A River Called Titas

Again an uneatable work by Ghatak.At least for the Westerner, who does not have much of a clue about Hindouistic mythology and the life style of the Bengali people. Confusing. Contains scenes where someone tells short stories. Deterrent for good film making. Hitchcock would have not liked.

I tried to remember pieces of seeming senseless conversation parts. I could for one: "I knew a man who could recite the whole Mahabharata ..." Would you embrace and be impressed by a Western film wherein you hear someone stating: "I know a man who knows the whole Bible by heart"?

These may be cultural relativity. But filmmaking should not be dependent so much on it, especially its technical aspects. I have hardly ever seen a worse photography, a worse soundtrack. When the scenery consists of a talking group of people, we see them occupying the lower third of the frame, the lower limb cut off. About half of the frame is filled by the sky! No sort of surrealism or experimentation or exxageration.

The sound in the mostly open air, natural village background sounds shouting like if recorded in a narrow hall.

The storytelling here is segmented and leans heavily on symbolism, but the acting is distractingly poor. It is difficult to stomach the dialogue, but that may be a translation/captioning issue.

I am just trying to justify my rating of the film (9 out of 10) which demands a perusal of its technical excellence.

This film is an adaptation of Adwita Malla Burman's Bengali literary classic under the same title. It is tale of those marginal people belonging to a poorer fishing community who live from hand to mouth. Exploring different sectors of life is one of the most amazing aspects of both the film and the novel.

The film sequences are maintained in parallel to the novel. The film has brilliant editing and that makes it very dynamic and fluent. Fade-ins and fade-outs for transition are used in many cases. The film seems to be gradually acquiring technical sophistry. Fixed frame is used in many cases and the camera movement is kept at a minimal level at the beginning of the film. Panning, tilt-ups and tilt-downs are countable. But this 'apparently' mediocre camera usage could not amputate Ghatak's craftsmanship. Some continuity cuts during the long duration shot of 'Dourer Naw' (Boat for Running Races) certainly deserve positive appraisal. The film has some stunning close ups. They really deserve applause. The close ups are symbolic and very well-articulated.

Negative aspects are minimum but they cannot be overlooked as they have an effect on the film. Sometimes the characters deliver speeches in a word or two in urban Bengali which betray the realism their acting. The film has got only two framing errors. It is the disadvantage of using fixed frame. Moreover the spectators are captured who came to watch the shooting for once (while Basanti was engaged in a fight with her mother) in the film. In another case, probably the prompter is captured or the person may be another spectator while Kader Mian was arguing with his daughter-in-law. The sequences sometimes seem to be incredulously positioned. Moreover, they seem to be hastily pushed towards their respective ends. But Ritwik's crave for stark realism is praiseworthy. Other than these, this film is technically perfect.

The film is a must watch for having a better exposure of the lives of marginal people of a third world country. Technical excellence is another reason to watch this film.

This film by somewhat neglected Indian director Ritwik Ghatak is one of the most unusual I have ever seen. The stories are set among the harsh life around the banks of Bangladesh's rivers (one of the poorest regions of the world). It tells several gruesome tales: abductions, escapes, living among strangers, death, though the characters go through this with the resignation of someone who knows that life is hard and always have been. Now, having seen this film more than a decade ago, I cannot recall all the details. But the unusual part is the way this story is told. It puts a character at the center of the story for, say, twenty minutes, and then it moves to another character, who was playing a minor role in the first story. And then to another character, and so on. It is a collection of stories, but loosely (or not so loosely interconnected). Overall, a fine tapestry of life in one of the poorest parts of the world.

1. River and River and life related to that clearly depicted in the film Titas( Name of a river and peoples around it ) Ekti Nodir Naam ( Name ).

2. Clearly depicts how peoples of different religion lives side by side without effecting their livelihood. and still role is being played by the peoples who are rich and who are poor . In the name of religion , they created sect , actually which represents the privileged peoples and peoples who lives on fishing, farming and united . But some how money divides them actually rich uses it as a tool to destroy the unity and peace of a community.

3. River scenes, Boats and Rain greatly depicted in the film, excellent cinematography