IMDb RATING
5.6/10
6.3K
YOUR RATING
After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.
Nobutake Saitô
- Henchman
- (as Noritake Saito)
Kenpachirô Satsuma
- Gaigan
- (as Kengo Nakayama)
Featured reviews
After the interesting but none too successful experiments Godzilla's Revenge and Godzilla Vs Hedorah,Toho made this film,which sometimes feels like an attempt to make a 60s Monster Zero-type film on a fraction of the budget. Obviously,it's not a good film in the traditional sense,but all the 70s Godzilla films,despite their childishness,cheapness,shoddy effects work,samey plots,and 'wacky' ideas {in this one ,Godzilla and his mate Angilas TALK to each other in the non-Japanese version,whilst the Japanese version has speech bubbles instead!}etc,are fun to watch,and Godzilla Vs Gigan is no exception.
The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.
Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.
The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.
Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.
The film does seem to drag quite a bit. It's not a bad movie, and Gigan is one of my favorite Godzilla monsters. He has a great design, and we even have him teaming up with Ghidorah, one of the monsters who (supposedly died in Destroy All Monsters but is somehow back) is one of the most popular and powerful Godzilla monsters. The creatures don't seem to appear though until almost halfway through the film, and even then, most of the destruction you see doesn't actually show that it's the monsters causing it. Some scenes do quite well, but not all of them. I also feel like they got kinda lazy with the designs for the alien invaders who control Gigan, it's like they just picked a roach out and said "oh yeah, there's a good alien". Toho could have done better than that I think. Overall the film concept is AMAZING but they didn't jump into it very well, a lot of crap goes on that is just unnecessary.
Well the relationships of the Kaiju sometimes change with every other movie. So while Godzilla was fighting Anguirus the first time they met (in the second Godzilla movie that is), later they became allies. As in this one. And it is necessary they team and tag together, because apart from the new (mentioned) Gigan in the title, we also get King Ghidorah as an enemy of earth and humans - which means enemy of Godzilla too of course.
And while there was always communication between the Kaiju, mostly through their screams and cries, this time we get text bubbles with what they mean. Interesting choice and maybe related to the fact they tried to go kid friendly at the time. Also a nod to comics/manga in general? Very likely.
The monster on monster action (get your mind out of the gutter if it is there) is really something to behold - and fun to watch. Men in rubber suits wrestling other men in rubber suits. While humanity looks and hopes/roots for our beloved Godzilla. Obviously there is a lot of History here. Movie history that is. Something you can have knowledge of, but you don't need too. It just gives you more appreciation of what is happening on screen - and might make you understand why effects that seem dated now, where all the rage (no pun intended) back then.
Enjoy if you can, because this is quite the fun ride
And while there was always communication between the Kaiju, mostly through their screams and cries, this time we get text bubbles with what they mean. Interesting choice and maybe related to the fact they tried to go kid friendly at the time. Also a nod to comics/manga in general? Very likely.
The monster on monster action (get your mind out of the gutter if it is there) is really something to behold - and fun to watch. Men in rubber suits wrestling other men in rubber suits. While humanity looks and hopes/roots for our beloved Godzilla. Obviously there is a lot of History here. Movie history that is. Something you can have knowledge of, but you don't need too. It just gives you more appreciation of what is happening on screen - and might make you understand why effects that seem dated now, where all the rage (no pun intended) back then.
Enjoy if you can, because this is quite the fun ride
Godzilla Vs. Gigan has no right to a good review. It makes heavy use of stock footage, has a plot that just barely hangs together, and arguably features the most ridiculous looking kaiju aside from Minya...and yet I love it! The plot, if you can call it that, involves a group of Japanese twentysomethings who stumble upon an alien invasion plot involving-gasp!-a children's amusement park. They unwittingly summon Godzilla after playing an eight track tape, leading to a battle between the Big G, Anguirus, and their old enemy King Ghidorah, along with the grotesque Gigan.
The film suffers from a number of issues, perhaps the most glaring of which is the extensive use of stock footage. At times, Toho did not even bother to match up the footage, with the scenes switching suddenly from day to night and back again. The film also has an anti-technology message, introduced in the last half hour, even more ham-handed than the environmental themes of Godzilla vs. the Smog Monster. The characters never even bother to change their clothes, despite the film taking place over the better part of a week.
Nevertheless, Godzilla vs. Gigan retains a fond place in my memory. It features a good twenty to thirty minutes of sustained kaiju destruction. Furthermore, Gigan, despite its ridiculous appearance, is a surprisingly menacing villain, being the only monster to make Godzilla bleed. In the end, it's a dumb but fun movie.
The film suffers from a number of issues, perhaps the most glaring of which is the extensive use of stock footage. At times, Toho did not even bother to match up the footage, with the scenes switching suddenly from day to night and back again. The film also has an anti-technology message, introduced in the last half hour, even more ham-handed than the environmental themes of Godzilla vs. the Smog Monster. The characters never even bother to change their clothes, despite the film taking place over the better part of a week.
Nevertheless, Godzilla vs. Gigan retains a fond place in my memory. It features a good twenty to thirty minutes of sustained kaiju destruction. Furthermore, Gigan, despite its ridiculous appearance, is a surprisingly menacing villain, being the only monster to make Godzilla bleed. In the end, it's a dumb but fun movie.
I'm a massive fan of kaiju movies so I come to these films predisposed to like them. I've seen most of the original GODZILLA series and am attempting to fill in a few blanks; one of those is GODZILLA VS. GIGAN, a late-entry instalment that pits Godzilla and his old foe Anguirus against new space-monster Gigan and an old enemy, King Ghidorah.
GODZILLA VS. GIGAN is plenty of fun from beginning to end, and the formula for that success lies in having a human interest story that's just as entertaining as the monster stuff. This time around, a group of environmentalists and employees investigate the mysterious owners of a new Godzilla theme park, soon uncovering some dark secrets which inevitably throw Japan into peril.
Godzilla is on good form in what is one of the grisliest of the series (who knew you'd end up seeing a Japanese blood spray in a children's film?). Anguirus is my favourite kaiju monster, purely because he isn't capable of much and it's kind of sweet to watch him getting beaten on so much, so seeing him here was a delight. Gigan proves a deadly foe - especially with that saw! - and King Ghidorah is, well, King Ghidorah. You can't go wrong with that combo, and inevitably GODZILLA VS. GIGAN turns out to be a colourful, action-packed romp.
GODZILLA VS. GIGAN is plenty of fun from beginning to end, and the formula for that success lies in having a human interest story that's just as entertaining as the monster stuff. This time around, a group of environmentalists and employees investigate the mysterious owners of a new Godzilla theme park, soon uncovering some dark secrets which inevitably throw Japan into peril.
Godzilla is on good form in what is one of the grisliest of the series (who knew you'd end up seeing a Japanese blood spray in a children's film?). Anguirus is my favourite kaiju monster, purely because he isn't capable of much and it's kind of sweet to watch him getting beaten on so much, so seeing him here was a delight. Gigan proves a deadly foe - especially with that saw! - and King Ghidorah is, well, King Ghidorah. You can't go wrong with that combo, and inevitably GODZILLA VS. GIGAN turns out to be a colourful, action-packed romp.
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Did you know
- TriviaDespite the film being made for young children as part of Toho's Champion Festival, it is the first in which Godzilla visibly bleeds. Prior to his passing, original special effect director Eiji Tsuburaya deliberately kept blood and gore to a minimum. However the 1970s saw an increase in violence depicted in children's media in Japan. Special effects director Teruyoshi Nakano and the rest of the effects crew were actually inspired to make the fights bloodier because they received fan requests from children who asked why didn't the monsters bleed, so the crew obliged to appease them.
- GoofsDue to stock footage from earlier movies being used, the appearances of Godzilla, Ghidorah, and Anguirus keep changing.
- Crazy creditsIn the opening credits of the Japanese version, colorful lasers shoot from different directions, and pop up into strips within which each credit appears in white text. In the English versions, only the sound FX of the lasers are heard (standard text credits were used).
- Alternate versionsFor the scenes of Godzilla and Angilas talking to each other, word balloons are used in the Japanese version, but Toho's international English version (used for Cinema Shares' edited US print titled "Godzilla on Monster Island"), uses actual English dialogue.
- ConnectionsEdited from Rodan (1956)
- SoundtracksGojira Mâchi
("Godzilla March")
Music by Kunio Miyauchi
Lyrics by Shin'ichi Sekizawa and Jun Fukuda
Performed by Susumu Ishikawa & The Toho Kids' Chorus Group
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Details
- Release date
- Country of origin
- Language
- Also known as
- Godzilla on Monster Island
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $2,413,078
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