Antony and Cleopatra

Unlike some particularly grating Shakespeare adaptations of recent years, Charlton Heston's overlooked "Antony & Cleopatra" manages to work as cinema and as an adaptation of a work by the world's most famous playwright. The production values-- giant panoramas, expensive battle sequences, glorious period costumes-- are staggering, and Heston comports himself quite well in the triple role of screenwriter/director/actor. Not that I intend to use all my Shakespeare film reviews to bash Kenneth Branagh, but compared to Heston, he's awful, unpalatable in all three capacities. He is that anyway, but even Heston's just-decent acting is well balanced by his expert direction of others. The exception to that is Hildegard Neil, an awful Cleopatra. She has zero dignity in the role, and manages to bear a creepy resemblance to "Rock 'n' Roll High School"'s Principal Togar every now and then. John Castle's performance as Caesar is obviously the best in the film, but still doesn't touch Roddy McDowall's bold, furious, intense Octavian in the Liz Taylor mega-film. Comparisons with that other movie are inevitable, and the winner is hands-down the earlier epic. This version is not very well paced, and, let's face it, it wasn't exactly Will's best dialogue. And Hildegard Neil really drags the movie down a bit, although she's not as bad as everyone says. Visually it's majestic, and that John Scott/Augusto Algero score is certainly pleasing to the ears (though it can't rival Alex North's "Cleopatra"). It's okay, but I can't say I recommend it unless you're on a really serious Shakespeare kick and the only other movies available are Branagh's.

This is Shakespeare lite in the sense that the play has been cut to fit a movie, not a play. It has been done quite well and the balance between movie and classic play is well proportioned.

Where the movie excels is in the locations, the epic battles and the camera work. It is a very strong production in the Hollywood way. It serves as a fine introduction should anyone wish to experience the original text.

The actors are all in good form and make the lines serve their character. The conditional here is Chuck Heston. He is of the Olivier 'ham' school of acting. Each line is painfully rendered, the jaw clenches, the syllables come as if Heston may then expire. There are some parts where he is just fine: the battles, especially but he seems ill at ease compared to the other actors.

Heston managed to "open up" the play without losing the intimacy of the love story. The stately epic lives side by side with the intense love story. When the wounded Antony looks up to Cleopatra's tomb and cries "I am dying Egypte, dying!" I got it. The passions of such great leaders shake nations to their core.

This one is about Heston, on the verge of losing his matinée idol status by 1974 but with the acting seasoning of more than two decades. He tackles Shakespeare and brings his own experiences of filming Julius Ceasar, El Cid and Ben Hur to the table.

It is a labour of love indeed, but also one of determination. Bravo! Still waiting for the DVD with plenty of extras. This film deserves to be re-visited by scholars.

This epic period drama produced in the early-'70s was Charlton Heston's third cinematic performance as Marc Antony a propos of versions of 'Julius Caesar' produced earlier in his career in 1950 and 1970 - the latter starred that great English classical actor Sir John Gielgud as Caesar. Financed by Folio Films, the Rank Organisation, Zurich-based Transac and the Spanish backer Izaro Films and filmed at Madrid's Moro Studios, Alcazaba and Aranjuez plus the deserts of Tabernas in Almeria between June and August 1971 and released in that greyest of hippy years -1972 - this is a very credible, economic production and is full of classical things. I was most impressed by the visual relationships - a vigorous gladiatorial combat scene, the alien pyramids and temples, lavish costumes, interesting props that include a huge marble head of Apollo and statues of Venus, glittery bronze door panels, an ebony throne, high-stepping feather-plumed plumed Roman horses etc plus a lush romantic light classical score composed by John Scott. The abundant Spanish sun is astonishing and the camera records the zeitgeist and passage of time in the summer and autumn of 1971 so well. Heston's grandiloquent performance in some scenes can be compared to the flair of those other important American stars - Marlon Brando and Kirk Douglas in two adventure films: ''Burn!'' (1968-1970) and ''The Light at the Edge of the World'' (1971) respectively, also produced at the end of the '60s/beginning of the '70s. In the aftermath of the Battle of Actium, Heston with his hawk-like profile seems strangely self-willed - sporting an auburn caesar cut and black cape he bestrides the Mediterranean surf like a colossus - he shows an astonishing sense of projection. Antony's death scene - when he is stabbed by his servant features a strange Spanish night-time setting - the subdued light is very evocative while the funeral scene features a monumental square grey-blue slab and other interesting classical world props. The English actors - the young blond John Castle as Octavian and thin, greyhaired and dark-eyed Eric Porter as Enobarbus are very good. Charlton Heston's 16-year-old son Fraser was involved on the set and in an interview from 2009 featured on the retail DVD he remarks that his father was inspired by the 'mystique' of Spain. Hildegard Neil who plays Cleopatra is married in real life to Yorkshireman Brian Blessed who played Augustus in the B. B. C. Period drama series ''I, Claudius'' (1976). For me, this is Chuck's second most interesting performance after his epic role in Peckinpah's ''Major Dundee'' ('64-65) which was filmed in Mexico.

I personally enjoy this version of Shakespeare's play in film form. It's beautifully filmed, directed, edited, acted out, written and the costuming and the sets are lavish. I feel as if I am taken back to ancient Rome and Egypt, I am also taken back to my childhood.

I'm not sure why some have a disdain for it. Some seem to dislike Charlton Heston in this one. To me, he's just as good in this film as any of his other films. But each of us are entitled to have our on opinions about Heston and this film adaptation.

I personally feel this film is a worthy entry in to the epic historical drama realm. It's almost up there with Ben-hur and The Ten Commandments.

7.5/10