Étude in Black

Alex (John Cassavetes) is a very rich and successful conductor. However, he is in a difficult situation....his mistress insists he must marry her and make an honest woman of her or else. But Alex is married and likes his current life, so he decides to kill her. His plan is excellent and well executed and initially it looks like the victim committed suicide. But Columbo is doggedly determined to investigate the likelihood it was murder....after all, he read the script and it IS the "Columbo" show!

I liked the intricate way the murder was orchestrated....it was the highlight of the show. I also liked the introduction of Columbo's new dog....and it's the first glimpse viewers get of a look at Columbo's family (he always talks about his wife but you never see her). Overall, quite good and a pretty typical story for the series.

This Columbo episode is one of the better and perhaps one of my personal favorites. The cast includes Rosemary's Baby John Cassavetes as the maestro, his wife played by Blythe Danner (Gwyneth Paltrow's mom) and his mother-in-law played by Myrna Loy (one of America's greatest leading actresses in film of our time). Anyway I disagree with anybody who criticizes against this film. This episode is one of my favorites because you have an excellent cast who do a superb job in performing. I love watching Columbo with his beloved dog who he never names in the series. This time, the episode focuses in on classical music at the Hollywood Bowl, one of L.A.'s attractions. Of course, Columbo becomes as interested in classical music as he does anything else involving a crime.

Interesting to see this movie 30 years later; it's still good theater, even better TV. I think the unique qualities of this particular Columbo episode may have been largely due to the relationship between Falk and Cassavetes off screen, but it certainly worked in this show. This one reiterated Columbo's quirky, irritating methods; and again, one of the reasons the entire series was so watchable was the low-key progression of the drama. This is one of the few 'cop shows' I ever watch because it's based in human interaction and pyschological issues, not in violent shocks. I think Bochco did a very good job on this film.

ETUDE IN BLACK is one of the strongest of the early COLUMBO episodes, where it seemed the writers could do no wrong. It benefits from the fine acting of guest villain John Cassavetes, who really gets into the nitty gritty, egotistical mindset of one of the world's top conductors, who's forced into bumping off his mistress in order to keep his life perfect.

The story is a relatively complex one, offering few clues for Columbo to get his teeth into, but he does eventually start picking the story apart. Blythe Danner has a nice role as Cassavetes's ice-cold wife, and there's welcome comic relief from the detective's dog, who appears for the first time in the series. Altogether, the production values are very strong, the pacing is decent, and the sense of time and place is exemplary.

Alex Benedict (John Cassavetes) is an orchestra conductor having an secret affair with his pianist. When she threatens to expose him and create a scandal if he doesn't leave his wife, he sees he has no choice but to murder her and make it look as if she had committed suicide. Too bad for him our rumpled detective, Lt. Columbo (Peter Falk), is on the case.

Stephen Bochco has written another razor-sharp episode for the series, following marvelous detail with marvelous detail. We watch the villain commit his murder and set up his alibi for about twenty-five minutes, and we're completely engrossed. Then when Columbo appears on the scene, it gets even better.

We first see Columbo after the murder (as per usual). This time he's at the vet with his new dog. Scenes of purely comic relief are usually the weakest ones in the show (think Columbo's discomfort over the nude model in "Suitable for Framing"). Columbo is hilarious when he's dithering or bumbling deliberately in order to trip up his quarry; but too many writers make the mistake of showing him in a ridiculous light when he's with non-suspects. Bochco, by contrast, shows Columbo a bit awkward with his new pet in a handful of low-key scenes that are funny and artfully integrated into the story. (And I'm grateful he didn't strain for a punchline to Columbo's quest to give the dog a name. As far as we learn, the dog remains nameless.) Bochco gives Columbo some of his best moments in this episode, and Peter Falk makes the most of them. He's particularly good in a monologue where he expresses disbelief that anyone could kill herself, much less this brilliant and beautiful young pianist. And he's even better in his scenes playing cat-and-mouse with Cassavetes. That these two long-time friends and collaborators would play off each other brilliantly is to be expected; and that's what we get. Notice how Alex Benedict can't help but admire the deceptively dimwitted Columbo, even as the brilliant detective is tightening the noose around his neck.

Bochco makes the most of every situation in his script. When Columbo goes to question Benedict's snooty mechanic, of course – of course! – he asks the man to look at his own beat-up heap. And when Benedict finds Columbo at the Hollywood Bowl before rehearsal, of course – of course! – he's on the piano playing "Chopsticks." And what should our audacious lieutenant bring with him but the victim's typewriter with the phony suicide note still in the roller.

Columbo also has good scenes with a precocious little girl (Dawn Frame) and the lovely Blythe Danner, who plays Cassavetes's wife. It's nice to see Myrna Loy show up as Danner's mother, though she does little with her minor role.

The director Nicholas Colasanto (who also acted, most notably as Coach in "Cheers") does a perfectly creditable job, though he follows the lead of nearly every other "Columbo" director by adding one or two silly flourishes. Scenes end by going out of focus and begin by coming into focus. Then there's that bit where Cassavetes sees the carnation he dropped at the scene of the crime – and we see a zoom-in shot of it reflected in his sunglasses. There's also one scene with Myrna Loy and group of old fogies that is atrociously performed by everyone except Cassavetes.

These are quibbles, though. This is a splendidly entertaining episode, the kind that made me a "Columbo" fan.