IMDb RATING
6.2/10
1.2K
YOUR RATING
Tillie dreads another blind date with Pete Seltzer, who hides his insecurities behind jokes and flirting. Though initially resistant, she gradually warms to him as their relationship develop... Read allTillie dreads another blind date with Pete Seltzer, who hides his insecurities behind jokes and flirting. Though initially resistant, she gradually warms to him as their relationship develops into marriage.Tillie dreads another blind date with Pete Seltzer, who hides his insecurities behind jokes and flirting. Though initially resistant, she gradually warms to him as their relationship develops into marriage.
- Director
- Writers
- Stars
- Nominated for 2 Oscars
- 1 win & 7 nominations total
Rene Auberjonois
- Jimmy Twitchell
- (as René Auberjonois)
Lee Montgomery
- Robbie
- (as Lee H. Montgomery)
Ray Ballard
- Party Guest
- (uncredited)
Sandy Balson
- Party Guest
- (uncredited)
Linda Burton
- Waitress
- (uncredited)
Ed Call
- Party Guest
- (uncredited)
Adele Claire
- Party Guest
- (uncredited)
Jo de Winter
- Party Guest
- (uncredited)
Don Diamond
- Policeman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Carol Burnett and Walter Matthau are middle aged singles at one of socialite Geraldine Paige's famous "parties". Seemingly inexperienced Burnett is unsure whether the wise-cracking and somewhat "obviously interested" Matthau is the real deal. Eventually they hit it off, get married, and have a son, whom they both adore. Time passes, Burnett learns that Matthau freely shares his sexual talents with other women, which he does not attempt to hide. When their school age son is diagnosed with a terminal illness, Burnett breaks down. The couple separates, all friends and acquaintances suggest Burnett get a divorce.
The ending may be somewhat predictable, but it's a much needed "up" from the depressing 20 minutes preceding it. The brief interlude with Burnett and Paige in a "cat fight" is another welcomed distraction from compounding dramatic scenes. Matthau's constant witty remarks become an expected staple, although he does show emotion about the loss of his son.
This is definitely an "adult film", although rated PG. Many issues about urban life and society in general are tackled. Pre-teens would certainly be confused and unable to make sense of some of the plot. Fans of the leads will enjoy this film
The ending may be somewhat predictable, but it's a much needed "up" from the depressing 20 minutes preceding it. The brief interlude with Burnett and Paige in a "cat fight" is another welcomed distraction from compounding dramatic scenes. Matthau's constant witty remarks become an expected staple, although he does show emotion about the loss of his son.
This is definitely an "adult film", although rated PG. Many issues about urban life and society in general are tackled. Pre-teens would certainly be confused and unable to make sense of some of the plot. Fans of the leads will enjoy this film
Carol Burnett and Geraldine Page battle in an all-out throw-down that, as far as I can tell, didn't involve stunt doubles. They get their purses swinging. Garbage cans. Garden hose. But the funniest part of the movie might be the scene immediately preceding the fight, where Page struggles to avoid disclosing her real age. Burnett, who was surely America's greatest TV comic of the 70s and adored by millions, plays it straight down the line. Classy move.
In fact, as a kid in the 70s who watched The Carol Burnett Show with my family pretty much every week, this movie was a revelation. Burnett avoids all of her usual broad mugging that made her so popular. Whether it's in a comic scene or a dramatic scene, she has the acting chops. Watch her face - she speaks no words - as she sits back into her chair after receiving some tragic news. Most ''serious" actresses would have overplayed that scene to the point of pathos.
Walter Matthau shows once again that he had few peers when it came to moving seamlessly from comedy to drama and back to comedy again, often in the same scene.
Rene Auberjonois shows up as the gay friend. I don't know whether that portrayal would be considered overly broad in these perilous times, but he had me convinced. His proposal scene is heart-breaking on so many levels. I mean, this is 1972 we're talking about. It's still a long way from members of the Rainbow crowd being considered among the cool kids, so to speak.
I'm not sure the movie is as good as the sum of its parts. But for the individual performances it's well worth watching.
In fact, as a kid in the 70s who watched The Carol Burnett Show with my family pretty much every week, this movie was a revelation. Burnett avoids all of her usual broad mugging that made her so popular. Whether it's in a comic scene or a dramatic scene, she has the acting chops. Watch her face - she speaks no words - as she sits back into her chair after receiving some tragic news. Most ''serious" actresses would have overplayed that scene to the point of pathos.
Walter Matthau shows once again that he had few peers when it came to moving seamlessly from comedy to drama and back to comedy again, often in the same scene.
Rene Auberjonois shows up as the gay friend. I don't know whether that portrayal would be considered overly broad in these perilous times, but he had me convinced. His proposal scene is heart-breaking on so many levels. I mean, this is 1972 we're talking about. It's still a long way from members of the Rainbow crowd being considered among the cool kids, so to speak.
I'm not sure the movie is as good as the sum of its parts. But for the individual performances it's well worth watching.
There is humor. It's dry and not meant for belly laughs. It's about people who meet late in life and bring a child into the world. It demonstrates that life is difficult in a superficial world as this movie shows the pain that people feel in a modern America. We see how people can live together and never honestly come together as human beings.
I'll treasure this movie for having given me of the my favourite lines, which I have used continually since first seeing this film... when on their first date... given a choice of beverages from Burnett, Matthau says 'whatever's the most trouble'.... that's pure Groucho... and of course the fight between Page and Burnett. A good woman on woman fight is rare in this type of film and the scene on the lawn with the hose is a gem,
I like to revisit this film every few years and still enjoy it immensely. Yeah, it degenerates to soap...too bad...if it hadn't this one might have been WAY up there in the ratings.
I like to revisit this film every few years and still enjoy it immensely. Yeah, it degenerates to soap...too bad...if it hadn't this one might have been WAY up there in the ratings.
Anyone not knowing what PETE 'N' TILLIE was about would think they were about to see a riotous comedy--and for at least half of the time they would be right, since the stars are WALTER MATTHAU and CAROL BURNETT.
The first half dealing with the meeting and dating of Pete and Tillie almost seems like a reprise of Matthau and Elaine May in THE NEW LEAF. Plenty of wisecracks. But then, they marry and things take a turn for the worse when their young son becomes ill from leukemia and passes on. Since Tillie takes it worse than Matthau, there's an emotional segment there for Burnett and she handles it well as a serious actress. GERALDINE PAGE has a nice cameo as the woman who gets them acquainted at one of her parties.
A few other things happen after they decide to divorce, but the viewers are left wondering whether they will or won't get together again. I won't tell you here, you have to find out for yourself.
It's better when it's striving for laughs but, on the whole, it's an uneven blend of comedy and drama that works most of the time.
The first half dealing with the meeting and dating of Pete and Tillie almost seems like a reprise of Matthau and Elaine May in THE NEW LEAF. Plenty of wisecracks. But then, they marry and things take a turn for the worse when their young son becomes ill from leukemia and passes on. Since Tillie takes it worse than Matthau, there's an emotional segment there for Burnett and she handles it well as a serious actress. GERALDINE PAGE has a nice cameo as the woman who gets them acquainted at one of her parties.
A few other things happen after they decide to divorce, but the viewers are left wondering whether they will or won't get together again. I won't tell you here, you have to find out for yourself.
It's better when it's striving for laughs but, on the whole, it's an uneven blend of comedy and drama that works most of the time.
Did you know
- TriviaFirst starring role in a feature for Carol Burnett.
- GoofsThe song Strangers In The Night, first recorded in 1966, is heard on a jukebox in a scene set several years earlier.
- Quotes
Tillie Shlain: Honeymoon's over. Time to get married.
- ConnectionsFeatured in American Masters: Carol Burnett: A Woman of Character (2007)
- SoundtracksLove's the Only Game in Town
Music by John Williams (as John T. Williams)
Lyrics by Alan Bergman and Marilyn Bergman
- How long is Pete 'n' Tillie?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Peter und Tillie
- Filming locations
- Mill Valley, California, USA(fight scene in front of police station)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $18,966,000
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 2.39 : 1
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