irreverence. Suicide is played around with as a theme - never trivialised, but used frequently as a source of dark humour. The unlikely relationship between the titular characters is remarkably sweet and loving, if a little rushed, and the jaunty folk soundtrack uplifts the mood despite the heavy themes. The script is superlative, counterbalancing all the incidents of gore; the film almost comes across as a pre-emptive "Breakfast Club" for the "Fight Club" generation. Desperation and listlessness weighs Harold down, until Maude lightens his existence by showing him how to live for once. Her bubbly persona is the yang to his yin, and the film's quirky comedy cheers the audience as well as Harold with its subtlety. A true unexpected pleasure, "Harold and Maude" is surprising and charming throughout, with enough dark substance to mark it out as truly unique.

I first came to Harold and Maude from a suggestion from an eccentric friend who I thought I would humor by tracking down a 34-year-old movie. What I found, however, was one of the most amazing yet understated movies about the joys of life that I have ever seen. There are many subtle lines that take an extra amount of time and thought with a little self-reflection that can shake the very belief system of the viewer. For example,

"Zoos are full, prisons are overflowing... oh my, how the world still dearly loves a cage."

and,

"Maude: I should like to change into a sunflower most of all. They're so tall and simple. What flower would you like to be?

Harold: I don't know. One of these, maybe.

Maude: Why do you say that?

Harold: Because they're all alike.

Maude: Oooh, but they're not. Look. See, some are smaller, some are fatter, some grow to the left, some to the right, some even have lost some petals; all kinds of observable differences. You see, Harold, I feel that much of the world's sorrow comes from people who are this, (pointing to an individual daisy) yet allow themselves be treated as that (pointing to an entire field of seemingly identical daisies)"

Harold and Maude is about a young person who is full of life and obsessed with death, and an elderly person who is nearing death but is obsessed with life. What is revealed with this strange juxtaposition is that we can only learn to live life to its fullest by following the lessons of the dying. The message that I have taken from Harold and Maude is to live like you were dying!

I only saw this film quite recently but it hopped straight to my number one film of all time. It is beautiful. Bud Cort is charming as Harold and Ruth Gordon - dare I say cute? As Maude. If I look like her when I'm eighty I'll be out there nicking cars and fluttering my eyelashes at policemen too! Maude wrenches Harold free from his morbid and lonely existence to show him how lush and amazing the world can be and he emerges from his experiences a happy man. This is definitely one of the films that (along with say, Fight Club, American Beauty and The Rocky Horror Picture Show) show you can be who you want to be, and you needn't let anyone oppress you. It's brilliant. Everyone should know a Maude. It has inspired me to buy a banjo and play Cat Stevens songs.

This art house favorite is a timeless classic and recommended viewing for all post-Catcher In the Rye teenagers. To modern viewers, the Ruth Gordon creation of Maude probably seems trite, but her Maude was fresh, original and daring in 1970 and the pre-Sophie's Choice twist in her history that Harold discovers was likewise unanticipated by early viewers. Unfortunately, Ruth Gordon went on to recreate this character in lesser films throughout that decade and the character of the eccentric old lady has become rather shopworn.

The Cat Stevens soundtrack is probably one of the most effective use of pop music in film ever.

The self-destructive and needy wealthy teenager Harold (Bud Cort) is obsessed by death and spends his leisure time attending funerals, watching demolishing of buildings, visiting junkyards, simulating suicides trying to get attention of his indifferent, snobbish and egocentric mother and having sessions with his psychologist. When Harold meets the anarchist seventy nine year-old Maude (Ruth Gordon) at a funeral, they become friends and the old lady discloses others perspectives of the cycle of life for him. Meanwhile his mother enlists him in a dating service and tries to force Harold to join the army. On the day of the eightieth anniversary of Maude, Harold proposes her but he finds the truth about the end of the cycle of life.

The cult "Harold and Maude" was a huge success in Brazil for people of my generation with a refreshing and funny exposition of themes like death, love and life through the friendship and love of a teenager and a septuagenarian woman. The complex Harold is a young man that needs the attention of his indifferent mother. He found in his childhood the only moment that she really seemed to be worried about him after a serious accident in school and he uses to fake suicides trying to have the same attention back. Maude is an anarchist old woman not attached to material stuff like properties or collections that steals cars for self-locomotion. Along a few days, Maude gives a lesson of life to Harold, changing his behavior and feelings forever. The performances of Ruth Gordon and Bud Cort in this weird love story are unforgettable and the soundtrack with Cat Steven's songs is another plus. Unfortunately "Harold and Maude" has been forgotten in Brazil by the distributors and neither the VHS nor the DVD has been released in my country; I just have a tape recorded from the cable TV. My vote is eight.

Title (Brazil): "Ensina-me a Viver" ("Teach me to Live")