Garden of the Dead

1972's "Garden of the Dead" served as second feature to topliner "Grave of the Vampire," both titles directed by John Hayes (Christopher Lee's "End of the World"), and shows how the zombie subgenre was still evolving after George Romero's flesh eating ghouls arrived on the scene in 1968. Little more than a threadbare outline as a failed breakout attempt leaves all the convicts dead, only to be revived by their addiction to formaldehyde, gathering up weapons to punish the living. Joe Blasco was a dependable makeup man for such low budget outings, a pasty faced crew with dark rings around the eyes, moving swiftly to kill without warning, and occasionally growling their lines. Among the mostly no name cast is pretty Suzanne Charny, soon to be immortalized by her silent depiction of a snarling vampire in a memorable episode of KOLCHAK: THE NIGHT STALKER ("The Vampire"). Roughly ten years later, both films would see rerelease and be promptly reviewed as 'Dog of the Week' by Gene Siskel and Roger Ebert on SNEAK PREVIEWS.

The convicts at a prison work camp conspire to escape, and escape they do. But they don't make it very far, and the camp officials pump them full of lead. But soon the convicts rise from the dead to terrorize their nemeses.

This very low budget horror opus may be worth a look for the most devoted aficionados of the genre. It may not exactly be high quality stuff, but it's fairly good entertainment. Director John Hayes ("Dream No Evil", "Grave of the Vampire") gives it some solid atmosphere. This is one of those instances where the minimal funding actually works in the movies' favour. It therefore has that irresistible "late show" feeling that always appeals to this particular viewer.

The zombies here do manage to be somewhat unique. They plan, they talk (one thing that they like to say is "We will destroy the living!"), they wield weapons, and they plod around. They're also not that hard to take down. Joe Blasco, who graced a couple of horror and exploitation titles (among them Cronenbergs' "Shivers", "Ilsa: She Wolf of the SS", and "Johnny Firecloud") with his work, supplies the pretty good zombie makeup. While there is some violence throughout this thing, however, there really isn't any gore to speak of.

Dedicated cult cinema lovers are going to recognize a couple of the faces here. Corpulent John Dennis ("Conquest of the Planet of the Apes") is a prison guard, Marland Proctor ("Chrome and Hot Leather") is studly convict Paul Johnson, Jerome Guardino ("Crash!") is a gravedigger, legendary exploitation director Lee Frost ("The Defilers") is McGee, Eric Stern ("The Love Butcher"), is Coler, Virgil Frye ("Revenge of the Ninja") plays zombie leader Bradock, Phil Hoover ("Race with the Devil") is Donovan, and Carmen Filpi ("Halloween 4: The Return of Michael Myers") is cast as Nolan. Sexy Susan Charney supplies the eye candy as Johnsons' wife Carol.

Whether or not one derives any entertainment from this, they can hardly fail to notice how short it is: a runs a scant 59 minutes long.

Six out of 10.

A group of convicts in a corruptly administered work camp get a cheap high by huffing from a tin drum of formaldehyde. They are later killed during an escape attempt, only to rise from their graves and set about doing all the terrible things we've come to expect of zombies.

This is a fairly starch example of skinflint 70s horror, although it does deserve the small-beans honor of being, most likely, the first film to represent zombies as cognitive and dexterous in speech and movement(as opposed to the fish-eyed, lumbering customary type). It would stand to reason that these enhanced capacities should result in more formidable and frightening zombies...unfortunately, they come off as awkward and occasionally laughable.

A slight film of no real importance, GARDEN OF THE DEAD is, at best, sufficient fodder for independent TV station "Tweaking Til Dawn" type shows. Meh.

4/10

Convicts on a chain gang sniff experimental formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. Buried in the prison garden, they rise from the dead, killing all in their path with shovels and hoes who get in their way for their quest to get high once more off the formaldehyde.

Kinda funny premise, no? Starts off pretty good actually. Hayes, made a bunch of offbeat exploitation films but was also nominated for an academy award one time!

They used dry ice for the formaldehyde and of course nobody notices the prisoners sniffing it, and I guess we're not supposed to see the prisoner who laffs when the smoke goes in his face. Must be a minimum security prison cuz the place is surrounded by a wooden-wire fence that would easily be compromised. But escape they do anyway.

My big criticism is this -- it takes half the movie for the zombies to emerge. And let's not forget this movie is less than an hour long! When we see them they have joker like makeup and you can see their chest flesh where the make up ends!

But there IS something about this movie that is different and enjoyable. In a super low budget kind of way. Interesting statement on addiction, anyway.

An escaped chain gang get hooked on a strange brand of formaldehyde-only to be shot dead. This formaldehyde has a strange effect though, as they come back as ticked off zombies.

"Garden of the Dead" is a movie obviously influenced by the far superior "Night of the Living Dead", though it's still a watchable slice of 70's horror/exploitation cheese. Sure, the music doesn't fit, the movie's premise, while not as dumb as say, "The Corpse Grinders", is still incredibly stupid, people do dumb things, and it's poorly acted.

That out of the way, nobody is watching a movie like "Garden of the Dead" for high artistic aspirations. They are watching it because it's laughably bad, but not unwatchable, and oddly enduring in it's own stupid way. Besides, they don't make movies like this anymore, and it kind of makes one wish they did.

That's all in all why I can't rate this movie. On one hand, it's incompetent and dumb on all levels. On the other hand, you can't help but love the stupidity on display. That's why it defies a proper rating in my opinion.