In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircal... Read allIn 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla.In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla.
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Erik Chitty
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In many ways this movie is little different from other Hammer horror films produced at the time . It has an inn that doesn`t take too kindly to strangers especially ones that don`t believe in vampires , it`s obvious that the " night " scenes were filmed during the day by sticking a blue filter over the camera lens and there`s some really dodgy effects and make up like the very obvious dummy at the film`s climax
What sets LUST FOR A VAMPIRE apart from other British horror movies at the time is some really superb ( For its day ) T&A on display complete with some lesbian kissing . It`s also good to see some old fashioned buxom women who have never heard of the phrase silicone implants . That`s something you don`t see in horror movies nowadays I can tell you
What sets LUST FOR A VAMPIRE apart from other British horror movies at the time is some really superb ( For its day ) T&A on display complete with some lesbian kissing . It`s also good to see some old fashioned buxom women who have never heard of the phrase silicone implants . That`s something you don`t see in horror movies nowadays I can tell you
"Lust for a Vampire" is the second film in Hammer Studios' "Carmilla" trilogy, also including "The Vampire Lovers" and "Twins of Evil". It's indicative of the direction in which the studio was heading during this time, playing up the sex appeal just as much as the horror content. It also has the added attraction of a tragic, different sort of love story. It's not prime Hammer, but it's certainly watchable, thanks to its blood letting, period atmosphere, and bevy of beautiful women.
The nefarious Karnstein family resurrect the legendary Carmilla - or "Mircalla", in this instance - and she takes up residence at a girls' finishing school in 1830 Austria. Shortly thereafter, a successful author named Richard Lestrange (Michael Johnson) comes to the country, and contrives himself into a teaching position at the school. There he makes the acquaintance of a weak willed instructor, Giles Barton (Ralph Bates), and falls in love with Ms. Mircalla (ravishing blonde Yutte Stensgaard), while some of the local girls go missing.
The title is very apt for this sort of story. The script by Tudor Gates is weak, and not all that interesting, while the direction of frequent Hammer screenwriter Jimmy Sangster is okay if not inspired. One major highlight is the Richard / Carmilla lovemaking scene, but many viewers will be just as happy with the topless shots of some of the actresses. Overall, this all feels pretty familiar, including the finale.
The cast is good. Bates is amusing in a change of pace mousy part, complete with glasses and bad wig. Johnson is likable as the romantic lead. Suzanna Leigh has the right amount of spirit as school employee Janet Playfair. Barbara Jefford is commanding as the conniving Countess. Mike Raven, as the Count, was presumably hired due to a resemblance to Hammer regular Sir Christopher Lee, and he's just sort of there (he's even dubbed, by the distinctively voiced Valentine Dyall). Helen Christie, as ineffective headmistress Miss Simpson, and Harvey Hall, as the understandably angry Inspector Heinrich, are very fine in support.
Viewers who've seen the other films in this trilogy will likely also enjoy this one.
Seven out of 10.
The nefarious Karnstein family resurrect the legendary Carmilla - or "Mircalla", in this instance - and she takes up residence at a girls' finishing school in 1830 Austria. Shortly thereafter, a successful author named Richard Lestrange (Michael Johnson) comes to the country, and contrives himself into a teaching position at the school. There he makes the acquaintance of a weak willed instructor, Giles Barton (Ralph Bates), and falls in love with Ms. Mircalla (ravishing blonde Yutte Stensgaard), while some of the local girls go missing.
The title is very apt for this sort of story. The script by Tudor Gates is weak, and not all that interesting, while the direction of frequent Hammer screenwriter Jimmy Sangster is okay if not inspired. One major highlight is the Richard / Carmilla lovemaking scene, but many viewers will be just as happy with the topless shots of some of the actresses. Overall, this all feels pretty familiar, including the finale.
The cast is good. Bates is amusing in a change of pace mousy part, complete with glasses and bad wig. Johnson is likable as the romantic lead. Suzanna Leigh has the right amount of spirit as school employee Janet Playfair. Barbara Jefford is commanding as the conniving Countess. Mike Raven, as the Count, was presumably hired due to a resemblance to Hammer regular Sir Christopher Lee, and he's just sort of there (he's even dubbed, by the distinctively voiced Valentine Dyall). Helen Christie, as ineffective headmistress Miss Simpson, and Harvey Hall, as the understandably angry Inspector Heinrich, are very fine in support.
Viewers who've seen the other films in this trilogy will likely also enjoy this one.
Seven out of 10.
The absolutely stunning Danish actress Yutte Stensgaard stars as the vampire seductress Mircalla in Hammer films part two of the "Carmilla Karnstein" trilogy. Not a great film but a worthy one for all Hammer/British horror film fans. Originally to be directed by the ace of gothic horror, Terence Fisher, he was injured in a car accident just days before filming started. A good/decent film from Jimmy Sangster, but one thinks of what it could have been in Fisher's hands. MUST viewing for all Yutte fans and fans to be.
While we anxiously await Lesbian Vampire Killers, we can visit a Hammer classic that has loads of naturally endowed women in a finishing school.
While the lesbianism that is inferred is probably just normal boarding school hi-jinks, we are able to enjoy the peaks of pleasure exposed to our view. The vampire Mircalla (Yutte Stensgaard) has plenty of girls to go skinny dipping with.
The teacher Richard (Michael Johnson) is quite taken with the beauty that he fellow teacher (Ralph Bates) believes to be the reincarnation of a Countess that died 120 years previous. Another teacher (Suzanna Leigh) almost buys it after she continues to stick her nose into the problems of dying and missing.
As expected, the villagers finally take matters into their own hands to rid themselves of the problem.
While the lesbianism that is inferred is probably just normal boarding school hi-jinks, we are able to enjoy the peaks of pleasure exposed to our view. The vampire Mircalla (Yutte Stensgaard) has plenty of girls to go skinny dipping with.
The teacher Richard (Michael Johnson) is quite taken with the beauty that he fellow teacher (Ralph Bates) believes to be the reincarnation of a Countess that died 120 years previous. Another teacher (Suzanna Leigh) almost buys it after she continues to stick her nose into the problems of dying and missing.
As expected, the villagers finally take matters into their own hands to rid themselves of the problem.
'Lust for a vampire' is the second film in the Karnstein Trilogy based on the novels by Sheridan le Fanu. The sequel to 'Vampire lovers' starring Ingrid Pitt, and prequel to 'Twins of Evil' starring playboy playmate twins Mary & Madeline smith, 'Lust for a vampire' was hindered in its production from the off set. Legendary Hammer director Terrence Fisher was forced to pull out and Peter Cushing was replaced by Ralph Bates in the lead role. Yutte Stensgaard plays the truly beautiful Mircalla, a lesbian vampire who is torn between her love for her teacher and her lust for blood. This film has a very cosy atmosphere very traditional of hammers work around the late sixties early seventies. The sets are reasonable and although highly criticised for her performance, Yutte does her job well.
I could go on for pages but as an overview I would HIGHLY recommend this film even if it does dabble in as much romance as horror.
I could go on for pages but as an overview I would HIGHLY recommend this film even if it does dabble in as much romance as horror.
Did you know
- TriviaWhile Mircalla is being resurrected, two closeups of the bloodshot eyes of Count Karnstein are not of Mike Raven, but are clearly actually the eyes of Christopher Lee, in a shot cut in from another movie, almost certainly Scars of Dracula (1970). It's probable that the insert was used because of the striking bloodiness of the eyes, coupled with Raven's close facial resemblance to Christopher Lee.
- GoofsWhen the policeman goes down the well, he strikes a safety match. These did not exist in 1830 [ the date given in the film ]
- Alternate versionsFor the original UK cinema release a BBFC cut was made which replaced a topless shot of Amanda with a partially covered one during the bed scene where she is bitten by Mircalla. Video releases were uncut though the 2002 Warner DVD curiously featured the edited cinema print. The 2008 Optimum DVD is the uncut version.
- ConnectionsEdited from Scars of Dracula (1970)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Ataúd para un vampiro
- Filming locations
- Hunton Park, Essex Lane, Abbots Langley, Hertfordshire, England, UK(exteriors Girls Finishing School)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 31m(91 min)
- Aspect ratio
- 1.85 : 1
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