Firecracker

(1981) Firecracker ACTION

Co-written and directed by Cirio H. Santiago (also credited as co-executive producer) and Allan Holzman that has martial artist, Susanne Carter Susie for short (Jillian Kesner) coming to the Philippines from LA. For the intention of finding her sister, Bonnie who was a photo journalist and has suddenly disappeared. And it is like, by the time Susie arrives and almost immediately, two thieves attempt to break into her apartment and rob her while she is half naked in a hotel room, and of course she beats both of them down. And then, by the time she goes to a bar where her sister "was" staying, both the big bar server, Pete (Pete Cooper) and his server Rey (Reymond King) are then being attacked by Philippine customers and they are beating them down, with Susie joining in the fight. And after that brawl had settled down, Pete and Rey then inform her that the last time Susie's sister was last seen was with club owner, Erik Stallard (Ken Metcalfe). And what is unusual about this particular club is that the stage itself is actually used for one on one fights. Except that as soon as she entered into the club, Erik's #1 fighter Chuck Donner already knew who she was, and that Susie is not just any kind of martial artist, we soon find out that she happens to be a six time black belt karate expert who owns her own dojo back in LA. And by getting Chuck to discourage her, he then offers her 500 bucks to get in the ring with the current winner, and when she does beat him, Chuck does not even pay her. As the movie continues, and is predicted, we find out Susie's sister, Bonnie stumbled onto an illegal dope racket happening with Erik's number one fighter Chuck double crossing his boss to intercept those exchanges by stealing them from his boss, Erik's supplier Grip (Vic Diaz) for the intention of enriching himself.

Acting is bad, the fights are bad, where almost all of them looked fake when people are clearly are not even touched, and react as if they are, as well as the few shoot outs shown when the characters are just waving the guns and the sound effects does the rest. And yes, even king of low budget movies, Roger Cormon is shown on the credits here uncredited as executive producer. From what I've seen I'd give the film two stars for the effort, but because the led actress, Jillian Kesner is very voluptuous, it did motivate me to check out other work she has done Speaking as a heterosexual male it's one of those movies when if the actress is attractive enough, you can some times perhaps look at her all day, regardless how bad her acting and the action is, there are times a persons presence can be sufficient enough.

This movie was probably singularly responsible for my interest in B-grade martial arts movies. I saw it when I was very young (before cable - eeeeek!) on late-night "Kung-fu Theater". The local station had obviously made a mistake and aired the movie uncut - violence, nudity, and all! The epic final fight scene finds the heroine steadily losing pieces of her clothing one item at a time until she finishes the battle wearing nothing but her panties. The sight of her fighting in such a condition forever made me a fan of the genre! See it if you have a chance.

The plot is of secondary importance: something about a female karate champion who goes to the Phillipines to investigate her sister's disappearance and stumbles on a drug ring and a tournament of no-holds-barred fights to the death. The film is mainly a showcase for the beautiful, athletic, voluptuous woman and convincing, tough fighter Jillian Kesner - and I have no complaints there: she has about 10 fight scenes in this movie, the first one of which occurs after only 2 minutes! The production is very cheap, but the fight choreography is actually quite good - not exactly on the level of early Jackie Chan but certainly vastly preferable to the heavily wired, computer-enhanced crap that so often passes for martial arts today. The long scene in which Kesner ends up topless as she tries to fight off two attackers is not just exploitation, but almost a statement: here is this undressed, unarmed, completely feminine woman and these two men can't touch her, can't even go near her without getting hurt. I'm surprised this B-movie mini-classic is so little known today. (**1/2)

I remember seeing this film when I was young. It was being aired on cable, when it first came out. This was great because it was the un-cut version. I somehow was able to get a copy of this when it was aired on late night TV some years ago. I still have the copy with commercials (edited for television). I would like to get the full version. This film had some unforgettable scenes. I have to say that it turned me on to women in the martial arts.

Forgotten, lost, underappreciated. Whatever you want to call it. It's 5.5/10 rating on here makes no sense. I'd rather watch this film, than most of the modern films that most of you are rating 8 out of 10's on here. Then again, this film only has 712 rating votes so far. I find it hard to believe that this hasn't become more of a cult favorite. That is its destiny I would have to say. Eventually it will find enough of its suitable audience and become more well known and appreciated I believe. I've seen it happen to a number of films on here over the years, and I'm often one of the people helping to get these underseen strong films seen by more people. If you like low budget martial arts films that are somewhat funny and exploitive. Don't miss this. It is similar to many other cheesy films of its type, but it has its own unique vibe this film, it deserves more recognition. These types of films aren't for everyone obviously, in fact not nearly everyone. However there certainly is a big audience out there that would appreciate this film if they saw it.

7/10.