Dark Places

I have been looking a long time on the internet for this one and the only copy available is a DVD-r made of a video rip so I guess this is probably as good as it gets. And how good it gets indeed! Wonderful Hammer-style gem, creepy deserted house, hidden money and a tragedy from long ago that lies hidden in the walls. Robert Hardy (also active in similar flicks like Psychomania) lives up to his name of being an actor of versatility and depth. His transformation into the previous landlord of the house he has bought, is so well done you see his whole Shakespearian career in a flash. As if Joan Collins as femme fatale (and Jane Birkin!) isn't enough to make this a top notch cast, Christopher Lee plays her untrustworthy brother. So we are all set! I always love they way how Joan Collins manages to make being strangled look to sensual, it makes you think she has done it before - which she did in Tales From The Crypt but there it was Santa. And she did it again. When it came to the classic scene in Dynasty she had practiced this to perfection; who doesn't remember Blake trying to take the breath out of her? It would be great if this movie became more widely available on DVD in good quality.

I mean it.

I investigated systematically on the ghost genre and I can say this is one of the scariest ones. It surprised me, i didn't expected much from it, but it's very skillfully done, the way the flashbacks (or dimensional passages) start and stop are a masterwork.

It's a sort of a cheesy film but somehow, at the same time, is an excellent piece of cinema.

Here's the scariest scene of all my investigation: the one where our hero is knocking on the house's walls to find the place where the money is hidden, as he is tortured by the children voices, and they go "no, no ,no, no , no..."

You should see it if you didn't. And in the case you like it, try "The Haunting", "The Innocents" and "Picture of Jenny".

As far as I know, director Don Sharp, from the same genetation as Terence Fisher, Freddie Francis, Val Guest and Sidney Hayers, did not direct any horror films, except KISS OF THE VAMPIRE, CURSE OF THE FLY, and this one, an haunted mansion scheme film, his first. Don Sharp was a damn good and efficient film maker, very professional, and he had no proper style. He also made some AVENGERS series episodes, as John Hough, who also made a good haunted mansion mystery yarrn: LEGEND OF HELL, same year as this one. Nothing to do, concerning this one - DARK PLACES - with the today THE CONJURING or SINISTER US films series. It remains British but so efficient without being really horrific. It remains more a psychological drama than a pure horror film.

This film is rather entertaining but the chills are pretty weak. However, it has strong leads by Robert Hardy and Christopher Lee. I bought this video for five bucks at the Reject Shop, so what was I expecting? Not much, obviously.

This 1973 UK thriller sees Robert Hardy (who had previously starred in Hammer's "Demons of the Mind") play Edward Foster, the former Head of an Asylum who gets called to a patient's - Andrew Marr's - death bed, and ends up inheriting his house where a significant amount of money is hidden. This prompts certain interested parties to become part of Foster's life, namely a scheming brother and sister and the estate's solicitor; however, the house's murderous past comes back to haunt them all....

Despite some clichéd elements to the script (cynical townsfolk; noises reverberating around the house etc.) this is a film which clearly had a lot of potential on paper but it really doesn't get out of first gear until the last half hour when the central themes of the plot become clearer. The interweaving of past and present with Hardy interchanging between both Foster (present) and Marr (from the past) in certain sequences is hardly seamless and is patchily handled.

On reflection, the supporting cast don't really get that much to do considering that the 3 of them (played by Christopher Lee, Joan Collins and Herbert Lom) are all hell-bent on finding the money. Lee in particular seems to be more of peripheral figure than you would have expected.

Perhaps another thing to undermine it's psychologically thrilling aspirations is the script-writers' under-appreciation and under-usage of the story's more substantial "horror" or "thriller" elements occurring at night. It clearly dilutes the central thrills of the film.

Hardy does a decent job of portraying the gradual decline in sanity of his characterisation; and due to its little-known status this film might well be worth a look at, but to my mind, it could have been handled and executed a lot better.