A mutant sheep is on the move near a ranch in the American West.A mutant sheep is on the move near a ranch in the American West.A mutant sheep is on the move near a ranch in the American West.
André Brummer
- Garbage Mike
- (as Andre Brummer)
- Director
- Writer
- All cast & crew
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Featured reviews
An parable for all conscientious sheep farmers : you can like your sheep, just don't love them; the result could well be an 10 foot sheep/man monster that your mother may have qualms about taking down to the local shops in a baby buggy.
I particularly liked the picnic scene where some children gaily enjoy their outdoor feast, ignoring the farmyard monstrosity clumsily approaching with lopsided gait until it is about 6 inches away from them; upon which they rapidly disperse with all the gritty realism of extras being cued to look surprised. Lack of peripheral vision must have been a genetic defect amongst the inhabitants of this mid-western town.
Definitely worth seeing, if only for the fact that no-one else you know will have seen it and you will be newly respected for discovering a potential cult gem. Whilst everyone else will be talking about pods and aliens and men turning into flies, you will receive awed silence as you describe the exploits of an enormous wobbly upright mutant sheep.
I particularly liked the picnic scene where some children gaily enjoy their outdoor feast, ignoring the farmyard monstrosity clumsily approaching with lopsided gait until it is about 6 inches away from them; upon which they rapidly disperse with all the gritty realism of extras being cued to look surprised. Lack of peripheral vision must have been a genetic defect amongst the inhabitants of this mid-western town.
Definitely worth seeing, if only for the fact that no-one else you know will have seen it and you will be newly respected for discovering a potential cult gem. Whilst everyone else will be talking about pods and aliens and men turning into flies, you will receive awed silence as you describe the exploits of an enormous wobbly upright mutant sheep.
No, folks, this is NOT a no-budget horror flick from the seventies. Look again - it's well-shot, well-staged, and, if anything, it's wildly overpopulated with enthusiastic minor characters and extras.
Godmonster isn't like anything else you've ever seen, heard, read, smelled, or tasted, with the possible exception of a Thomas Pynchon novel. Like Pynchon, Hobbs keeps piling on plot until you think the plate in your head is going to shatter. And then you realize that it's only the first thirty minutes. And it keeps coming at you and it WON'T STOP.
I've seen them all, from Acid Eaters to Zombie Nightmare. I've laughed at Begotten, wept over Forbidden Zone, sat amazed at semi-legal prints of White Dog with Dutch subtitles and Addio Uncle Tom with Greek subtitles.
I've got Killer Klowns in Spanish.
But Godmonster is the last stop on the line. I wish this WERE a crappy rubber-suit monster movie. It'd be vastly less disturbing.
Godmonster isn't like anything else you've ever seen, heard, read, smelled, or tasted, with the possible exception of a Thomas Pynchon novel. Like Pynchon, Hobbs keeps piling on plot until you think the plate in your head is going to shatter. And then you realize that it's only the first thirty minutes. And it keeps coming at you and it WON'T STOP.
I've seen them all, from Acid Eaters to Zombie Nightmare. I've laughed at Begotten, wept over Forbidden Zone, sat amazed at semi-legal prints of White Dog with Dutch subtitles and Addio Uncle Tom with Greek subtitles.
I've got Killer Klowns in Spanish.
But Godmonster is the last stop on the line. I wish this WERE a crappy rubber-suit monster movie. It'd be vastly less disturbing.
GODMONSTER OF INDIAN FLATS is a monster sheep movie, but that's only a portion of this nonsensical mishmash. Some of it plays like a weird western, occurring in modern times. Imagine if Ed Wood and Al Adamson got together, and directed BLAZING SADDLES, and it all comes clear.
Complete with humans "bleating" over sheep footage, mad science, a secret cowboy cult, and a deformed sheep fetus, this movie weaves its tale of sheer idiocy. Duller than glass smeared with sheep-dip, 99% of the "action" has nothing to do with monster sheep.
The title creature -resembling a pulsating ham- is kept in an incubator for most of its limited screen time. By the time it does fully emerge, most sane viewers will have slipped into a death-like state.
Yes! A woman dances with a giant mutant sheep! Yes! It ruins a child's party! Yes! It blows up a gas station! All in the final 10-15 minutes!
In short, someone was at these tourist trap locations, and said, "Hey! Let's come up with a story, so we can run around these local landmarks!". Alas, this isn't the best way to make a movie.
The lone star is for the woolly behemoth's scant appearances, and the movie's apocalyptic, Shakespearean, cowboy denouement at the city dump!...
Complete with humans "bleating" over sheep footage, mad science, a secret cowboy cult, and a deformed sheep fetus, this movie weaves its tale of sheer idiocy. Duller than glass smeared with sheep-dip, 99% of the "action" has nothing to do with monster sheep.
The title creature -resembling a pulsating ham- is kept in an incubator for most of its limited screen time. By the time it does fully emerge, most sane viewers will have slipped into a death-like state.
Yes! A woman dances with a giant mutant sheep! Yes! It ruins a child's party! Yes! It blows up a gas station! All in the final 10-15 minutes!
In short, someone was at these tourist trap locations, and said, "Hey! Let's come up with a story, so we can run around these local landmarks!". Alas, this isn't the best way to make a movie.
The lone star is for the woolly behemoth's scant appearances, and the movie's apocalyptic, Shakespearean, cowboy denouement at the city dump!...
4emm
You aren't gonna find a movie like GODMONSTER OF INDIAN FLATS at your local Blockbuster! If you have briefly seen clips of this one on the TV program REEL WILD CINEMA, then you've already had a fair idea of how weird this turned out to be. For those who have never seen this one before, let me explain further. It's another no-budget creation that is by far remaining to be extremely unusual to this day. Our late-night creature feature concerns an embryo that later becomes a giant eight-foot killer SHEEP monster ready to attack a small Nevada country town. (That's right, I said "sheep"!) Just as THE MIGHTY GORGA did with horrible costume design, so does this obscure film, having another ridiculous outfit in the history of cinema! It appears similar to another goofy costume on a kooky Kroft kiddie show! Notice that one arm is over twice as long as the other! And watch how this monster walks, too!
There has to be more to this utterly unknown artifact. I can honestly tell you that this is the second film I've watched containing the name Frederic Hobbs, another "lost & found" director who must have made the silliest movies ever printed on a negative. Unfortunately, he did only three films; the more familiar one is ALABAMA'S GHOST. He also designed (yes!) the ugly sheep costume that is present in this film. Did his career backfire or something? There's no telling!
An interesting fact according to a description written by BASKET CASE director Frank Henenlotter: the movie was played theatrically in 1973 until patrons suffered from massive seizures that later cut short of the film's circulation. This was due to the flashing colors of red that occured in scenes where the sheep was held in captivity during an experiment. The effect looks far better than the costume. At least this one accomplished a few good visuals such as the creeping red-orange smoke. The only thing that looks better is the silly script that contains scenes from a messed-up episode of "GUNSMOKE", which has NOTHING to do with the movie! It also has what may very well be the looniest, dumbest ending ever recorded on film!
I find this title interesting. Completely interesting! Interesting for its rare view of the drive-in theater that once ran a bunch of one-shot sleepers! Not a classic (and why should it be one?), but an entertaining staple to fill up those night owl minutes. It's a sure sign of how many more strange, lost, and forgotten movies are waiting to be recovered!
There has to be more to this utterly unknown artifact. I can honestly tell you that this is the second film I've watched containing the name Frederic Hobbs, another "lost & found" director who must have made the silliest movies ever printed on a negative. Unfortunately, he did only three films; the more familiar one is ALABAMA'S GHOST. He also designed (yes!) the ugly sheep costume that is present in this film. Did his career backfire or something? There's no telling!
An interesting fact according to a description written by BASKET CASE director Frank Henenlotter: the movie was played theatrically in 1973 until patrons suffered from massive seizures that later cut short of the film's circulation. This was due to the flashing colors of red that occured in scenes where the sheep was held in captivity during an experiment. The effect looks far better than the costume. At least this one accomplished a few good visuals such as the creeping red-orange smoke. The only thing that looks better is the silly script that contains scenes from a messed-up episode of "GUNSMOKE", which has NOTHING to do with the movie! It also has what may very well be the looniest, dumbest ending ever recorded on film!
I find this title interesting. Completely interesting! Interesting for its rare view of the drive-in theater that once ran a bunch of one-shot sleepers! Not a classic (and why should it be one?), but an entertaining staple to fill up those night owl minutes. It's a sure sign of how many more strange, lost, and forgotten movies are waiting to be recovered!
GODMONSTER OF INDIAN FLATS is a passable grade z movie that's more interesting as a time capsule than a "it's so bad it's good" movie. Some scenes are unintentionally hilarious, like when the sheep monster sneaks up behind the kids who are picnicking, or when the guy from the garage runs away in terror, with the monster tip-toeing "menacingly" towards him. And the ending as to be seen to be believed (did they lose the script?) but the production values are better than most grade z movies and in the end, the movie is not that wretched or trashy enough to be entertaining. Fans of bad movies should check it out but it's more of a rental than something you buy. You should buy the GODMONSTER OF INDIAN FLATS DVD for the second feature on it, called THE GIRL AND THE GEEK (or PASSION IN THE SUN). Now that's an amazingly bad and hilarious movie.
Did you know
- TriviaRiffed by the RiffTrax crew & released in March 2018.
- Quotes
Mayor Charles Silverdale: AN EYE FOR AN EYE! VIOLENCE IN THE NAME OF JUSTICE CONTROLS THE MASSES! IT ALWAYS HAS! DO YOU HEAR ME, BARNSTABLE? I BEAT YOU! TIME IS THE ETERNAL JUDGE OF EVENTS! DO YOU HEAR ME, BARNSTABLE? DO YOU HEAR ME? I BEATEN YOU, BARNSTABLE! BARNSTABLE!
- ConnectionsFeatured in Extra Weird (2003)
- SoundtracksSymphony No. 4: III. Fugue - Andante moderato
Composed by Charles Ives
Performed by American Symphony Orchestra
Conducted by Leopold Stokowski
- How long is Godmonster of Indian Flats?Powered by Alexa
Details
Box office
- Budget
- $135,000 (estimated)
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